Megalist: All movies over the last 20 years which starred 3 Oscar Winners or More

I've started to notice that the formula for a good movie is to have two stars in it. Very not often do you see films investing beyond that unless it's a mega-ensemble film like Bobby, Murder on the Orient Express or something along those lines. 

I did one of those megalists where I made the criteria films with three Oscar winning actors in the cast excluding Oscar recipients (although honorary recipients are just as worthy, and I will die along those lists). This is not a 100% accurate measure of stardom, and I included people before they won the Oscar or in films for which they won their Oscar (i.e. Shakespeare in Love, A Beautiful Mind) so Larry Crowne (which has a small role for Rami Malek) is essentially a two-star film with a break out star. Lastly worth nothing, a handful of Oscar winners (Judi Dench, Jon Voight, Jim Broadbent, Christopher Plummer, Chris Cooper) are not particularly selective with their roles and don't demand (or maybe simply aren't afforded) top roles, so they normally squeeze into casts in all sorts of places.

Still it's (slightly) interesting to read.

1998:

Shakespeare in Love: Gwyneth Paltrow*, Colin Firth, Geoffery Rush, Judi Dench*
Great Expectations: Gwyneth Paltrow, Anne Bancroft, Robert DeNiro, Chris Coooper

Enemy of the State: Will Smith, Gene Hackman, Jon Voight, Regina King, Jason Robards

Primary Colors: Emma Thompson, Kathy Bates, Allison Janney

Antz: Gene Hackman, Anne Bancroft, Christopher Walken

One True Thing: Meryl Streep, Rene Zellweger, William Hurt

Big Lebowski: Jeff Bridges, Julianne Moore, Phillip Seymour Hoffman

A Thin Red Line: Sean Penn, George Clooney, Adrian Brody
Meet Joe Black: Anthony Hopkins, Brad, Marcia Gay Harden

Midsummer Nights Dream: Kevin Kline, Sam Rockwell, Christian Bale
Elizabeth: Cate Blanchett, John Gielgud, Geoffery Rush

1999:

Talented Mr Ripley: Gwyneth Paltrow, Cate Blanchett, Phillip Seymour Hoffman

American Beauty: Kevin Spacey,* Chris Cooper, Allison Janney

Cider House Rules: Michael Caine*, Charlize Theron, JK Simmons, Kieran Culkin

Insider: Russell Crowe, Al Pacino, Christopher Plummer
Magnolia: Julianne Moore, Phillip Seymour Hoffman, Jason Robards

Tea with Moussilini: Judi Dench, Maggie Smith, Cher

Music of the Heart: Meryl Streep, Chloris Leachman, Kieran Culkin
Any Given Sunday: Al Pacino, Will Smith, Jamie Foxx, Charlton Heston

8 MM: Nicolas Cage, Robert Duvall, Joaquin Phoenix

2000:

Traffic: Michael Douglas, Benicio del Toro*, Catherine Zeta-Jones, Viola Davis
Quills: Geoffery Rush, Kate Winslet, Michael Caine, Joaquin Phoenix

Finding Forrester: Sean Connery, F. Murray Abraham, Anna Paquin

Almost Famous: Frances McDormand, Phillip Seymour Hoffman, Anna Paquin

Nurse Betty: Rene Zellweger, Morgan Freeman, Allison Janney

Men of Honor: Cuba Gooding Jr, Robert DeNiro, Charlize Theron

Requiem for a Dream: Ellen Burstyn, Jennifer Connelly, Jared Leto
Gone in 60 Seconds: Nicholas Cage, Angelina Jolie, Robert Duvall
Dr T and the Women: Helen Hunt, Laura Dern, Lee Grant

Legend of Bagger Vance: Will Smith, Charlize Theron, Jack Lemmon

Wonderboys: Michael Douglas, Frances McDormand, Robert Downey Jr.

2001:

Royal Tenenbaums: Gene Hackman, Anjelica Huston, Gwyneth Paltrow

Shipping News: Kevin Spacey, Julianne Moore, Judi Dench

Beautiful Mind: Russell Crowe, Jennifer Connelly*, Christopher Plummer

Ocean’s 11: George Clooney, Julia Roberts, Casey Affleck, Brad Pitt

Miss Congeniality: Sandra Bullock, Michael Caine, Regina King

Iris: Judi Dench, Jim Broadbent*, Kate Winslet

Hannibal: Julianne Moore, Anthony Hopkins, Gary Oldman
Bridget Jones Diary: Rene Zellweger, Colin Firth, Jim Broadbent

I Am Sam: Sean Penn, Dianne Weist, Laura Dern, Mary Steenburgen
America's Sweethearts: Julia Roberts, Catherine Zeta-Jones, Christopher Walken
Captain Corelli's Mandolin: Penelope Cruz, Nicolas Cage, Christian Bale
The Pledge: Jack Nicholson, Benicio del Toro, Helen Mirren

2002:

Adaptation: Nicolas Cage, Meryl Streep, Chris Cooper*, Tilda Swinton

Hours: Nicole Kidman*, Julianne Moore, Meryl Streep, Allison Janney

Catch Me If You Can: Leonardo DiCaprio, Tom Hanks, Christopher Walken

Gangs of New York: Leonardo DiCaprio, Daniel Day-Lewis, Jim Broadbent

Insomnia: Al Pacino, Robin Williams, Hillary Swank

Banger Sisters: Goldie Hawn, Susan Sarandon, Geoffery Rush

Nicholas Nickelby: Anne Hathaway, Christopher Plummer, Jim Broadbent

Panic Room: Jodi Foster, Forrest Whitaker, Jared Leto
Moonlight Mile: Dustin Hoffman, Susan Sarandon, Holly Hunter

Spiderman: Cliff Robertson, JK Simmons, Octavia Spencer

2003:

Cold Mountain: Nicole Kidman, Rene Zellweger*, Natalie Portman, Phillip Seymour Hoffman, Cillian Murphy

21 Grams: Sean Penn, Benicio del Toro, Melissa Leo

Legally Blonde 2: Reese Witherspoon, Sally Field, Regina King

Mystic River: Sean Penn*, Tim Robbins*, Marcia Gay Harden

Runaway Jury: Dustin Hoffman, Gene Hackman, Rachel Weisz

Intolerable Cruelty: George Clooney, Catherine Zeta-Jones, Geoffery Rush

Something’s Gotta Give: Jack Nicholson, Dianne Keaton, Frances McDormand

Gothika: Halle Berry, Penelope Cruz, Robert Downey Jr. 

2004:

Ocean’s 12: George Clooney, Brad Pitt, Catherine Zeta-Jones, Julia Roberts, Casey Affleck
Alexander: Anthony Hopkins, Angelina Jolie, Christopher Plummer, Jared Leto
Sky Captain and the World of Tomorrow: Gwyneth Paltrow, Angelina Jolie, Marlon Brando

Finding Neverland: Kate Winslet, Dustin Hoffman, Julie Christie

National Treasure: Nicolas Cage, Jon Voight, Christopher Plummer

Manchurian Candidate: Denzel Washington, Meryl Streep, Jon Voight
Bridget Jones: The Edge of Reason: Rene Zellweger, Jim Broadbent, Colin Firth

The Village: Adrien Brody, William Hurt, Joaquin Phoenix

The Terminal: Tom Hanks, Catherine Zeta-Jones, Zoey Saldana

2005:

Batman Begins: Christian Bale, Michael Caine, Cillian Murphy, Morgan Freeman, Gary Oldman

Bewitched: Nicole Kidman, Michael Caine, Shirley MacLaine

Miss Congeniality 2: Sandra Bullock, Michael Caine, Regina King
North Country: Charlize Theron, Francis McDormand, Sissy Spacek

Syriana: George Clooney*, Chris Cooper, William Hurt, Christopher Plummer, Viola Davis

Robots: Halle Berry, Robin Williams, Dianne Weisz, Jim Broadbent

[Empire Falls: Helen Hunt, Paul Newman, Joanne Woodward]

2006:

Good Shepard: Angelina Jolie, Robert DeNiro, Eddie Redmayne, Joe Pesci, William Hurt

Prairie Home Companion: Meryl Streep, Kevin Kline, Tommy Lee Jones

Superman Returns: Kevin Spacey, Eva Marie Saint, Marlon Brando

All the King’s Men: Sean Penn, Anthony Hopkins, Kate Winslet

Inside Man: Denzel Washington, Jodie Foster, Christopher Plummer

Ant Bully: Meryl Streep, Nicholas Cage, Julia Roberts, Regina King

2007:

I’m Not There: Cate Blanchett, Chrstian Bale, Heath Ledger, Julianne Moore

National Treasure 2: Nicolas Cage, Jon Voight, Helen Mirren

Elizabeth the Golden Age: Cate Blanchett, Geoffery Rush, Eddie Redmayne

Darjeeling Limited: Adrianne Brody, Anjelica Huston, Natalie Portman

American Gangster: Denzel Washington, Russell Crowe, Cuba Gooding Jr

Charlie Wilson’s War: Tom Hanks, Julia Roberts, Phillip Seymour Hoffman

In the Valley of Elah: Tommy Lee Jones, Charlize Theron, Susan Sarandon

Ocean’s 13: Al Pacino, George Clooney, Brad Pitt, Casey Affleck
Assassination of Jesse James: Brad Pitt, Casey Affleck, Sam Rockwell

Hot Fuzz: Olivia Colman, Jim Broadbent, Brad Pitt

2008:

Four Christmases: Reese Witherspoon, Robert Duvall, Mary Steenburgen, Sissy Spacek, Jon Voight

Dark Knight: Christian Bale, Heath Ledger*, Michael Caine, Gary Oldman, Morgan Freeman, Cillian Murphy

Burn After Reading: Frances McDormand, George Clooney, Brad Pitt, Tilda Swinton, JK Simmons

Revolutionary Road: Kate Winslet, Leonardo DiCpario, Kathy Bates

Doubt: Meryl Streep, Viola Davis, Phillip Seymour Hoffman

Iron Man: Robert Downey Jr, Gwyneth Paltrow, Jeff Bridges
Curious Case of Benjamin Button: Brad Pitt, Cate Blanchett, Tilda Swinton

Righteous Kill: Robert DeNiro, Al Pacino, Melissa Leo

Tropic Thunder: Robert Downey Jr, Matthew McConaughey, Jon Voight

2009:
Nine: Daniel Day-Lewis, Nicole Kidman, Sophia Loren, Marion Cotillard, Penelope Cruz, Judi Dench

Brothers Bloom: Adrian Brody, Rachel Weisz, Maxmillan Schell

Men Who Stare at Goats: Kevin Spacey, George Clooney, Jeff Bridges

Everybody’s Fine: Robert DeNiro, Sam Rockwell, Melissa Leo

State of Play: Russell Crowe, Helen Mirren, Viola Davis

Soloist: Jamie Foxx, Robert Downey Jr,  Octavia Spencer

2010:

Valentine’s Day: Anne Hathaway, Jamie Fox, Shirley MacLaine, Kathy Bates, Julia Roberts

Red: Helen Mirren, Anthony Hopkins, Ernest Borgnine, Richard Dreyfuss

Inception: Leonardo DiCaprio, Michael Caine, Marion Cotillard, Cillian Murphy

Little Fockers: Dustin Hoffman, Robert DeNiro, Barbara Streisand

Conviction: Hillary Swank, Melissa Leo, Sam Rockwell

Eat Pray Love: Julia Roberts, Viola Davis, Javier Bardem

Iron Man 2: Robert Downey Jr., Gwyneth Paltrow, Sam Rockwell

2011:

The Help: Emma Stone, Viola Davis, Octavia Spencer*, Allison Janney, Sissy Spacek, Mary Steenburgen, Jessica Chastain

Extremely Loud and Incredibly Close: Sandra Bullock, Tom Hanks, Viola Davis
New Year's Eve: Robert DeNiro, Halle Berry, Hillary Swank 

Pirates of the Caribbean On Stranger Tides: Penelope Cruz, Geoffery Rush, Judi Dench

Carnage: Jodi Foster, Kate Winslet, Christophe Waltz

Midnight in Paris: Marion Cotillard, Adrian Brody, Kathy Bates

Crazy Stupid Love: Emma Stone, Julianne Moore, Marisa Tomei

The Ides of March: George Clooney, Phillip Seymour Hoffman, Marisa Tomei

Larry Crowne: Tom Hanks, Julia Roberts, Rami Malek

Iron Lady: Meryl Streep*, Jim Broadbent, Olivia Colman
Contagion: Kate Winslet, Gwyneth Paltrow, Marion Cotillard

Tree of Life: Brad Pitt, Jessica Chastain, Sean Penn

Cars 2: Michael Caine, Vanessa Redgrave, Whoopi Goldberg

King Fu Panda 2: Dustin Hoffman, Angelina Jolie, Gary Oldman, Michelle Yeoh

2012:

Dark Knight Rises: Christian Bale, Michael Caine, Anne Hathaway, Gary Oldman, Marion Cotillard, Cillian Murphy, Morgan Freeman

Django Unchained: Jamie Foxx, Christophe Waltz*, Leonardo DiCaprio

Lincoln: Daniel Day-Lewis*, Sally Field, Tommy Lee Jones

Amazing Spiderman: Emma Stone, Sally Field, Chris Cooper

Les Miserables: Anne Hathaway*, Russell Crowe, Eddie Redmayne

The Company You Keep: Julie Christie, Susan Sarandon, Chris Cooper
The Master: Joaquin Phoenix, Phillip Seymour Hoffman, Laura Dern

2013:

Last Vegas: Roberto De Niro, Michael Douglas, Mary Steenburgen, Kevin Kline, Morgan Freeman

The Butler: Forrest Whitaker, Jane Fonda, Robin Williams, Cuba Gooding Jr, Vanessa Redgrave

American Hustle: Christian Bale, Jennifer Lawrence, Robert DeNiro

Wolf of Wall Street: Leonardo DiCaprio, Jean DuJardin, Matthew McConaughey

Stand Up Guys:  Christopher Walken, Alan Arkin, Al Pacino
Red 2: Helen Mirren, Anthony Hopkins, Catherine Zeta-Jones
The Big Wedding: Robin Willliams, Robert DeNiro, Susan Sarandon, Dianne Keaton
The Counselor: Brad Pitt, Javier Bardem, Penelope Cruz

August Osage County: Meryl Streep, Julia Roberts, Chris Cooper

Movie 43: Emma Stone, Kate Winslet, Kieran Culkin

2014:

Interstellar: Matthew McConaughey, Jessica Chastain, Anne Hathaway, Casey Affleck, Ellen Burstyn, Michael Caine

Grand Budapest Hotel: F. Murray Abraham, Tilda Swinton, Adrian Brody

Night at the Museum 2:  Robin Williams, Rami Malek, Ben Kingsley

X-Men Days of Future Past: Jennifer Lawrence, Halle Berry, Anna Paquin

Hunger Games Mockingjay 1: Jennifer Lawrence, Julianne Moore, Phillip Seymour Hoffman,            Amazing Spiderman 2: Emma Stone, Sally Field, Chris Cooper

Noah: Russell Crowe, Jennifer Connelly, Anthony Hopkins
Monuments Men: George Clooney, Cate Blanchett, Jean DuJardin

The Homesman: Tommy Lee Jones, Hillary Swank, Meryl Streep

Inherent Vice: Joaquin Phoenix, Reese Witherspoon, Benicio del Toro

2015:
Youth: Michael Caine, Jane Fonda, Rachel Weisz

Big Short: Christain Bale, Marissa Tomei, Melissa Leo, Brad Pitt

Hunger Games Mockingjay 2: Jennifer Lawrence, Julianne Moore, Phillip Seymour Hoffman

Magic in the Moonlight: Colin Firth, Emma Stone, Marcia Gay Harden

2016:

Bridget Jones Baby: Rene Zellweger, Jim Broadbent, Colin Firth, Emma Thompson

Hail Caesar: George Clooney, Francis McDormand, Tilda Swinton

Jungle Book: Ben Kinglsey, Lupita Nyongo, Chrisopher Walken

Suicide Squad: Jared Leto, Will Smith, Viola Davis

Knight of Cups: Christain Bale, Cate Blanchett, Natalie Portman

Captain America Civil War: Robert Downey Jr, William Hurt, Marissa Tomei

2017:

Murder on the Orient Express: Penelope Cruz, Judi Dench, Olivia Colman

Kingsman 2: Julianne Moore, Colin Firth, Halle Berry, Jeff Bridges

Tulip Fever: Alicia Vickander, Christophe Waltz, Judi Dench

Pirates of the Caribbean Dead Men Tell No Tales: Javier Bardem, Geoffrey Rush, Penelope Cruz

2018:

Mamma Mia 2: Meryl Streep, Colin Firth, Cher

Book Club: Mary Steenburgen, Dianne Keaton, Jane Fonda, Richard Dreyfuss
The Favourite: Olivia Colman*, Rachel Weisz, Emma Stone

Black Panther: Forest Whitaker, Lupita N'yonga, Juliette Whitaker
Avengers Infinity War: Benicio del Toro, Gwyneth Paltrow, William Hurt, Brie Larson

Ocean's 8: Sandra Bullock, Cate Blanchett, Anne Hathaway

Widows: Robert Duvall, Viola Davis, Dan Kaluuya

2019:

Little Women-Meryl Streep, Chris Cooper, Laura Dern
Once Upon a Time in Hollywood-Leonardo DiCaprio, Brad Pitt, Al Pacino, Mikey Madison

Avengers Endgame: Tilda Swinton, Michael Douglas, Marisa Tomei, William Hurt, Natalie Portman, Gwyneth Paltrow, Robert Downey Jr

Addams Family: Charlize Theron, Allison Janney, Mikey Madison

Irishman: Robert DeNiro, Joe Pesci, Al Pacino, Anna Paquin

2020:

Prom-Meryl Streep, Nicole Kidman, Ariana DeBose

Dolittle-Emma Thompson, Rami Malek, Octavia Spencer, Marion Cotillard, Jim Broadbent

Little Things-Denzel Washington, Jared Leto, Rami Malek

Top 30 Actors: 2015 Year-End Hollywood Actor Power Ranking

This is a list of best actors working today based on how likely it is today that if you cast them in your movie, that film will succeed commercially and/or in terms of critical/awards recognition with weight given to the last three or four years or so.

Also, worth noting, I'll reference Oscar nominationss and BP appearances but I pay attention to other stuff like BAFTA, GGs, how often it appears on critics' top ten lists, comments on IMDB message boards, but Oscars are slightly easier to cite and to remember.

This power ranking was written at the end of 2015, so view it as a snapshot of December 31, 2015. The last edition (published December 2012) was here:

Chime in and tell me who you think should move in or out, up and down

1. Matt Damon-I'm thinking back to 2006 when Scorsese cast both DiCaprio and Damon as leads in the Departed and Ed Zwick and Robert De Niro reportedly agreed to basically work around Departed's schedule for their prestige films (Blood Diamond which succeeded and Good Shepard which er.. had noble intentions). Since then, they've been pretty much the go-to guys for any prestige project wracking up Oscar buzz wherever they go, picking among the most innovative projects, killing it on the acting side, and generating good will as Hollywood ambassadors. I give the edge to Damon because he has better commercial appeal (The Bourne series, The Martian). I don't think Damon would invest himself in a prestige film without commercial legs like DiCaprio

did with J. Edgar and I don't think DiCaprio would be willing to play action or humor.

2. Leonardo DiCaprio-At this point, the current generation of young adults has grown up with Leonardo DiCaprio as the very capable star of all of their favorite films. His status is summed up pretty well by Sasha Stone at Awards Daily makes a convincing case that pretty much the only thing teenagers know about the Oscars is that DiCaprio doesn't have one.

"I suspect one of the biggest draws, in addition to Creed and The Martian, to encourage the younger generations to give a damn about the Oscars will be the question of whether or not Leonardo DiCaprio can pull off a victory, since his lack of an Oscar win has become practically a cultural cause célèbre."

3. Christian Bale-One of those actors for whom the talk of his talent is mythical enough that you've (or at least I have) heard the "best of his generation" appraisals of his in the years leading up to his breakout roles. The centerpiece of the most successful tent pole trilogy with Dark Knight, he can carry an action franchise and although he failed to do the Terminator series justice in 2009's Terminator Salvation, it says a lot that he was cast as the guy to resurrect another franchise. Critically, he's a staple of David O Russell's high-flying Oscar streak in the 2010s and he's back in the Oscar conversation this year with a third nomination and a 3rd BP film in Big Short. Also working with Terrence Malick.

4. Benedict Cumberbatch-Extremely talented and versatile guy who just won an Emmy in TV and has been in Oscar BP films in the past couple years (he's been in 4 BP noms total if you count War Horse and Atonement) along with an action role in Star Trek II. Of all the up-and-comers, I think he is posed for longevity

5.Bradley Cooper-His Inside the Actor's Studio pedigree and his friendly intensity off-screen does wonders in making him a likeable box office draw (IMO). He was in 3 BP nominees in the past few years and had tentpole/comic potential in the Hangover series. It helps a lot that he didn't do his last BP nominee with Eastwood which shows he can succeed outside of the David O Russell factory. Pretty untarnished by Aloha and Burnt was a fun lightweight change of pace for him.

6. Michael Fassbender-X-Men and Prometheus are fine enough tent pole credentials and he's pretty much all over the map in high-end directors-David Cronenberg, Steve McQueen, Ridley Scott, Danny Boyle,etc. and with the exception of Prometheus, Shame, A Dangerous Method, 12 Years a Slave and Steve Jobs have all been critical darlings. As evidence of his pedigree, consider how Jobs was not treated as a must-watch film with Ashton Kutcher in the lead

7. Brad Pitt-Clooney and Pitt are arguably more poster boys of the ideal Hollywood actor in the 2000's than the best and most productive actors and I think there’s a division. If not, Elvis Prestley and Frank Sinatra would have been the best actors of the 50’s. The thing is unlike Clooney, Pitt still has the potential to do his best acting in future films. He really broke out as a top tier actor in 2011 by turning in two of the best performances of anyone that year in Oscar BP nominees (Tree of Life & Proof of Life). With appearances in two other BP nominees in the last three years, he’s still relevant.

8. Joaquin Phoenix-He doesn’t get that “best actor of his generation” buzz that DiCaprio or Bale get, but can I make the argument that he should? Pretty much every film he touches puts it in the Oscar race every year-Her got nominated and Master and Inherent Vice were pretty darn close. This year, he did a Woody Allen which rarely generates buzz outside of the Woody Allen fanbase and generally lives or dies on the strength of its writing (I don’t think Charlize Theron killed Curse of Jaded Scorpion’s chances).

9. Denzel Washington-The #Oscarssowhite movement could benefit him in the future as people will have to put their money where their mouth is and treat his next films like gold. Since the early 90’s, he’s been one of Hollywood’s most dependable brands and in that sense he’s pretty much timeless. Filming a Magnificent Seven remake now that I have no doubt his name on the marquis will help.

10. Will Smith-From about 1996 to say 2009, Smith was pretty much the most dependable box office draw Hollywood had (Men in Black III was riding on past glory), and while he’s out of it, there’s little

evidence he couldn’t return and Concussion gave him a decent shot at a third Oscar nom which isn’t shabby.

11.Johnny Depp-I would have ranked him in the top 5 about five or six years ago. He is still loved as the epitome of a talented actor making daring choices. Even though Alice in Wonderland and Lone Ranger are highly commercial, he miraculously holds onto a reputation as an artist’s artist. Fewer of them have panned out in the past year but his brand is strong with Jack Sparrow and Alice in Wonderland (both of which sequels have already been planned out).

12. George Clooney-He hasn’t had a noteworthy performance since 2011 and I imagine that’s starting to count for something. The Monuments Men and Tomorrowland were both highly forgettable and his role in Gravity wasn’t as essential as advertised. The fact that Hail Cesar is coming out in February indicates that this is more Ladykillers than No Country for Old Men. Then again, he’s on the front pages of tabloids and is constantly name checked as Mr. Hollywood, so that capital still goes a long way, but to some degree it’s worth mentioning that he’s more the posterboy for Hollywood than the most successful actor working today.

13. Matthew McConaughey-Hollywood isn’t as now-obsessed as one would imagine. The McConassaince was more of a 2012-2013 thing, effectively ended by Insterstellar, but the world is still this guy’s oyster. He’s already had the likeable quality that still can drive a romcom but he’s added the bearings of a prestige actor to his resume and at times he’s been the top choice for a prestige part like Interstellar. Plus True Detective.

14. Ryan Gosling-Mr. Handsome has not been particularly steady but he’s liable to pop up in any given year and kill it whether 2007 (Lars and the Real Girl), 2011 (Drive, Crazy Stupid Love) or 2015 (The Big Short).

15. Hugh Jackman-Like Bradley Cooper and McConaughey, Jackman has cultivated a persona offscreen as likeable and there’s a school of thought that it helps his brand immensely. He’s extremely versatile

in genres – musicals, historical epics, comedies, superhero flicks- and his Oscar nomination three years ago gives him that prestige.

16. Ralph Fiennes-Primarily known as the classy British guy of refined heritage you plug into period pieces -- The White Countess, Quiz Show, End of the Affair, Avenger -- he's shown a lot of range as a villain with Red Dragon and the Harry Potter films and last year, broke out as a comic star. He can definitely bend quite a bit if Hollywood. He's actually been in 6 best picture nominees-Quiz Show, Schindler's List, English Patient, Reader, Hurt Locker, and GBH, so he knows how to pick them too.

17. Tom Hardy- There's a bunch of young guys who have broken out recently -- Joseph GL, Jesse Eisenberg, Andrew Garfield, Henry Cavill -- but Hardy's had somewhat of a cult following since Bronson and Layer Cake and many of his film choices are credible indie darlings (Tinker Tailor Soldier Spy was he first English language film of Tomas Alfredson, Warrior was also a pretty low budget thing) and he can step over to a big tentpole film like Mad Max and Inception. Was in 2 BP nominees this year.

18. Michael Keaton-Like McConaughey a couple years ago, Keaton is at a place where he's pretty hot and can pretty much do anything. He followed up Birdman with a film that has a good chance at winning the Best Picture Oscar again. Personally, I've never seen him as a great actor, but it's not about me but an objective ranking.

19. Sean Penn-Like Bale, he gets the "best of his generation" tag a bit, and he is that good. He was definitely top 5 material in the 2000's, but he hasn't been particularly active lately. I also feel a possibility that he might be heading the path of Mel Gibson and becoming so unlikeable as a public persona that it might affect his box office (the El Chapo interview didn't look good for him)

20. Robert Downey Jr.-He has the tentpole credentials of Iron Man (the centerpiece of the megasuccessful Avengers) and Sherlock Holmes and brings his own brand of cool to the former and a refusal to see the part as lowly genre fare to the latter (for which he got a Golden Globe). He is an exceptional actor and can make a smart character emotionally affecting BUT he did some damage to his reputation with The Judge. It's not just that the film bombed but it showed Downey Jr going back to the same character tics of his more acclaimed roles and suggested he might not have that many tricks left in the bag.

21. Ben Affleck-He has a highly complicated relationship with the public and has undergone two of the most bizarre cases of celebrity worship gone wrong (with Gigli and his casting as Batman) but he is a Hollywood pro who is extremely intelligent about his career and his future, and deep Hollywood knows it (case in point: the public outpouring of love for his Argo win was a de facto "we're sorry we were so *beep* to you ten years ago" apology). Although he has a BAFTA nom (for Argo), he's not Sean Penn-level good but he's a capable leading man, and has enough clout as a producer/director/man about town to find films that cater to his strengths as an actor (Hollywoodland and Gone Girl were perfect matches of it).

22. Will Ferrell-The most reliable comic actor in Hollywood. He wasn't in Adam McKay's last film but he's a frequent collaborator so if McKay's getting a boost so should he. Neither Get Hard not Daddy's Home was a stroke of genius but he's creative enough in defining characters that there's little reason to count his ability to bring an iconic Ron Burgundy-like character in his next outing.

23. Tom Hanks-Like Denzel Washington, he's simply timeless. He will definitely get anyone the attention of someone who's maybe 35 or older with every project he does. He's not Mr. Now, but strangely enough he's been in 4 best picture nominee in the last six years: Toy Story 3, EL & IC, Captain Phillips, Bridge of Spies.

Loses points because Da Vinci Code never really caught on and Hanks really could have had the power to make that film an event picture if he played the part like Indiana Jones.

24. Mark Ruffalo-He's on his third Oscar nomination since 2010 and has been in such critically acclaimed works as Kids are Allright, Foxcatcher, Spotlight, while doing indie fare such as Infinitely Polar Bear and Begin Again, AND playing a big role in the Marvel Universe. He even improved on past performances of The Hulk.

25. Channing Tatum- Built like an action herobut plays that tortured youth persona that I equate with James Dean or Montgomery Clift. He has talent and if he doesn’t have the requisite talent,

it’s clear he chooses his parts with great ambition.

26. Steve Carell-He's a guy who can play comedy and lead a film and is getting some dramatic acclaim. Ironic as it is, but I think Date Night was the best example I've seen of him carrying a movie as the straight guy like Paul Rudd or Jason Bateman does and that is a big skill.

27. Chris Pratt-The man of the moment for headlining the two biggest hits of the past two summers. I love this guy but there I have to question how much range he has outside of bringing a different

sort of energy to an action film.

28. Seth Rogen-One of the most bankable funnymen and his ability to co-direct lets him control his own image more. His serious role in Steve Jobs wasn’t full fledged Jerry Lewis playing a sad clown in terms of comic going full dramatic, but it showed that like Louis CK and Zach Galifiranakis, he can be dropped into a prestige drama without inducing a humongous laughing fit from the audience

29. Liam Neeson-Whether Neeson is one of the most successful actors today depends on whether you think there's merit in taking on three to four movies a year indiscriminately. Personally, I think being a workaholic is benefitting him as it's getting his name out there more and odds are sooner or later, he's going to walk into a great film or a great role. Besides, no one is alleging he's making these movies worse through his presence. He has always been an extremely gifted actor. As he's stated in interviews, the reasons that he's taking on more roles are because it helps him stay busy in the wake of his wife's death so who is going to fault him for that.

30. Daniel Craig-If outacting every James Bond that came before him wasn't enough, he's already had roles that showed off great acting chops (Infamous, Munich, even Road to Perdition) and is positioned to take on more high-caliber roles with Bond behind him.

The Story "Secret Life of Walter Mitty" Wanted to Tell

"Secret Life of Walter Mitty" seems like a standard romcom about a guy (Ben Stiller) with a run-of-the-mill personality/physical defect (constant daydreaming) that he has to overcome in order to catch the girl of his dreams (Kristen Wiig) but there's a lot of depth that the tagline and initial marketing presentations of the film curiously ignored.

If I had to make an educated guess, I'd wager that (director/star) Ben Stiller and company considered the daydreaming angle as an afterthought that needed to be packaged into the pitch.

Hollywood today runs on pre-existing properties and the daydreaming angle is the baggage the film came with in order to get the requisite buzz. By adding daydreaming scenes, the film can properly bill itself as a remake or reboot of a live screen adaptation of a TV show/live comic strip/children's book or whatever it is (technically, it's a remake of a 1947 film adaptation of a short story if you were curious). The daydreaming concept also lends itself to fantasy and action sequences that look good in a trailer.

The story that I suspect Stiller really wanted to tell is that of an office drone reexamining the choices in his life that put him there (although it's definitely curious and slightly counter-thematic that the story gives him what seems like a pretty artsy job in a magazine's photo department). Sure, he might be courting a girl in the process, but "Secret Life of Walter Mitty" is a story about a man freeing himself from the conventions of adulthood.

Within this thematic thread, worldly photographer Sean O'Connell (Sean Penn) is Stiller's true prize. O'Connell is a man who has successfully absolved himself of adult responsibility. While his being impossible to track down makes for a great plot McGuffin, he can be a pain to work with for those in the real world but that's if you judge him through a real-world lens. The film does not.

Stiller's quest to track down one of O'Connell's lost negatives in order to save his real-world job (Adam Scott deserves credit here for reaching heights in obnoxiousness not reached since "Step Brothers") is where much of the film's screen time lies.

It's along this journey that we get a sense that Walter Mitty (at least this version of him) wasn't always so square. One of the opening scenes clues us into Mitty being familiar with a skateboard, but one of the key character tenets of Mitty is that he was once a punk (with a full mohawk to boot) who was pushed into adulthood too quickly as a teenager after the death of his father. Whether this version of Mitty exists from the original isn't something I can say for sure, but it certainly supports the thesis.

It's also worth noting that the film's technical wizardry is impressively used towards both of the disparate storylines. One of the film's most technically memorable scenes is when a game of soccer against a setting Himalayan backdrop segues into a scene of a man being frisked as seen through an x-ray camera. Until we learn that Mitty has been stopped by airport security, fantasy and reality are fantastically blurred here. Simultaneously, the thematic idea of being in a transitory space between conventional adulthood and childhood is all over this shot.

As for which story is the better one and how this affects the finished product, Stiller gets credit for splitting the middle between the standard fantasy-adventure-romcom and the more meditative angle, There's no short shrift to the relationship between Stiller and the love interest and nothing disappointing about the fantasy sequences.

Thumbs up! 

A Top 25 Power List of Actors: 2012

1. Leo DiCaprio-Gets his choice of projects, astounds audiences, grows in every film. Even something like J. Edgar not being seen by audiences doesn't really tarnish his exemplary filmography.

2. Matt Damon-Being prolific helps. He's been with every director, starred with nearly everybody, continues to be bold, and still well-liked even in face of bombs.

3. Brad Pitt-Nearly got double-nominated last year. His name above the marquee can probably automatically get a film in the Oscar discussion at this point and that's not saying anything for his ability to increasingly turn in a great performance or his clout to get something greenlit.

4. Daniel Day-Lewis-Being less prolific makes him hard to gauge

5. Johnny Depp-Tourist was a bust but he can still be exciting and creative like no one else. Don't forgot the success of Rango if you're looking for recent hits.

6. Christian Bale-Acknowledged as supremely talented by many in the industry. Did right by Batman and Nolan, he has won an Oscar, and is capable of winning another without a doubt. Also, challenges himself outside of Nolan with collaborations with Terrence Malick and Warner Herzog and doing the Western 3:10 to Yuma.

7. Michael Fassbender-Of five films he made in 2011, three ("Shame", "Dangerous Method", "X-Men First Class") were big critical or commercial hits. He's like Jude Law in 2004 but nearly every film he made turned into gold one way or another. His Oscar snub was highly undeserved last year. In 2012, he had a solid supporting turn in Prometheus.

8. George Clooney-Going a little bit downhill but still viable as a leading man. By downhill, how many times can he reinvent the same variation of a pretty man who becomes disheveled. Some might be shocked I'm putting him this low, but I do think that in front of the camera, he's run out of his ways with his range to produce another Oscar-nominated performance. Behind the camera, that's another story and I think he could get nominated as a director. The truth is his box office receipts don't really keep up with how often he appears in People Magazine.

9. Ryan Gosling-Is in the conversation as the next Clooney and is often in Oscar contention every year.

10. Robert Downey Jr.-Being behind Iron Man and Sherlock Holmes, two of the biggest franchises of the last few years and delivering such a strong take on Sherlock Homes that it's worthy of acting buzz  says a lot on its own. He often gets talked about as if he's a comeback when, in my opinion, he should simply get talked about as one of the most talented stars in Hollywood.

11. Hugh Jackman-Les Miserables puts him near the top now. It's a temporary ridge. I think he has to follow it with something great to stay at the top of the A-list. His likability as a person is enormous. He's been a little bigger in the world of theater than film.

12. Sean Penn-Won two Oscars in the last 10 years, so he's not someone to ever count out in an Oscar race. Does not have box office appeal but that's because he doesn't choose projects with box office potential.

13 (tie). Philip Seymour Hoffman-Once a character actor, now a capable lead. When you think about it, he was the main star of "Doubt", "Before the Devil Knows Youre Dead", "Synechdone, New York" and if I'm not mistaken "Pirate Radio." That's pretty unique because the roles he had for the first ten years weren't even supporting roles. In terms of amount of screentime among cast members, he likely ranked 7th for Scent of a Woman, 7th for Big Lebowski, 6th for Talented Mr. Ripley, and 8th for Almost Famous.
13. (tie) Joaquin Phoenix-I think his stunt circa 2009/2010 where he decided to be crazy in character has likely helped him be seen as a badass Daniel Day-Lewis type who can take method acting to new insane levels. In short, it's likely boosted his credibility.
15. Bradley Cooper-I can make his case in four words and a comma: Hangover, Silver Linings Playbook

16. Daniel Craig-The credibility of doing justice to the franchise of James Bond combined with the classic training and ability to knock out supporting parts out of the park ("Road to Perdition" "Infamous" "Munich). I can't see any course of action for Craig other than getting bigger and bigger every year.

17. Joseph Gordon Leavitt-Being in Christoper Nolan's last two hits certainly helped make his case as an A-lister and allowed him to give great performances, but his contributions to 500 Days of Summer and raising that movie to Best Picture Oscar contention helped a lot too. He's clearly artistic in his aims and earning credibility with his blockbusters. Looper got an AFI award for top ten films of the year.

18. Denzel Washington-Up for Oscar #6 and while he hasn't branched out as much as DiCaprio or Damon (he's done most of his work with Spike Lee and the late Tony Scott), he's a surprisingly durable brand. I was thinking he's a relic of the 90's, but double-checked and Unstoppable, Safe House, Inside Man, the Book of Eli and American Gangster were all successful either critically or commercially.

19. Andrew Garfield-I don't know if I like him personally and I don't know why they made a new Spiderman Movie five years after the last one ended, BUT if he is Spiderman, then he will be a big attraction for the next few years.

20. Jamie Foxx-He hasn't quit his string of good performances since Ray. In some cases, he was my favorite part of "The Soloist", "Jarhead" "Dreamgirls" "Horrible Bosses" and while those performances are underacknowledged, in my opinion, I think he easily has the potential to score another Oscar nod at will (kind of like how Will Smith only really tried acting twice and got nominated each time). Hopefully, Djanho Unchained will help rise him to the core

21. Jeremy Renner-He was in the Avengers, on Saturday Night Live, got two Oscar nods in quick succession and took over the Bourne role.

22. Liam Neeson-A talented actor who was cast in the lead in Battleship, The Grey and starred in Wrath of the Titans. While none of these movies had any cultural impact whatsoever and will likely be forgotten in a year's time, they show that Neeson is still being cast in lead roles. He hasn't been the lead of an Oscar-caliber film since Kinsey and it was really around Schindler's List when he was at the peak of his stardom, but one good franchise or one good Oscar winning film could land him back on top and I'm convinced that Hollywood is willing to cast him in it.

23. Tom Cruise-For better or worse, Tom Cruise has survived Oprahgate. He's no longer one of the top stars in the world but he's still being given enormous amounts of money ($75 million for a musical and $60 million for Jack Reacher, although Jack Reacher looks like it cost well over $100 million) to be making action movies and they're not being seen as frequently, but I think the fact that he's still able to do what he's always been doing merits a place on the top 25. I also think he's still showing the shrewdness in movie selection that he did before his fall from grace, especially with Tropic Thunder but I even see the small stuff like how "Knight and Day" does cast him in a slightly different light than his other films and was a good move for him in his career.

24. Ben Kingsley-I don't think this guy is in "old grandfather role" territory just yet and he did strike up a collaboration with Scorsese for his last two films. He's also damn talented as everyone knows, so I can see him being a pretty good asset to any movie, a viable Oscar contender given the right role, and a name on a marquee that could sell a film.

25. Ben Affleck-He likes directing more than acting but that doesn't mean he won't act, and he especially gives it his all when acting in his own projects. He demonstrates with Hollywoodland that he can act very well, so I see no reason why other directors wouldn't want to gobble him up like Kevin Costner and Mel Gibson did in the years after they won directing Oscars.

Acting Oscars in an alternate universe

Acting Oscars in an alternate universe:
I'm just sort of reimagining the Oscars here dating back to 1989. I tried to keep myself to a certain number of rules in limiting what I wanted and what was realistic. One rule was that the number of Oscar winners in the alternate version must equal the number of Oscar winners in history. For example, if I penciled in Russell Crowe for a second Oscar, that would make it one less Oscar winner total. It was a matter of balancing multiple Oscar winners with single Oscar winners.
Secondary rules were to balance dues, be realistic in who would win, and make sure that as many of the deserving actors, if I deprived them an award somewhere, I'd give it back to them later.
By dues, I mean the dues that go into whether an actor wins an Oscar is dependent on whether they've won one before and if so, how recently that would be.

Without further ado, let's start:
89:
Best Actor: Tom Cruise, Born on the Fourth of July*
Best Supporting Actor: Martin Landau, Crimes and Misdemeanors*
Best Actress: Jessica Tandy, Driving Miss Daisy
Best Supporting Actress: Brenda Fricker, My Left Foot
I was originally planning to just do the 20-year period of the 90's and 00's but I needed to strip Denzel Washington of his 89 supporting Oscar to even things out so I went back a year.

In this year, I decided to give the Oscar to Tom Cruise becasue as I wrote in a seperate post, Cruise really needs an Oscar somewhere for the good of Hollywood. I picked Cruise to get the Oscar for 4th of July because I realized when I replaced Day-Lewis for Brody in 2002, I deprived history of its first and only Best Actor winner under 30-years old. To take his place, I thought, I could either give it to Tom Cruise for Born on the 4th or snub Ryan Gosling for Lars and the Real Girl and I chose the former being that the latter wasn't particularly likely.

90:Best Actor: Jeremy Irons, Reversal of Fortune
Best Supporting Actor: Joe Pesci, Goodfellas
Best Actress: Kathy Bates, Misery
Best Supporting Actress: Anjelica Huston, Grifters*
Everything here is kept as is. Kathy Bates performance in Misery was iconic and Joe Pesci gave one of the best supporting roles ever so there's no need to change either of them. Jeremy Irons is a well-respected theater veteran who deserves nothing less than an Oscar. I was considering keeping Whoopi Goldberg because she couldn't guest-star on 30 Rock as an INGOT winner without this award.


91:
Best Actor: Anthony Hopkins, Silence of the Lambs
Supporting Actor: Harvey Keitel, Bugsy*
Actress: Laura Dern, Rambling Rose*
Supporting Actress: Amanda Plummer, Fisher King**
In 1991, I wanted to take the opportunity to reward either Bugsy and JFK with an acting Oscar and I ended up going with Harvey Keitel. Tommy Lee Jones and Ben Kingsley both deserve Oscars elsewhere and being that I found room for that, I thought I'd reward Harvey Keitel for his fairly distinguished career as mobster Mickey Cohen in Bugsy.
I decree Jodie Foster needn't have two Oscars so I took her Silence of the Lambs win away. This prevents Silence of the Lambs from being just the third film to win actor, actress, director, screenplay, and picture, but it's just a horror film anyway. Laura Dern is also Hollywood royalty and has had a relatively respectable career. Shy paramour Amanda Plummer stuck out more in The Fisher King than nagging girlfriend Mercedes Ruehl in my opinion.

92:
Best Actor: Al Pacino, Scent of a Woman
Supporting Actor: Clint Eastwood, Unforgiven
Best Actress: Susan Sarandan, Lorenzo's Oil*
Best Supporting Actress: Greta Sacchi, Player**
I initially had thoughts of rewarding "The Player"'s Tim Robbins for his role as a creepy Hollywood executive a little too willing to get away with cold-blooded manslaughter. It would have compensated for my not awarding Robbins in 2003 and I still wanted to give him an Oscar (his acting wins me over, his politics don't). I was considering bumping Pacino down to supporting for Glengarry Glenn Ross but after 7 failed noms, Pacino deserves better than supporting actor. I could have even awarded Pacino a second supporting nom and a 9th nomination with the Insider in 1999 but I decided that Al Pacino in Scent of a Woman is one of my favorite performances and one that I needed to defend against the detractors and I feel equally highly of Eastwood in Unforgiven. I wanted to give Susan Sorandon something. 

A chance to void Marissa Thomei's controversial win, fortunately, gave me the opportunity to award Altman's film with a win for unnominated Greta Scacchi, who played the "Ice Queen"-Robbins' equally dark lover whom he meets in the most immoral of circumstances.


93:
Best Actor: Tom Hanks, Philadelphia
Supporting Actor: Ralph Feinnes, Schindler's List*
Best Actress: Holly Hunter, Piano
Best Supporting Actress: Anna Paquin, Piano

As a fan of Anna Paquin and Holly Hunter, I didn't want to mess with their Oscar wins and the back-to-back wins that defined Hanks career (as well as cinema in the 90's) didn't need tampering either. Tommy Lee Jones gets his own down the road, and Ralph Feinnes one of the UK's finest, gets his for Schindler's List.


94:
Best Actor: Tom Hanks, Forrest Gump
Best Supporting Actor: Martin Landau, Ed Wood
Best Actress: Jessica Lange, Blue Sky
Best Supporting Actress: Jennifer Tilly, Bullets over Broadway*
94 was such a great cinematic year and I didn't really want to mess with anything here. I like that also-rans Ed Wood and Bullets Over Broadway got love in the acting categories and I think Jessica Lange (in a bizarre win) deserves a second Oscar. I switched Dianne Weist for Jennifer Tilly, however. This avoided a double win for Weist, who's career has been unremarkable.

95:
Best Actor: Sean Penn, Dead Man Walking
Best Supporting Actor: Ed Harris, Apollo 13*
Best Actress: Elizabeth Shue, Leaving Las Vegas
Best Supporting Actress: Mira Sorvino, Mighty Aphrodite
Apollo 13 is my favorite film of the 90's and wanted to award Ed Harris for it, who conveys all the tension and drama of the space race with his frenetic pacing as mission director Gene Kranz. Presidential portraits seem award-worthy enough and giving Hopkins a second Oscar ensures that he won't be remembered just for his performance as a serial killer. Let's switch up Dead

96:
Best Actor: Ralph Feinnes, English Patient
Best Supporting Actor: Armin Muehler-Stahl, Shine*
Best Actress: Frances McDormand, Fargo
Best Supporting Actress Juliette Binoche, The English Patient
James Woods for Ghosts of Mississippi and Tom Cruise were under consideration here. I wasn't particularly impressed with Rush in Shine but I felt Rush deserved an Oscar and couldn't give it to him in 2000 or 1998. Gooding Jr. who has single-handedly diminished the value of the award with poor post-Oscar career choices, gets to be erased and a man with a mesmerizing performances gets in instead.


97:
Best Actor: Rob Duvall, The Apostle*
Best Supporting Actor: Robin Williams, Good Will Hunting
Best Actress: Helena Bohman Carter, Wings of the Dove*
Best Supporting Actress: Kim Bassinger, LA Confidential

98:
Best Actor: Joseph Feinnes, Shakespeare in Love**
Best Supporting Actor: James Coburn, Affliction
Best Actress: Fernando Montonegro, Central Station*
Best Supporting Actress: Rachel Griffith, Hillary and Jackie*

99:
Best Actor: Matt Damon, Talented Mr. Ripley**
Best Supporting Actor: Michael Clarke Duncan, Green Mie*
Best Actress: Annette Benning, American Beauty*
Best Supporting Actress: Chloe Seveigny, Boys Don't Cry*

00:
Best Actor: Russell Crowe, Gladiator
Best Supporting Actor: Benicio del Toro, Traffic
Best Actress: Julia Roberts, Erin Brockovitch
Best Supporting Actress: Kate Hudson, Almost Famous*

01:
Best Actor: Russell Crowe, Beautiful Mind*
Best Supporting Actor:Jon Voight,Ali*
Best Actress: Halle Berry, Monster's Ball
Best Supporting Actress: Jennifer Connelly, Beautiful Mind

02:
Best Actor: Daniel Day-Lewis, Gangs of New York
Best Supporting Actor: Dennis Quaid, Far From Heaven**
Best Actress: Rene Zellweger, Chicago*
Best Supporting Actress: Meryl Streep, Adaptation*

03:
Best Actor: Ben Kinglsey, House of Sand and Fog*
Best Supporting Actor: Jonny Depp, Pirates of the Carribean**
Best Actress: Charlize Theron, Monster
Best Supporting Actress: Scarlett Johannsen, Lost in Translation**

04:
Best Actor: Jamie Foxx, Ray
Best Supporting Actor: Alec Baldwin, Aviator**
Best Actress: Hillary Swank,, Million Dollar Baby
Best Supporting Actress: Virginia Madsen, Sideways*

05:
Best Actor: Joaquin Pheonix, Walk the Line*
Best Supporting Actor: George Clooney, Syriana
Best Actress: Reese Whitherspoon, Walk the Line
Best Supporting Actress: Rachel Weicz, Constant Gardener

06:
Best Actor: Ken Wattanabe, Letters from Iwo Jima**
Best Supporting Actor: Alan Arkin, Little Miss Sunshine
Best Actress: Judi Dench, Notes on a Scandal*
Best Supporting Actress: Jennifer Hudson, Dreamgirls

07:
Best Actor: Virgo Mortgensen, Eastern Promises*
Best Supporting Actor: Tommy Lee Jones, No Country for Old Men**
Best Actress: Julie Christie, Away from Her*
Best Supporting Actress: Cate Blanchett, I'm Not There*

08:
Best Actor: Sean Penn, Milk
Best Supporting Actor: Heath Ledger, Dark Knight
Best Actress: Kate Winselt, Reader
Best Supporting Actress: Penelope Cruz, Milk

09:
Best Actor: Morgan Freeman, Invictus*
Best Supporting Actor: Christophe Waltz, Inglorious Basterds
Best Actress: Helen Mirren, Last Station*
Best Supporting Actress: Anna Kendrick, Up in the Air*

Stats:
Existing multiple oscar winners who have lost Oscars (unless otherwise noted, they've gone from 2 oscars to 1 oscar) in my multiple reality: Jodie Foster, Michael Caine, Jack Nicholson (3 Oscars to 2 Oscars), Hillary Swank, Kevin Spacey (2 to 0), Denzel Washington
Existing Oscar-winners who have gained an Oscar in this alternate timeline: People who have gone from 1 oscar to 2 oscars (or 2 to 3): Meryl Streep, Rob Duvall, Ben Kingsley, Martin Landau, Julie Christie, Russell Crowe, Anjelica Huston, Jon Voight

People who no longer have Oscars: Mo'nique, Jeff Bridges, Jim Broadbent, Gwenyth Paltrow, Cuba Gooding Jr., Maria Thomei, Chris Cooper, Catherine Zeta-Jones, Nicole Kidman, Adrian Brody, Roberto Begnini, Whoopi Goldberg, Sandra Bullock, Helen Hunt, Marion Cotillard

People who are now suddenly very much due an Oscar: Nicole Kidman, Catherine Zeta-Jones, Kevin Spacey

Long due people who now finally have an Oscar in this alternate timeline: Ed Harris, Annette Benning, Ralph Feinnes, Tom Cruise, Lynn Redgrave, Harvey Keitel


.

The Brian Filmmaking Achievement Awards (BFAA's)

If I could hand out awards to this years best films, here is what the list would look like:

Foreign Film: (Tie)
Waltz With Bashir [Blu-ray]
Runner-Up:
Let The Right One In



Original Score:
Alexandre Desplat- The Curious Case of Benjamin Button

Original Screenplay:
Simon Beaufoy- Slumdog Millionaire

Adapted Screenplay:
Eric Roth- The Curious Case of Benjamin Button

Animated Film:
Wall-e

Costume Design:
Catherine Martin- Australia

Sound/Music Design:
Australia

Art Direction:
The Curious Case of Benjamin Button

Cinematography: (Tie)
Cluadio Miranda- The Curious Case of Benjamin Button,
Mandy Walker- Australia

Supporting Actor:
Heath Ledger- The Dark Knight

Supporting Actress:
Taraji P. Henson- The Curious Case of Benjamin Button

Actor:
Sean Penn- Milk

Actress:
Cate Blanchett- The Curious Case of Benjamin Button

Ensemble:
Milk

Director:
David Fincher- The Curious Case of Benjamin Button

Best Film- Comedy (Tie)
Be Kind Rewind, Zack and Miri Make A Porno

Best Film- Science Fiction
Cloverfield

Best Film- Action
The Dark Knight

Best Film- Drama (Tie)
Milk, Slumdog Millionaire

Best Film- Overall
The Curious Case of Benjamin Button

And finally, the first ever:
Brian Filmmaking Achievement Award for Impact:
This award goes to a film that is extremely powerful in its execution, and communicates a message that attempts to progress the world in a positive direction towards unity, by promoting respect and appreciation of others.
The first BFAA for Impact goes to:
Milk

Thanks for reading the list of awards of the BFAA's!









Buy the Films:

Capsule Reviews on Milk and Gran Torino

Gran Torino, directed by and starring Clint Eastwood, might have been the best film I've seen all year (either that or Slumdog Millionaire). It was truly an amazing and profoundly moving experience. The story is about a grumpy, foul-mouthed, and somewhat bigoted old Korean War vet in a rundown neighborhood who is at first resistant to the change he sees his community taken over by the Hmoung (ethnic group from Southeast Asia). In most films, the cinematography is designed to glamorize what's in front of the camera, but Clint's (or should I say Walt, his character's) neighborhood is starkly unpleasant to look at. It's one of those rundown industrial towns, like you find in Michigan. The neighbors are threatened by gang violence and when Walt saves them from being harassed by pointing a gun at the gang, he becomes a reluctant hero. Not wanting any special attention, he refuses all the gifts, but he gradually softens up as his neighbors keep tugging away at his heartstrings and starts to mentor the two kids next door, Sue and Tao. The film is a sweeping look at faith, shell shock, urban decay, culture clash, and especially ageism. Clint does battle and proves his worth to teenagers who are essentially writing him off because he's old. Maybe that's what every teenager does these days. This is the first picture I've seen to confront this so well. The film features Clint Eastwood's best performance.

Milk isn't particularly great. It's probably going to get one of the five Oscar nominations for best picture but aside from the acting, it's nothing special. Sean Penn plays a real-life figure who became the first gay person to hold a public office. He was elected to the San Fransisco board of chairman or something like that. Josh Brolin stars as his eventual assassin and the dialogue between Penn and Brolin is the highlight of the film. The two are a microcosm for the standstill that currently exists between the gay community and the religious right, who maintain that they are not homophobic and good people, but continue to deny the gay community rights (Mind you, I'm not taking a stand on the issue). Other than that, however, the film is a little long-winded and just didn't generally move me like some of the other films this year. It's a good film but just not great.

Can't get into Into the Wild

You know what? If this will keep me out of being in the upper echelons of film critics so be it, but I have a nasty habit: I usually won't watch a film just because it's important, or because i should see it or because I'll only be in a position to comment on the Oscar race if i watch it, and it's tempting to watch that film just so i can participate in Oscar discussions and have respectable opinions, if a film doesn't appeal to me, it jsut doesn't appeal to me, and that's 2 hours and 11 dollars wasted in an otherwise busy life. That's why i haven't seen Crash, Million Dollar Baby, Brokeback Mountain, History of Violence, The Hours, Into the Bedroom, The Pianist, The Quiet American, Cinderella Man, or Frida.

Currently, there are a lot of films that I have yet to see and the other night at my hotel I had an opportunity to watch something at the hotel through pay-per-view. I sized up the choices: Into the Wild, Ocean's 13, Mr. Brooks, Waitress, Ratatouille, and 3:10 to Yuma again (because it's so great).

I really felt an obligation to watch Into the Wild: a film about a guy about my age who comes to a revelation that he shouldn't be living a materialistic life so he donates all his money to charity, hitchhikes to Canada, and dies shortly thereafter. I really felt like watching Mr. Brooks or Ocean's 13, but the film critic conscience inside me told me it was wrong to watch these films that had no chance of being nominated and therefore couldn't have possibly entered the national pop culture discussion in the upcoming weeks and therefore I should watch Into the Wild, but i just couldn't bring myself to watch Into the Wild even though it was my duty as someone commenting on the best films of the year to know what I'm talking about.

So for a while, I didn't watch anything because i couldn't bring myself to select either. Ultimately, Dreamgirls came on HBO, one of the few big films from last year I hadn't seen, and I decided I'd watch that instead. It was a great film, and I've now revised my top 10 list of 2006 to:
1. Little Miss Sunshine, Dayton & Harris
2. Flags of Our Fathers, Clint Eastwood
3. Departed, Martin Scorsesee
4. Babel, Alejandro Inarritu Gonzalu
5. Blood Diamond, Ed Zwick
6. Prairie Home Companion, Rob Altman
7. Hollywoodland, Allan Coulter
8. Dreamgirls, Bill Condon
9. Bobby, Emilio Estevez
10. Cars, John Lasseter


I did have one other thought, however:
I think the problem with Into the Wild is that it's marketed as a movie about a guy who goes off and dies. Why don't they just market it as a movie about a guy who goes off and does incredible things and donates his money to charity.
The advantages:
1. It would sound less depressing
2. It wouldn't give away any spoilers
3. The film is made by Sean Penn which makes reason #1 even more relevant when you consider that Penn (despite playing fun-loving surferboy Jeff Spicoli in "Fast Times at Ridgemont High") is known for his extreme seriousness at all times and lack of humor, so it's not far-fetched to think that his artistic sensibilities have nothing to do with entertainment, and they might draw him to a depressing film about a guy who goes off and dies instead.

Where to find stars: an Iraqi protest

I'm from the D.C. area and I found it interesting that in the news segment my radio station reported that the Iraqi protest last weekend had a big protest but many of the people were actually more gawkers than protesters. A large group of people came to meet Sean Penn and Jesse Jackson, apparently. Tim Robbins was also there with wife Susan Sorandon and Hanoi Jane made her big career comeback by protesting the Iraqi war (Monster-in-Law was really a decoy). It was pretty much a sell-out tour.

Seriously, though, I'm not making fun of actors touting liberal causes, everyone has a right to what they believe. I do agree that this can lend itself well to those sort of jokes. In truth, now thatI know that Sean Penn and Tim Robbins were there in person, hell, I would've gone to the protest myself. I would've been like "Hey Sean, how's it going. This war on Iraq totally blows, yeah, say, I have this great idea for a screenplay...." But if you guys are wondering why anyone could be excited with a guy as boring as Sean Penn, let me just say that in a town where the most famous people you catch on the street are Joe Lieberman, Barbara Boxer and Nancy Pelosi (I've met 2 out of 3 of them), Sean Penn is quite exciting by comparison. I mean Sean Penn's portrayal of a politician in All the King's Men would be the life of the party in the House Chamber (provided anyone could make out what he's saying). Seriously, what's so bad about Sean Penn? Why do people think he's uncool. Does anyone remember a little movie called "Fast Time at Ridgemont High" where Sean Penn plays a stoned surfboarder? Whatever he's like in real life, he was responsible for defining cool for a whole generation as Jeff Spicoli. Just like Justin Timberlake brought "Sexyback" (not that I think he neccessarily did), Sean Penn honed all his acting strengths and bought cool back to a generation of American youth that hadn't had a teen icon (Except for Ferris Bueller, John Hughes movies don't have them: there's no one in the brat pack who is the cool one) since James Dean. Of course when the director yelled cut, Penn went on to being serious but he captured coolness in a bottle better than anyone in his day.

I was actually in a protest in Washington D.C. myself once, for about 30 seconds. About 3 years ago, I was walking down 13th street, pretty close to the whitehouse and a horde of protesters marched down Pennsylvania Avenue to tell Bush their dissatisfaction about the war or whatever. The pedestrian traffic was really building up at this point because it was this never ending flow of protestors going down Pennsylvania Avenue, and we had to wait until they were all done. Since I needed to be on the other side of town, I just walked right into the swarm and joined the protest for a block or two before getting to the other side of the street.

That was my contribution to the anti-war effort. In case anyone wanted to know, I am against the war, but I really don't think there's anything cool about it anymore. I was against the war when it started, way back in 2003. I thought the war was a bad idea, because you can't go messing around with other nation's sovereignty without a good reason. It is true that the US is the most powerful nation in the world but that doesn't mean that's a permanent thing, we can easily lose favor with people if we go invading nations whenever we want. Also, Iraq was a country run by a brutal dictator but there are a lot of countries run by brutal dictators and we don't have the resources to kill them all, so therefore why pick and chose. This is the kind of stuff I was thinking and saying to people back then, and some agreed and some didn't, but my view now is what's done is done. I hear people saying "in these times of war...." but this doesn't feel like a war to me. My life hasn't been massively restructured the way World War I or World War II massively affected every American. There's not some major shift in the workforce, I'm not being forced to ration on anything like they had to ration on pantyhose and stuff back in the old days (if you say "but what about gas", that's been an issue for decades and no one is really cutting down their driving anyway) , and no one's planting any victory gardens. Also, I understand people wanting to voice their support against the war now, but seriously, it's most of your fault too. You can hate the Bush administration for their stubbornness and being a little too focused on this whole "War on Terror" thing, but let's not act as if the whole war was there fault. Back then, a lot of you were too distracted by the wave of 9/11 patriotism to think clearly about how dumb a war would be.

In essence what I'm saying is that I sort of agree with Bush's argument to Kerry in the 2004 presidential debates of "but you voted for the war too." I'm more Democrat than Republican but I think pretty much everyone messed up, and it seems like no one really wants to be there now anyway.