Top 30 Actresses in Moviedom circa around 2016

I was digging through some old files and noticed I ranked the top 30 actors and actresses:

There were four clear contenders for the top spot. The two Cates (Blanchett and Kate Winslet) are the go-to actresses for auteurs and in nearly twenty years of high-profile acting  have displayed a seemingly endless range for Oscar-caliber projects. Blanchett is penalized a little because she’s so chameleon-like and doesn’t have any star persona. Winslet is penalized a little because she wasn’t on any particular hot streak before Steve Jobs (which got her an Oscar nomination but which no one really saw) as evidenced by the disaster that was Jason Reitman’s Labor Day.

Lawrence is on fire, as Alicia Keys wrote a song to attest, with two franchises she’s successfully helmed and more Oscar nominations than any  25-year-old really needs. However, she could be in danger of being ghettoized if she chooses to do all her tentpole films with David O Russell. For non-DOR fans, she is soon to fall off their radar as the lack of success Joy had in finding an audience showed. There’s also some debate about whether she can master an older woman but that’s based on whether you think she pulled Joy of f (she mostly did).

That leaves Charlize Theron, who is acertifiable action star. She’s been recognized as a high-caliber actress for a dozen years now, has the hardware to show for it, and has a certain edge to her screen persona that sells. With sheer talent and appeal, I’m comfortable naming her #1.

1.      Charlize Theron

2.      Cate Blanchett

3.      Jennifer Lawrence

4.      Kate Winslet

5.      Meryl Streep-Universally considered the best actress of her generation, Streep continues to take risks and interesting choices while also doing broad appeal films like Mamma Mia, Lemony Snicket, It’s Complicated, Prime, and some might say Ricki and the Flash (in theory, this film should have broad appeal). She’s aging gracefully and is a threat to get an Oscar nominated nearly every year

6.      Scarlett Johansson-Although she’s never been Oscar-nominated, she’s come close enough a few times that she’s considered high-calliber. She also has several Golden Globe and BAFTA nominees and has been an established actress for a dozen years. She’s a certifiable action star, and on the art side, has made boundary-pushing choices whether Lucy, Her or Don John’s Addiction. It says a lot that a younger director like Joseph Gordon-Leavitt thought she could handle a mature role.

7.      Julianne Moore-She’s obviously hot because she just won an Oscar and consistently brings in great preformances. She’s been in romantic comedies, art house films, and adaptations BUT she’s #7 and not in the top 5 because occasionally her best performances are for obscure films. She won an Oscar for Still Alice but did anyone see Still Alice? Free Held, Maps to the Stars and, in the past, The Prize Winner of Defiance Ohio didn’t even get widescale distribution.

8.      Amy Adams-The female answer to Leonardo DiCaprio. She has the make and temperament of a character actress but she has shown the ability to hold her own as a lead (she outacted Jennifer Lawrence  in American Hustle) and her filmography is so full of good films, she brings John C Rilley or Phillip Seymour Hoffman  to mind.  Man of Steel brings Tentpole Credentials and going back to 2007, so does Enchanted. She also has done comedy like Talladega Nights or The Muppet Movie pretty aptly.

9.      Naomi Watts-How often she appears in film is relative but her talent alone groups her in the top tier. Like Nicole Kidman, she’s chameneon-like in accents and although this is three years ago, The Impossible was very Dicaprio-like in the rigor of the shoot.

10.  Rooney Mara-Although her filmography is relatively short (not as short as Hailee Steinfeld or Soisre Ronan), she has made strong marks in everything she’s in. Even small supporting roles in Social Network or Her garnered her attention. She has about a 50% chance of winning an Oscar for Carol but even if she doesn’t, she’ll likely be back.

11.  Keira Knightley-Authentic English actors and actresses always get a boost in bankability because so many period pieces (even things not explicitly set in England like Troy or Merchant of Venice) that require an English thespian. On top of that, Knightley is hip and cool and has a modern sensibility. She could easily fit into a Diablo Cody or Noah Bombauch work (Begin Again or Seeking a Friend for the End of the World might not have been written explicitly by those two but they were in that mold). Plus, she can swashbuckle AND sing.

12.  Anne Hathaway-An Oscar winner at the right age to play a wide range of parts, her public persona is a bit polarizing. She did do action in Get Smart and sang in Les Miserables. Even though she’s been on SNL, her comic chops are not particularly strong IMO.

13.  Rachel McAdams-Introduced to Hollywood in a villainess role in Mean Girls, she’s tackled a wide range of parts working with Terrence Malick, Woody Allen, Thomas McCarthy and kicked ass in Sherlock Holmes and a Most Wanted Man. Turned a best supporting actress nomination in a competitive field. She’s also a very strong romantic lead.

14.  Sandra Bullock-The female counterpart to Matthew McConaughey in that she was seen mostly as a romcom type of actress with a bubbly personality but her 2009 Oscar gave her a makeover and the follow-up Oscar nod in Gravity gave her a lot more leverage in being taken seriously.

15.  Emma Stone-This might just be me  but I have trouble not seeing her as a teeny-bopper sor tof star even though we’re apparently 5 years removed from her high school roles in Easy A and Scott Pilgrim vs. the World. She’s had a respectable turn in the Help, starred in two of Woody Allen’s most invisible films and her big Oscar-nominated turn in Birdman (which I’m pretty sure would not have materialized if she wasn’t acting in the eventual BP winner) was still that of a teenager. I think it might still be a while until she’s taken seriously as an actress who can play 30+.

16.  Judi Dench-If you need a senior citizen, she’ll work in nearly every film, but IIRC, she’s getting to the age where she might have to stop acting soon. I believe I’ve heard her eyesight is going.

17.  Jessica Chastain-Two Oscar noms in the past five years and a very close call last year for a nominaion as well. Not to mention she’s been in four Best Picture nominees-The Martian, Zero Dark Thirty, Help, and Tree of Life- in that time period as well. She’s also won a Golden Globe and two NBR awards. With Interstellar, The Martian, Zero Dark Thirty, and a Most Violent Year, she has a very good track record of interesting film choices

18.  Helen Mirren-Very versatile actress and  not as old as she looks (she’s 70), but she gets relegated to senior citizen parts even though she gives those senior citizen roles a surprising sex appeal. She still gets awards buzz here and there (Woman in Gold and Trumbo in this year alone). Also worth noting, Woman in Gold got $33 million domestically  at the box office. Extremely impressive for a film no one’s ever heard of.

19.  Alicia Vikander-It’s hard to properly rate someone who’s been in the public spotlight for exactly one year. Man from Uncle, Ex Machina, The Danish Girl ere all great performances and she could even win an Oscar and just won a SAG award, but it’s just one year. The longer you’re in the public eye the better chances you have of working up a fan base.

20.  Nicole Kidman-The first time I wrote a list like this in 2009, she was #1 and she’s still just as good but a lot of her films are not wide-release. Her best role in the last half-decade, Paperboy, was mostly enjoyed ironically by people. The Oscar campaign for that role was something along the lines of  “Let’s give an Oscar nom to someone in a bad movie for once!”

21.  Soisre Ronan-I tend to group her, Haile Steinfeld and Carey Mulligan together in the same boat. Women who got Oscar noms at young ages and subsequently got set up with expectations as the next big thing. Of the trio, Ronan has had the biggest cult. Carried Brooklyn to a BP nom this past year.

22.  Kristen Wiig-Some might disagree but she wasn’t as well-known on SNL as Maya Rudolph, Amy Poehler and Tina Fey. Those three were known as Hollywood royalty. Wiig had the most screentime of anyone on SNL in her later years, but there was a good chance if you didn’t watch SNL during those years, you wouldn’t have known she was on. Since leaving, she’s had a game-changing megahit in Bridesmaids, has taken value-added supporting roles in nearly every comedy to come out, and has won critical acclaim in a wide variety of indie films.

23.  Emily Blunt-This is more wishful thinking because somehow I don’t think Blunt is quite A-list yet, but I see no reason why she shouldn’t. I don’t even understand why she wasn’t nominated for Sicario. She can play a brooding, introspective star, she can do dramedy (Sunshine Cleaning, Devil Wears Prada), she did period (Young Victoria), and she has edge.

24.  Reese Witherspoon-Wild was one of the best performances of any actor last year IMO and she deserved an  Oscar, but she’s so ingrained as the ingénue that it’s sometimes hard to see her outside of that typecast. Even Walk the Line had her playing a version of that Southern Ingenue. It’s also been well over a decade since she became a tentpole star with Legally Blonde.

25.  Claire Danes-Bryan Cranston, Steve Carell, James Gandolfini and Kyle Chandler have enjoyed extremely successful movie careers since their star-making TV roles have ended. I predict when Homeland ends, Danes will be an A-lister in the movies.  As far as I can gather, she’s only been in one film in the 2010s (a Sundance entry) but that should change when Homeland ends. Anna Faris and Kerry Washington are two others I believe will explode in film when their TV shows end.

26.  Carey Muligan-Her casting in the Great Gatsby when it was hyped up in the pre-production phase says a lot about how prized she is among casting directors. She’s the right age to be cast in young women roles.

27.  Marion Cotillard-Being from England is a big plus. Being from nearly every other country is an impediment, but Cotillard has done extremely well for herself acting in such high profile films as Public Enemies, Midnight in Paris, and Inception and shone in MacBeth this year.

28.  Kerry Washington-She had a long career as a character actress (Ray, Mr and Mrs Smith, Last King of Scotland) before being cast in a highly visible TV show which should give her a big boost when Scandal ends. She’s even done great work in the movies while on Scandal (Django Unchained)

29.  Rosario Dawson-She’s been consistently in good roles for the last 13 or 14 years and has done multiple genres.

30.  Ellen Page-Has a hip and cool edge (Whip It, Juno) but could use a better agent.

Top 25 Actresses of the (Last) Decade: Rehash Article from 2009

This article was originally published in 2009 on another website. It’s now being reprinted here and polished up a little bit:

With the decade nearly over, and the fact that we can get a sense of who is committed to which projects through the end of 2009, we can safely evaluate the actresses of the 2000s. The reason I'm picking actresses instead of actors, is partially because actresses are easier to compare to each other since they get the same roles (romantic interests, daughters, sisters, mothers, feminist activists, monarchs named Elizabeth, etc.), and because actresses tend to be at the peak of their careers for shorter time periods (for example, the actresses of the 90's, Meg Ryan, Demi Moore, Michelle Pfeiffer are not really stars at all today).

The criteria:

-Being prolific, as in doing a lot of movies. If you have a number of hits and some misses along the way, you still get more exposure than someone who's been in very few movies and has won Academy Awards for two of them like Hillary Swank

-Being in good movies. The actress might not be the one to get the major awards bling from the movie but they might be part of great works

-Having Oscar nominations, nominations by other major awards bodies, or generally highly praised performances

-Being a bankable movie star with blockbuster potential, bonus points for helming a major franchise

-Being present the whole decade. If you've only been hot since 2005 or 2006 like Amy Adams or Ellen Page, that's not really dominating the decade but rather 3 or 4 years.

The list

1. Nicole Kidman

Kidman is one of the most prolific and visible actresses in Hollywood and if she has had any misfires, one has to credit her for taking so many chances and diving into them headfirst: She tackled romantic comedy with one of the most innovative writers in the genre with Nora Ephron, she immersed herself into the glitz and glamour of Baz Luhrmann, she teamed up with Sean Penn and Sidney Pollack to make a classic thriller, and took a chance with a controversial innovator in Lars von Trier even if she didn’t like it enough to stick around for the sequel. Some of Kidman's less-remembered roles this decade, such as that a trouble janitor who enters into May-December romance with a professor in The Human Stain or a UN translator in Sidney Pollack's thriller The Interpreter, are roles that might have been career highlights for other stars on this list.

Dossier

Nationality: Australian

Best Role: Ada Monroe, Cold Mountain (highly subjective personal opinion on the part of the author)

Other Highlights: The Others, The Hours, The Cold Mountain, Dogville, Interpreter, Birth, Margot at the Wedding

2000s Hardware: 1 win, 2 Oscar noms, 4 Golden Globe Noms

Blockbuster/Tent pole Credentials: Golden Compass if it spawns a sequel [Ed note: It didn't], voice work in Happy Feet

Directorial Portfolio: Anthony Minghella, Baz Luhrmann, Stephen Daldry, Nora Ephron, Sidney Pollack, Lars von Trier

Credit: Rebloggy

2. Cate Blanchett

Known primarily for playing Queen Elizabeth in the last decade, Blanchett never has exhibited much of a star persona but, like Kidman, she has been highly prolific and immersed herself in a tremendous variety of work. In the last three years alone, she appeared in seven wide release pictures, she has earned Oscar nominations for three of them. In addition, she has propelled two others to Oscar nominations for Best Picture. She also has a penchant for the quirky and experimental as shown through her willingness to embrace projects like Wes Anderson's Life Aquatic and Steve Soderbergh's The Good German.

Dossier

Nationality: Australia

Best Role: Bob Dylan, I'm Not There

Other highlights: Veronica Guerin, Aviator, Life Aquatic with Steve Zassou, Indiana Jones and the Kingdom of the Crystal Skull (she’s arguably the only person acting in the film), Notes on a Scandal, Babel, Good German

The decade in hardware: 1 Oscar win, 4 Oscar noms, 6 Golden Globes Nods

Blockbuster/Tentpole Credentials: Lord of the Rings, Indiana Jones

Directorial Portfolio: Steve Soderbergh, Steve Spielberg, Martin Scorsese, Wes Anderson, Ron Howard, Alejandro Gonzalez Inarritu, Peter Jackson, Todd Haynes, Shekhar Kapur, David Fincher, Barry Levinson

3. Meryl Streep- The preeminent actress of our era. Twelve nominations into her career, Streep is still capable of surprising audiences with new facets of herself, which is simply amazing. This decade, she's transformed into a stoic uberboss, a quaint country singer, and a sexually adventurous middle-aged writer.

Dossier

Nationality-American

Best Role: Susan Orlean, Adaptation

Other Highlights: Devil Wears Prada, Prairie Home Companion, Prime, It’s Complicated, Doubt, Manchurian Candidate

The decade in hardware: 4 Oscar noms, 7 Golden Globe noms

Blockbuster Credentials: Adventures of Lemony Snicket

Directorial Portfolio: Johnathan Demme, Rob Altman, Tom Daldry, Spike Jonze, Robert Redford

4. Kate Winslet

Winslet was in the biggest blockbuster of all time, and has done an excellent job in the 2000s of making audiences forget the name Rose Bukater and remember the name Kate Winslet instead. Her effusive personality and her able handling of Saturday Night Live the week after Ashlee Simpson was busted for lip-synching has done wonders for her public persona but it’s largely been about the acting talent with Winslet and the breadth of films. She became the youngest actress to earn 5 nominations by 2007, and finally goaded the Academy into giving her an Oscar through sheer perseverance with her role of Hannah Schmidt in “The Reader.” Interestingly enough, she predicted on a 2005 episode of “Extras” that it would take a Holocaust movie for her to win.

Dossier

Nationality: British

Best Role: April Wheeler, Revolutionary Road

Other Highlights: Secret Life of David Gale, Eternal Sunshine of the Spotless Mind,  The Reader

The Decade in Hardware:  Oscar Wins: 1, Oscar Noms: 4, Golden Globe Noms:  5

Blockbuster/Tentpole Credentials: Winslet isn't exclusively high-brow, but she doesn't have any big blockbusters to her name this decade.

Notable Directors: Michel Gondry, Sam Mendes (her then-husband), Todd Field, Marc Forster

5. Rene Zellweger

Ideal in romantic comedies or as a dramatic love interest, Zellweger has also expanded to roles of independent women with roles in Miss Potter, Cold Mountain and Bridget Jones. She scored three successive Oscar nominations with Bridget Jones, Chicago, and Cold Mountain, and with her performances in Cinderella Man and Miss Potter, was a a threat to be present in the Oscar race pretty much every year she had a major film.

Dossier

Nationality: American

Best Role: Roxie Hart, Chicago

Other highlights: Nurse Betty, Cold Mountain, Miss Potter

The Decade in Hardware: Oscars: 1, Oscar Noms 3, Golden Globe Noms: 6

Blockbuster/Tentpole Credentials: Bee Movie, Bridget Jones spurned a sequel

Directorial Portfolio: Rob Marshall, Anthony Minghella, Ron Howard, Neil LaBute, George Clooney

Source: DRWL Wordpress

6. Reese Witherspoon

Her output is more limited than some of the ladies on the list but she has been America's sweetheart since breaking out in Legally Blonde and following up with favorable romantic comedy Sweet Home in Alabama. She also is in high demand judging by the 15 million dollar paycheck she's been commanding. Most importantly, she took her sweetheart charm and turned it into a nuanced performance in one of the best performances of the decade in Walk the Line.

Dossier

Nationality: American

Best Role: June Carter Cash, Walk the Line

Other highlights: Legally Blonde, Just Like Heaven

The Decade in Hardware: Walk the Line earned her a win at the Oscars and was her sole nomination at Globes or Oscars

Blockbuster/Tentpole Credentials: Legally Blonde spawned a sequel

Directorial Portfolio: James Mangold, Mira Nair

Source: IMDB

7. Judi Dench

Proving that old age and the bob weave are not barriers, Dench continues to corner the market on juicy veteran roles and has managed to score four Oscar nominations this decade. While none of her Oscar-nominated roles were popular films at the box office, she gets exposure through playing M in the James Bond series. She also appeared in the critically acclaimed Pride and Prejudice.

Dossier

Nationality: British

Best Role: Barbara Covet, Notes on a Scandal

Other Notable Roles: Iris, The Shipping News, Mrs Henderson Presents, Casino Royale, Pride and Prejudice

The Decade in Hardware: 4 Oscar noms, 3 Golden Globe noms

Blockbuster/Tentpole Credentials: James Bond, the less successful Chronicles of Riddick

Directorial Portfolio: Stephen Frears, Martin Campbell, Lasse Hollstrom, Joe Wright, Rob Marshall

8. Scarlett Johansson

It is hard to even fathom how only five years after breaking out in Lost in Translation, Scarlett Johannson has amassed a lifetime of great performances to date. She's been in The Prestige, The Other Boleyn Girls, Match Point, Girl with a Pearl Earring, a Love Song for Bobby Long, and has even had time left over for a hearty romantic comedy like In Good Company or a sci-fi thriller like The Island. Even before breaking out in Lost in Translation, she managed to steal scenes in films like Man who Wasn't There and Ghost World. Due to category confusion (was she supporting or lead for Lost in Translation?), that career-affirming Oscar nomination eludes her but she's got plenty of time to accumulate more accolades. She also has a BAFTA (British version of the Oscars) to her name for Lost in Translation.

Dossier

Nationality: USA

Best Role: Charlotte, Lost in Translation

Other notable roles: Ghost World, Girl with a Pearl Earring, Love Song for Bobby Long, Match Point

Notable Hardware: Some Golden Globe nominations but no Oscar nods in a cruel twist of fate

Blockbuster/Tentpole Credentials: She was in Home Alone 3, Prestige made quite a bit of money and she will be added to the Iron Man sequel next summer

Directorial Portfolio: Paul & Chris Weicz, Woody Allen, Sofia Coppola, Christopher Nolan, Brian de Palma, Joel & Ethan Coen, Frank Miller, Phillip Noyce

Source: Product Placement Blog dot com 

9. Julia Roberts

The biggest starlet in Hollywood last decade has slowed down a little bit this decade but still isn’t enough to stop and say. She's considered herself semi-retired and usually enters into projects because of her friendships with Brad Pitt, Steve Soderbergh, Mike Nichols or George Clooney, which doesn't make her particularly bankable as a star any more. At the same time, she's still Julia Roberts and generates a lot of buzz whenever she does decide to do a film, such as Charlie Wilson's War a couple years ago

Dossier

Best Role: Erin Brockovich, Erin Brockovich                  

Other notable roles: Closer, Ocean’s 12, Charlie Wilson’s War, Duplicity

Nationality: American

The decade in hardware: One Oscar, one Oscar nom and 3 Golden Globe noms

Blockbuster/Tentpole Credentials: Ocean's 11 series (though she was weaned out by part 3)

Directors: Stephen Soderbergh, George Clooney, Mike Nicholls, Gore Verbinski,

10. Julianne Moore

Moore is usually attracted to only the classiest material, and sometimes these films, like Prize Winner of Defiance Ohio and Freedomland, are films that the general movie going public is rarely even aware of. In some case, however, like Alfonso Cuaron's Children of Men and the Oscar-nominated The Hours, magic has struck and her profile has been upped significantly as a result. Breaks into more lightweight material such as Laws of Attraction or Next have also helped as well.

Dossier

Nationality: American

Best Role: Cathy Whitaker, Far From Heaven

Other Notable Roles: Prize Winner of Defiance Ohio, Laws of Attraction, Children of Men, The Hours, A Single Man, Shipping News

The Decade in Hardware: Two Oscar noms, two Golden Globe Nods

Blockbuster/Tentpole Credentials: Hannibal, Next

Directors: Todd Haynes, Ridley Scott, Stephen Daldry, Alfonso Cuaron

11. Naomi Watts

With her ability to slip into and out of accents and an on/off switch with which she can bring out intensity, Watts is simply too talented to be anything but an A-list actor for long. Her performance in Mullholland Drive was one of the most notorious Oscar snubs of the decade. Two years later, she earned a well-deserved nomination in 21 Grams and a couple years later, she turned a role that nearly derailed Jessica Lange's career in a third-time remake into Oscar bait, with the role of Ane Darrow in King Kong. She often adds a lot to films in supporting roles like Eastern Promises or I Heart Huckabees and more often than not, her work goes unnoticed.

Dossier

Nationality: Australian

Best Role: Betty, Mullholland Drive,

Other Notable Roles: 21 Grams, The Ring, King Kong, Eastern Promises

Oscar Hardware: 1 Oscar Nom, surprisingly zero Golden Globe nods

Blockbuster/Tentpole Credentials: King Kong, The Ring

Directorial Portfolio: Ron Howard, David Lynch, Alejandro Gonzalez Inarritu, David Cronenberg, Peter Jackson, Gore Verbinski, Woody Allen, James Ivory

Source: North Country Charlize Theron-The Wrap

12. Charlize Theron

The Charlize Theron story is a dream come true for every B and C-lister out there with hopes of turning into an A-lister overnight. With Monster (2003), she landed that one juicy role and turned it into the performance of a lifetime. The Academy treats the best actress race like a coronation of Tinseltown's homecoming queen and more than in any other race, there is a hesitancy to give it to someone who hasn't paid her dues, but Theron was too good to deny. She later proved that she wasn't a one-hit wonder by scoring another Oscar nod in North Country and has picked up parts in Paul Haggis' In the Valley of Elah and attempted action roles in Aeon Flux and Hancock (the 10^th highest grossing film of 2008). Neither showed sequel potential but a kick-ass heroine is always marketable.

Dossier

Best Film Role: Aileen, Monster

Other Notable Roles: Aeon Flux, North Country, Curse of the Jaded Scorpion

Nationality: South Africa

The Decade in Hardware: 1 Oscar win, 2 Oscar nominations, 1 Golden Globe Nomination

Tentpole/Blockbuster Credentials: An unsuccessful attempt with Aeon Flux, Hancock had a decent opening weekend but fell off

Directors: Robert Redford, Nikki Cairo, Woody Allen, Paul Haggis, John Frankenheimmer

13. Helen Mirren- The first woman over the age of 40 to win a best actress Oscar since Susan Sarandon, Helen Mirren had a big career hit with her role in The Queen and won a second Golden Globe for playing Queen Elizabeth I in the same year. In addition, she had Oscar nods for Godsford Park, The Last Station, and made respectable Oscar bait in Calendar Girls. Well into her 60s, she continues to exude an odd sex appeal and youthfulness. With the exception of her Oscar-nominated role for The Madness of King George, the actress was more visible onstage and in the British miniseries Prime Suspect. 

Best Role: Queen Elizabeth II, The Queen

Other Notable Roles: Gosford Park, Calendar Girls, The Last Station

Nationality: British through and through

The Decade in Hardware: 1 Oscar win, 3 Oscar noms, 4 Golden Globe noms

Tentpole/Blockbuster Credentials: National Treasure 2

Directorial Portfolio: Stephen Frears, Rob Altman, Taylor Hackford, Sean Penn

14. Keira Knightley

When she was cast in Pirates of the Carribean, little-known Keira Knightley might have been destined to be the female love interest in a swashbuckling epic, but as she held her own against Orlando Bloom and Jonny Depp, she gradually became the center of the story herself (and for that matter, the only remotely interesting character onscreen in the disastrous third installment of the trilogy). Rather than ride the kind of fame that one gets from being in a billion dollar trilogy into a string of roles in romantic comedies, Knightly went for more high-brow material, scoring a nod for Pride and Prejudice and starring in an Oscar-nominated film with Atonement.

Dossier

Best Role: Jules, Bend it Like Beckham

Other Notable Roles: Pride and Prejudice, Pirates of the Caribbean: Dead Man’s Chest, Atonement, Domino, The Edge of Love

Nationality: English

The Decade in Hardware: 1 Oscar nom, 2 Golden Globe noms

Tentpole/Blockbuster Credentials: Pirates of the Caribbean

Directorial Portfolio: Joe Wright, Gore Verbinski, Tony Scott

15. Jennifer Connelly- Like Watts, Connelly is so talented that it was only a matter of time before she became an A-list actress, won an Oscar or both. Her Oscar for A Beautiful Mind could have just as well been for House of Sand and Fog, and she regularly appears in highly respected films such as Requiem for a Dream, Little Children, and Blood Diamond and even her unremarkable genre films like Open Water and Ang Lee's Hulk are capable of drawing attention solely because her name is on the marquee.

Best Role: Kathy, House of Sand and Fog

Nationality: American

Other Notable Roles: Beautiful Mind, Blood Diamond, Little Children, Requiem for a Dream, Open Water

The Decade in Hardware: One Oscar win, one Oscar nom, one Golden Globe nom

Blockbuster/Tentpole Credentials: A failed attempt at The Hulk, a commercially successful but critically panned Day the Earth Stood Still

Directors: Ron Howard, Ed Zwick, Todd Fields, Ang Lee, Darren Aronofsky, Terry George

And the rest of the top 25 (All deleted from the internet forever, except 25):
16. Natalie Portman 17. Laura Linney 18. Maggie Smith 19. Catherine Zeta-Jones 20. Kirsten Dunst 21. Joan Allen 22. Halle Berry 23. Maggie Gyllenhaal 24. Cameron Diaz 25. Angelina Jolie

Fued of the Sound Mixers & The annoying focus on oscar losers

I found myself quite interested with the sound mixing controvoursey that took place between Michael Minkler, one of the three sound mixers for Dreamgirls who won an Oscar, and sound mixer Kevin O'Connell, the 18-time Oscar loser, who turned up a record-breaking #19 at this year's ceremony, thanks to Dreamgirls.

I did see the video today, but before that had heard reports about what happened, and the best thing to do is see the video yourself to see exactly how Minkler worded what he had to say, but here's a summary by the Hollywood Reporter:

Could a little rivalry have been revealed in the sound mixing world? Things turned weird when the winners in that category -- Willie Burton, Bob Beemer and Michael Minkler for "Dreamgirls" -- were onstage in the press room. A question was thrown to the trio about what advice they had for Kevin O'Connell, a nominee for "Apocalypto" who now has been nominated 19 times without a win. While Burton and Beemer had conciliatory things to say -- "Hang in there, Kevin, you'll get your chance," Burton said -- Minkler's words were the opposite. "I think Kevin should go away with 19 nominations," he said without cracking a smile. "We work really hard, and if we stumble upon an award, we are so grateful. I have to wonder ... Kevin is an OK mixer, but he should take up another line of work." He exited the stage leaving people wondering whether he was serious.

Minkler just revealed an apology:
"Gentlemen, Friends, and Colleagues,


A very unfortunate situation has developed because of my stupid answers to some inappropriate questions. I did not seek this spotlight­ -- the press did, as they have in the past. It was wrong of them to ask the questions, and wrong, wrong, wrong of me to answer them the way that I did.


I apologize to all of you for creating a messy situation, and exposing the appearance of any dissention among our ranks.


The press has been asking me questions about Kevin since 2002. They continue to hound me with the same questions again and again, and this time I lost control, using bad choices of words and bitter sarcasm. The award should be about the work---period.


It is always my concern to preserve the Oscars' significance to the filmmaking community and its international audience. My thoughts got away from me at an emotional time, and that I regret.


My response to the last question was off-the-cuff sarcasm meant as humor. However it seems that it has caused even greater reaction...shock. I wanted to end the questioning and those words came out. Not funny. I am very sorry. The time and place was wrong for any of it.


Adding sentiment to this unfortunate situation has of course been the sorrowful passing of Skippy O'Connell. My sincere condolences go out to the entire O'Connell family.


I have been in communication with Kevin directly, and I wish the best for him in the future. I am sure that he will receive his due recognition on that same stage very soon, and I will be the first to congratulate him.


In my career, I'm sure that I have accidentally hurt people, but I've never intentionally sought to do harm. I ask forgiveness from them. I have given shots and taken some, but I don't believe that at any time, true malice was the objective.


I appreciate you sharing your personal thoughts with me, as I always have. I now thank you for allowing me to share mine with you.


Respect to all, Michael Minkler [src]"

A lot of people were harsh, saying Michael Minkler was a humongous jerk, but I perfer to look a little beneath the surface. I'm not saying I forgive Michael Minkler, obviously some of it is a PR stunt, but there must be more to it than him just being a jerk and I'm glad to see more to the story.

I always thought there was a little more to it than Michael Minkler being a jerk when I saw those comments. I reasoned that it probably had something to do about the press not caring anything about sound mixing at the oscars and how people like Richard Roeper are saying that the smaller awards should be given a seperate ceremony. The Oscarcall pundits who do a weekly podcast from theenvelope.com and write for various LA Publications are also saying something about how the Oscars should follow the format of the Grammys, where the more technical awards that appeal less to the general public are relegated to a seperate ceremony in the Grammys.

I think that there is just tension beneath the surface of the Oscars for the equal treatment in terms of facetime on tv for the smaller categories. Similarly, the press room full of film critics has to come up with similar questions to field to a group of artists that they probbaly know nothing about.

If you look at how many posts I've written, you'll see that I know quite a bit about the movie industry, yet I have no freaking clue what sound mixing is, what it takes to be a good sound mixer, and of course which movie had the best sound mixing.

So maybe the only question I might be able to come up with to a sound mixing winner is "so what do you think about that other guy, who hadn't won 18 times, he should've won. That would've been a more interesting story for us to have written about." But the truth is that that's an insensitive question and will get on the guy's nerves who is taking the award on stage and these guys probably could just crack under the pressure of having to be politically correct all the time. They should ask him questions about his sound mixing craft like they do with the acting winners or the directing winners, but who really has any f*ing clue? that's the problem.

Also, i'm tired of the focus on losers. If you get nominated you're a winner, and if you win, you're even more of a winner. I'm incredibly impressed with someone who has racked up 5 nominations like Kate Winslet, let alone to have done so at a younger age than anyone else. And who knows, if she won for Sense and Sensibility or Titanic, the academy might be less inclined to honor her subsequent work because they felt she'd already been given her dues. Tom Hanks is one of our generation's greatest actors and has continued to turn in excellent performances, for example, in The Green Mile, Catch Me if You Can, The Terminal, and The Ladykillers but has gotten no oscar buzz for any of those performances (and i'm not saying he should've been nominated but at least he could've made the top 10 or top 15 on sites like the oscar igloo or the film experience who monitor oscar buzz).

And don't get me started on Peter O'Toole. First of all, why has everyone freaking forgotten his honorary oscar. Kirk Douglas got an honorary oscar and got to join the 75th anniversary oscar photo for it. Not to mention, Peter O'Toole's Lawrence of Arabia performance ranked him #1 all-time on Premiere Magazine's 100 best performances list. I also personally judge an actor by
how many memorable roles they have. I look at someone like Dustin Hoffman and think: Midnight Cowboy, Rain Man, Kramer vs. Kramer, Tootsie, Papillon and The Graduate, what a career! He only won Oscars in 2 of those but by looking at his list of nominations you easily get a sense of what a great actor he was. If you look at Hillary Swank's # of Oscar nominations and # of wins, you see the same # of wins but outside those 2 winning-films, it's not nearly as impressive of a career yet. Same goes for Russell Crowe, a more modern day example, his nomination in A Beautiful Mind and The Insider along with his win for Gladiator gives me a better idea of how great an actor he is vs. Helen Hunt, for example with 1 nom and 1 win. Another example of a guy with a lot of worthy nominations but only 1 win would be Paul Newman.





ate Winslet had

Review: All the King's Men

This is a review I wrote for All the King's Men that almost, almost got published by the Prince George's Sentinel (in MD) which is a dinky small paper that wouldn't have paid me much and i don't really like their format much anyway, to be honest, but still they were nice enough to offer me the chance to go out of my way to see the movie and write them a review and send it into them. One interesting thing about this review is that, oddly enough, i didn't like the movie, i was planning on writing about the positives and then the negatives but by the time i got through with the positives, i was out of word space, so i just sent it in.:

Admittingly, the bar is set pretty high to start with for All the King’s Men. For one, a picture that was originally acclaimed to the point of winning a best picture oscar doesn’t really call out to be remade unless it can be enhanced with special effects like this past December’s King Kong. The cast is also populated by a cast overstuffed with Oscar-starved actors who armed with dialect coaches are eager to pounce come awards season. Whether this political drama will actually deliver come January is one that most critics are answering no to and while that’s understandable, the film is certainly worth a look.

The 2006 version of All the King’s Men was adapted for the screen by James Carville, well-known political consultant and former host of CNN’s Crossfire. Carville was inspired to delve into screenwriting out of a love for the 1946 book and wrote the screenplay without so much as a glance of the 1949 screen adaptation. Penned by Robert Penn Warren, the Pullitzer Prize-winning novel is a profound epic and by adapting this story to screen, the film benefits from having a classically-concieved story that’s as rich as few other films today are.

The novel is based on the life of Louisiana governor and champion of the poor Huey Long. The title, in fact, comes from the motto “Every man a King” of Long’s Share the Wealth initiative which he used to redistribute wealth and pull people out of depression. Long was a very curious political figure which the movie to some extent mines with its fictitional protagonist Willie Stark. Played by Sean Penn in a thick accent, Stark comes across as a simpleton with petty desires but has the ability and drive to inspire people with profound sayings such as, “Your will is my strength,” and “You work for me because I am the way I am, and you are the way you are and that’s just an arrangement found in the natural order of things.” However, the core of the film really lies within Jude Law’s Jack Burden, a reporter-turned-right-hand-man for Stark who’s torn between loyalty to Stark’s ideals and his godfather (Anthony Hopkins) and best friend (Ruffalo) who both oppose Stark. Law carries the part ably and through him, the story becomes more of a contemplative study of values and Sothern life reminiscent of To Kill a Mockingbird or A Time to Kill. If there is one main weakness to the film however, it’s that a lot of the questions of right and wrong, and whether the symbol of an honest politician is a myth, get muddled up through a somewhat confusing plot and a lack of clarity over who’s doing what to whom and why.

All the King’s Men released in the akward buffer between summer blockbusters and the Oscar-caliber season will understandably suffer but is worth seeing.