Sunday, August 30, 2020

25 Best TV Characters of 2018

Again, check out my patreon  to keep me in business. Don't worry. Though I'm posting this in 2020, I have a 2019 edition of this list lined up too. I also did these lists between 2012 and 2015 if you click on the top 25 character tab.








1.       Pete Holmes as himself, Crashing (HBO)-As opposed to most comedians (or the fictionalized TV versions of themselves) who just want to get ahead, this show has a protagonist who’s sincerely trying to navigate the changing boundaries of integrity as he gets a taste of success in the world of stand-up. The apologetic Holmes is gangly, awkward and sometimes wrong but there’s an underlying sweetness to him.



2.       Giovanni Ribisi as Marius Josipovic/Pete Murphy, Sneaky Pete (Amazon)-Watching genius at work is why we’re attracted to a character like Pete whose extroadinary abilities to think on the fly, read people, and work a con make him almost like a stateside Sherlock Holmes on the wrong side of the law. With a supreme expertise in his field, Pete is in the mold of the procedurals of the aughts (particularly Burn Notice but also House and Monk) but his backstory and the progression of his relationship to the Murphy clan make him fit into the serialized mold as well.  

3.       Julie Garner as Ruth Langmore, Ozark (Netflix)-Ruth feels like she wouldn’t fit in anywhere other than the Missouri/Arkansas border and that’s great for the show. She’s pragmatic and tough-as-nails but she doesn’t shy away from showing her emotions with her allegiance to her boss or her hope for a better future for her cousin.

4.       Kristin Chenoweth as Lavinia Peck-Foster, Trial and Error (NBC)-To fill in the shoes of John Lithgow’s unapologetically weird professor and carry the momentum of a sitcom into a second season with entirely different, Chenoweth had a high bar to meet. She’s not just a great caricature of disconnected rich privilege, but she also is a great example of the bunny ears lawyer trope (someone who shouldn’t be as effective professionally as they are) as killers go considering she seems to have so little awareness of reality.

5.       Manny Jacinto as Jason Mendoza, Good Place (NBC)-There is now depth to the stupidity of Jason Mendoza that can’t be mined for comedy. This year’s Jason-centered episode “The Ballad of Donkey Doug” proved quite a bit of impressive backstory for a guy who’s Jacksonville upbringing has sounded too ridiculous to be true.


6.       Wyatt Russell as Sean “Dud” Dudley, Lodge 49 (AMC)-Think of how great the world would be  if we had more people as open to other people (of all generations) and as curious about the world around them as Dudley. The seemingly dense surfer has had some bad breaks with the death of his dad and the decline of his pool business but he never stops seeing the glass as half full.

7.       Carla Jiminez as Alba, The Mick (Fox)-The opening scene of the pilot shows us a protagonist who saunters into a grocery store and uses the cosmetics aisle for her morning routine without even paying. But even then, she’s not the most id-driven character on the show. That would be the nanny left over from a past regime who will happily shirk responsibility and go on a bender if the situation calls for it. She’s also body positive.

8.       Juliett Lewis as Jandice, Camping (HBO)-Most suburbanites probably know a soccer mom or HOA member who resembles Jennifer Garner’s uptight camping trip organizer Kathryn. Likewise, most of those people wish that those Kathryns in their lives could be paired up with a foil like the boundary-pushing hippyish Jandice.

9.       Wilson Bethel as Ben “Bullseye” Pondexter, Daredevil (Netflix)-A fitting doppelganger to our title character, Daredevil’s powers are more fully spelled out than in any other iteration of this story which makes his fight scenes both cool (duh) and menacing within the context of this higher-stakes story.  



10.   Allisyn Ashley Arm as Heather, AP Bio (NBC)-Heather started as one of about  dozen students in  fraudulent teacher Jack Griffin’s teacher through which limited screentime has been divided. But Arm used every opportunity when the camera was on her and every line delivery to be spectacularly eccentric and a treasure in her own right.

11.   Dale Soules as Frieda Berlin, Orange is the New Black (Netflix)-The focus of the show’s sixth season was on two feuding sisters who turned the rest of the prisoners into competing gangs. The squirrelly Frida managed to show how far her survivor instincts had gotten her by quietly outsmarting the show’s main villains in Rube Goldberg fashion.

12.   Jordana Spiro as Rachel, Ozark (Netflix)-The kinds of characters in these high-pressure dramas (like Breaking Bad or The Americans) that get caught between conflicting sides with no way out are generally the innocent bystanders worth rooting for. Rachel is a resilient firecracker with good instincts and it’s wonderful to see her make it out alive.


14.   Deborah Ann Woll as Karen Page, Daredevil (Netflix)-In my previous iteration of this list, I felt I had to make room for Foggy, Matt, and Karen as all three big something to the team besides being well-drawn characters themselves. As the stakes felt higher and the story became more gripping, Karen was the one who was most transparent with her dread and resolve. She also made the list the last time I did this.

15.   Nick Sandow as Warden Joe Caputo, Orange is the New Black (Netflix)-Obviously the main storyline of Season 6 is Tasha “Taystee” Jefferson but to see an ally say he’ll do something and then put his money where his mouth is, is quite cathartic. Yes, the white savior trope can be debated but that doesn’t necessarily mean Taystee’s story has been diminished or Caputo’s stepping up isn’t insignificant.

16.   Tony Shalhoub as Abe Weinberg, Marvelous Mrs Maisel (Amazon)-Poor Abe. Certainly not the most stringent and unreasonable of old-world Jewish fathers from the era but he’s been dealing with a world that’s changed too fast for his comfort. He should have given his wife more agency, and he should have been  less stubborn about his university , but Amy Sherman-Palladino’s shows aren’t built around tragedies: Hopefully, there’s room for Abe to grow in later seasons.

17.   Brandon Flynn as Justin Foley, 13 Reasons Why (Netflix)-While 13 Reasons Why can be tonally inconsistent and come across more like a typical high school show than something worthy of the topics it broaches, Justin has been written surprisingly strong this season. He’s dealt with guilt and remorse over enabling rape, a broken family, a drug addiction, threats from a step-mom and a betrayal by his best friend and it’s all been handled in such a way that I can’t take my eyes off the guy.

18.   D’Arcy Carden as Janet, Good Place (NBC)-Janet can literally do anything, but it’s the moments when she chooses to deal with the mundanities of, say, getting over an ex or dealing with people who aren't at her speed (like Michael typing at 6 wpm) where she shines. And bonus points for that bar brawl that she impulsively starts against Sean's demons in her dress and high heels. And even more bonus points for the creation of the second best character on the show in Jason Matzoukas’s Derrick.

19.   Carol Kane as Lily Kaushtupper, Unbreakable Kimmy Schmidt (Netflix)-The final half-season of Unbreakable Kimmy Schmidt was a great showcase for the whole cast but count me in for more of the unattached Lily who has Tracy-Jordan-like namedrops to past chapters of past badassery. Kane gives the monologue of the season

20.   Hillary Anne Matthews as Diedre, Alex Inc (ABC)-An example of how an otherwise forgettable show can be watchable just to see a scene-stealing side character. Deidre is a scatter-brained assistant whose clinginess to her boss (Zach Braff) overtly borders on obsession.


21.   Cedric the Entertainer as Scott Joplin, Another Period (Comedy Central)-Part of the fun of this show has been the exaggerated cameos of historical figures who inexplicably make their way into the lives of the Bellacourt clan like Sigmund Freud (Chris Parnell), Albert Einstein (Matt Bessar) and Thomas Edison (Stephen Tobolowsky). Perhaps none of these comic characters is as cleverly constructed as the show’s version of Scott Joplin who’s presented as an aughts version of Kanye West (complete with self-worship and an Armenian bride).

22.   Libe Barer as Carly Bowman, Sneaky Pete (Amazon)-The Brendon de Wilde to Alan Ladd’s Shane, Carly is the kid of the family (if you can believe a 27-year old actor passing as 16) who stars agape at her older cousin who fascinates her with hints of a less provincial life. What’s interesting behind Carly is that she’s one step behind the others but you can never count her out as she has traces of Bowman ingenuity herself.

23.   Connie Britton as Abby Clark, 9-1-1 (Fox)-No harm in adding a pollyanna to a procedural. Abby is middle-aged and single with an aging parent to care for but there’s a certain upbeatness to her that makes her a quiet sort of stand-out. Her scenes, set apart from the rest of the cast, make her an interesting narrator of sorts.

24.   Jonah Hill as Owen Milgrim, Maniac  (Netflix)-One of the best portrayals of a depressed character to appear on TV. Jonah Hill does an excellent job at portraying the quiet surrender and numbness as he goes about his every day life and eventually enters into the world of fantasy.  

25.   Dania Ramirez as Jacinda/Cinderella, Once Upon a Time (ABC)-When introduced in her featured episode, Jacinda is a femme fatale disguised as a typical Cinderella. It matches well with her real-life persona who’s down on her luck but refuses to play damsel in distress with the two men vying for her affections.

Honorable Mentions:

Armen Weitzman as Garfield, Another Period; Beth Dover as Linda Ferguson, Orange is the New Black; Charlie Cox as Matt Murdoch, Daredevil; Danielle Brooks as Tasha “Taystee” Jefferson; Dascha Polanko as Daya, Orange is the New Black; David Koechner as The Commodore, Another Period;  Henny Russell as Barbara Dennan, Orange is the New Black; Jane Adams as Maggie Murphy, Sneaky Pete; Jayma Mays as Carol Anne Keane in Trial and Error;  Kristen Bell as Eleanor Shellstrop, The Good  Place; McKenzie Phillips as Carol Dennan, Orange is the New Black; Parker Posey as Dr. Smith, Lost in Space; Rachel Brosnahan as Midge Masel, The Marvelous Mrs Maisel; Sally Field as Dr. Greta Mantleray; Sophia Black-D’Ella as Sabrina Pemberton, The Mick; Scott MacArthur as Jimmy, The Mick; Ted Danson as Michael, The Good Place; Tituss Burgess as Titus Andromedon, Unbreakable Kimmy Schmidt







Tuesday, August 11, 2020

Reviews: Ramy Season 2, Brockmire Season 2, Intelligence, Broke, Once Upon a Time Season 7, Where's Waldo (Peacock)


Ramy (Hulu)-One of the best shows of the year for sure. Review here: 

https://www.tvfanatic.com/2020/07/ramy-season-2-boasts-a-uniquely-introspective-character-despite/

Brockmire (IFC) -A lot of TV in the #metoo era is about men getting consumed by dark pasts. No one seemed more hopeless than the superhumanly aloof baseball broadcaster Jim Brockmire in the first season, but his redemptive arc that gelled in the final season makes such a light out of the tunnel not only seem possible but easy-peasy. 


The leap over a decade into our future is ambitious to say the least (especially for a show based on a Funny or Die sketch) and that's not counting all the emotional overtones. The show is now set at a time where global warming, automation, and split national interests have spiraled out of control and baseball is just one of the show’s casualties.

If you fell off this show due to any perceived dip in quality, that’s not a problem here.

Final Season Aired in 2020, Streaming on Hulu.


Intelligence (NBC Peacock)-The strokes are a little broad here but it’s essentially the egotistical elitist gets humbled by the peons office comedy formula. The gimmick of the show is that it takes place in the English CIA and the fish out of water is an American so it has a little bit of a satirical bent towards American arrogance from a Eurocentric lens.

If I’m complaining about the lack of originality it’s because Space Force just did this but, hey, it’s a good time as any to puncture the myth of American exceptionalism.

As a show, it’s mildly funny if a bit obvious. Whereas Space Force or similar shows about jerks in power (Newsradio, The Office) might have allowed some wiggle room for us not to hate the guy who’s taking up the majority of the screen time: Either he learned or got his comeuppance. In the three episodes I’ve seen, the consequences of this awful man’s actions are mostly sidestepped. Perhaps, it’s a British comedic sensibility to go darker?

The side characters have potential and if the Office improved, it’s possible that this one could go that route too.

Broke (CBS)-Natasha Leggero and her suave Latino husband Javier (Jamie Camil) are rich and out-of-touch people who lose all their money in a pyramid (not a scheme, mind you, but they buy a pyramid [cue laughter]). They have to move in with their lower-class sister (Pauley Perrette) and, like the dad-son combo in Frasier, there’s a class difference so enormous, it’s hard to believe the two are related and grew up in the same house. On the other hand, hey, they wouldn’t have a show if they seriously addressed this, so shhh.


This show has a laugh track which doesn’t disqualify it by being good for modern standards but puts it at a disadvantage. Watching this was an interesting exercise for me in studying just how much the laugh track has devolved; how weaker jokes might get into the script for the purpose of an immediate pay-off.

Still, as far as outdated laugh-track shows go, this one’s watchable. Javier’s wealth-based aloofness makes him a good scene-stealer and it helps that he has heart. His butler Luis (Izzy Diaz) is even funnier though he’s not used for as many punch lines.

 

On the whole, it’s comfort food.




Once Upon a Time, Season 7 (ABC)-There’s something that just clicks with this show. In the first couple seasons (and probably the ones after, I didn’t watch), the episodes alternate between two universes that are connected. There’s a small town in Maine with a corrupt mayor (Lana Pirella) and police sheriff (Jennifer Morrison) fighting over the soul of the town and influence over a young boy. The second is set in fairy tale land where a hodgepodge of fairy tale stories-Little Red Riding Hood, Rumplestilskin, Snow White, Alice in Wonderland, even Aladdin and Princess and the Frog-interact in some variation on the land of Mother Grimm (based in the forests of Germany).

What makes the show work is that these traditional fairy tales are given a twist and then re-interpreted through a modern universe where, say, Snow White is a school teacher who hooks up with Jiminy Cricket, and Rumplestilskin doesn’t just want a first-born but control of the whole town.

Like most serialized TV, however, six seasons is a lot to keep up with multiple levels of mythology to sort through. Fortunately, season seven gives a fresh restart. Henry Mills (the little boy who knows about the alternate universe) is grown-up and is now not just an adult but also a skeptic. And the evil mayor is now just a bartender and one of the good guys in true American Horror Story fashion. As someone who missed some of the in-between seasons, a background detail here and there gets confusing, but for the most part, it’s a self-contained story that balances episodic and serialized elements well.

 

Streaming on Netflix

 

I’m Dying Up Here, Season 2 (Showtime)-Relatively watchable serialized comedy set in the 70s that focuses on the arts. Ari Gaynor (a poor man's Kate Hudson) stars with Oscar winner Melissa Leo and Michael Angarono (Will and Grace, The Knick), Clark Duke and Jake Lacy co-starring. Duke and Lacy were the two last-season additions to The Office as entry-level twerps and they've both been carving out impressive careers for themselves. There's also a couple token black guys with Erik Griffin making the bigger impression of the two. The characters sort of blend into another and there's a lot of cocaine and sex in a premium cable sort of way. The series is meant as a time capsule of the 70s but I'd rather re-watch Baz Luhrmann's Get Down or watch some more Glow. In other words, it's not that insular of a genre. The biggest mistake of the series is that Melissa Leo's character doesn't get more screen time.

Where's Waldo (Peacock)-I could totally see a faithful adaptation of Where's Waldo working. Waldo likes to hide and he's in exotic places so that's something to run with. Instead the series is a weak knock-off of Carmen Sandiego and Wizard Whitebeard is too cartoonish to feel like the adult of the group.