Wait Until Dark (1967)

Audrey Hepburn is such a sweet, precious concoction that it's hard to imagine her in a thriler. That is, it's hard to imagine anyone wanting to kill her. In "Charade" (a widely available hybrid romcom-thriller that epitomizes the 60s), the villains are so quirky and even cute in a Looney Tunes kind of way that you never really feel like she's in danger.

In contrast, "Wait Until Dark" is a thriller that pushes that line. Audrey Hepburn plays a blind woman, Susy, who's husband becomes implicated in a drug-trafficking scheme when a doomed mule passes him a doll with a stash in it. Like a Hithcock film, "Wait Until Dark" comes with its own meaningless McGuffin. A cold-blooded criminal (a young Alan Arkin fresh off his first Oscar nomination) enlists two fellow thugs to weasel the doll out of Suzy.

With Suzy's impaired sense of sight, the film is simultaneously a psychological thrill ride while maintaining a light tone as the two parties (Suzy is aided in part by an adolescent neighbor) engage in a battle of wits. The film wrings out a certain dramatic irony to the situation as we are privy to more than Suzy's point of view but she is still the character we are most emotionally attached to.

Adapted from a play by Frederick Knott, director Terrence Young milks the tension through keeping the play almost entirely in her apartment.

Little Miss Sunshine Review

I had this on the blog than deleted it because I had a contract to publish it exclusively through another organization but since that was never posted, I will repost my review of a great, great film:
This might be one of the few movies in which the phrase "you'll laugh, you'll cry, you'll jump for joy" is a true statement, because at the very least, I know I did all three of those things over the course of the movie.

Little Miss Sunshine centers on a dysfunctional family and their misguided hopes to redeem their problems through the potential success of their youngest member Olive (Abigail Breslin). Olive has won a spot in a California beauty pageant and with brother Dwayne (Paul Dano), her uncle (Carrell), her grandfather (Alan Arkin), and her parents (Greg Kinnear and Toni Collete from The Sixth Sense), goes on a road trip to the pageant from her Albuquerque, New Mexico home.

Within an all-star cast, Steve Carrell and Greg Kinnear prove themselves versatile character actors and Alan Arkin's comic shtick compliments their turns nicely as adults who have taken different paths to failure. Carrell's uncle Frank is an accomplished scholar who has just attempted suicide because his boyfriend has left him and he's been fired. Kinnear plays Richard, a self-help motivational speaker who could desperately use a dose of his own medicine while Arkin is the perfect antidote to Richard as his dad who isn't so much unhappy as he is careless with regards to his life. Toni Collette as the family matriarch is the glue that holds all of them together with her level-headed attempts to cope with one problem at a time, but even she is starting to have her problems as she resorts to smoking again. The family's dysfunction is already starting to rub off on older son Dwayne, who has taken a vow of silence and proclaims he hates everyone, so there is a certain desperation within the family that unspoiled at the age of 8, Olive might be the only one left in the family who has a chance at normalcy.

Little Miss Sunshine comes to movie screens nationwide from the Sundance film festival where the filmmakers benefited from being able to have the creative freedom to find their own voice. In this case, it allowed Michael Arndt to write a particularly poignant script that was able to fearlessly go to dark places in finding its moments of joy. The film's R rating, therefore is not just because of the number of bad words, but because the film goes to incredibly dark places touching on failed dreams, suicide, coping with death, a son cussing out his mother for being a failure. Every bit of it is necessary because without hitting such lows, the film's uplifting moments become all the more sweeter. Little Miss Sunshine is a richly told story that brings about a feeling that few movies can offer.

Oscar Blog II: From the 4th worst film critic in the nation

OK, Oscarcentral did actually post my picks and apparently, I am an idiot and a terrible oscar predictor. Out of 80 oscar pundits nationwide I was 4th worst, but I virtually got 3 more right than were listed down. As I said before, I was thinking Alan Arkin/Forest Whitaker but my main goal was to mix up the 5 locks (the 4 acting spots and the 1 directing nod) and I guess I must have picked a Peter O'Toole/Eddie Murphy combination instead. A red-headed girl named Allison, who I watched the Oscars with, can confirm that I did pick Alan Arkin, Dreamgirls for Sound (according to Oscarcentral, I picked Letters from Iwo Jima, which wasn't even nominated, I don't know who I could've done that) and Forest Whitaker. After submitting my picks, I went over to watch the Oscars at a local movie theater and her and I created our own little oscar pool between us where we wagered on each nomination as they came up, and I did pick Alan Arkin, but oh well. I did push for Oscarcentral to accept my picks at the 11th hour and I am happy to be considered one of 80 "Oscar Pundits" nationwide that they consulted and the credibility to me as a film critic is good, so whatever. I'll write more about that as i told Oscarcentral i would, in another post.

Anyway, I think. I did beat David Spade, which is great because I am a big fan of the showbiz show and think David Spade is one of SNL's most underrated alumni (possibly the most) and that it was cool that he was blogging although it says "The Showbiz Show Crew." I am curious, though: According to Tom Shale's "Uncensored History of Saturday Night Live," Eddie Murphy refused to speak to David Spade after he lambasted him on Hollywood Minute. I wonder if Spade will be writing anything on Murphy tonight, or if he'll stay clear. I plan to go over to his site, but I wanted to transcribe my handwritten notes first without inhibitions of what he might've wrote and seen how my notes compared to his, so here are my thoughts about the oscars:

Here are some notes I have:
-I think Ellen DeGeneres did a reasonably good job. I'm kind of a fan of her but not an 100% Ellen fan and I did think she'd be way over her head. She's a good sketch comedian-type and can be funny in certain situations but someone of that nature like SNL's Maya Rudolph I wouldn't tag to host the Oscars either. I think bigger comic acts like Steve Martin and Billy Crystal suffice and I don't see exactly why they've been avoiding them for the last few ceremonies. I think the Oscars will always be watched by the kinds of people who appreciate good movies and it's crowd is already set. If you're a Chris Rock fan or an Ellen DeGeneres fan and you're not that much into watching ambitious high-concept movies, you probably still won't watch the Oscars, or you'll turn it off after the opening monologue when the comic does their comic bits. After that, they don't completely dissapear but they don't appear often enough for someone to want to sit through the other parts. But, still a few will so, maybe the effect on people who were borderline about watching the Oscars is better.

-Ellen was actually pretty good albeit pretty invisible. Her bits with Clint Eastwood and Martin Scorsesee were good and I'm not entirely sure why she didn't do more of those. I got a kick out of her trying to set up Peter O'Toole with her mom, so I thought Ellen would chat with him more. I think her oscarbib wasn't really that funny.

-Best score is a funny category, check this article out:
[url]http://www.variety.com/awardcentral_article/VR1117959350.html[/url]

-In reality, though, it was just a really well-done ceremony that I felt had a complete overhall or something. Like they did with the honorary oscar for Robert Altman last year, they had voiceover for the cinematography awards and the little videos for the five best pictures* explaining a little bit about what creatively went into it. They also read excerpts from the ten nominated scripts which was immensely interesting. Also, they found a way to make the costume design interesting with models appearing on stage. They also mixed up the montages by having America as seen through the eyes of the movies, and a salute to foreign films.


-Best presenters: Jaden Smith and Abigail Breslin, I'm not really into child actors or anything, but those two were sooo cute. Some child actors like Haley Joel Osmont and the Olsen Twins and even Leo DiCaprio when he was young try to act so much like adults. Dakota Fanning also falls into this category. Let kids be kids. Also on good presenters, I think considering how little Jerry Sienfeld is on TV these days, it was definitely a highlight of the evening that they could integrate a Jerry Sienfeld monologue into an oscar acceptance speech

-Best people onstage who had absolutely nothing to do with the ceremony: With Borat refusing to show up to the Oscars this year, Jack Black, Will Ferrell and John C Riley were awesome and provided much needed comic relief. I love those guys and Will Ferrell and Jack Black brought down the house with their made-up acceptance speech song "You're Boring." When they did that song, however, they were actually presenting an award and here they were kind of just using up time in a ceremony that went on really, really long. I imagine as a result many reviews of the Oscars will be picking on those guys. What they said, though, rang true. One humongous flaw of the Academy Awards is that they rarely honor comedic performances, when as many directors will tell you, a comedic performance is harder to pull off than a dramatic one. It is ironic though, because Will Ferrell did sell his comedic soul this year to play a serious part this year in Stranger than Fiction and with that role, he had just as much Oscar Buzz pre-release as anyone else, so he did actually have his shot this year at winning an Oscar, but he was just out of his element. While the script was humorous, there wasn't a single bit of humor in his performance (I saw him as more the straight man to Emma Thompson, Maggie Gyllenhall and Dustin Hoffman) and what's the point of casting Will Ferrell if he hasn't got some laughs in his role?

-I thought it was funny that Sherry Lansing wasn't an actor yet she could either remember her entire speech or read it off a teleprompter whereas the actors who won had to bring up a piece of a paper or else they just fell apart when they got onstage.

-One fact that a lot of people in the media have got wrong about Jennifer Hudson was that while she finished 7th, she wasn't exactly the 7th most popular contestant that season nor did Simon or anyone else suggest that she would be a failure. She was considered a dark horse contender to win and wasn't kicked off the show by Simon or anyone else. She was the victim of a phone voting system in which you vote who you want to move on rather who you want to go, that had already elicited controvoursey. She did a good enough job that many people thought the week she was kicked off, that she'd be safe and placed their votes on candidates they thought were on the bubble instead. When she was voted off, Fox was sent a lot of hate mail and accusations that the system was rigged, as mentioned by Ryan Seacrest in the next episde. The point is, she did have quite an impact on the show contrary to what the media is saying.

-So thrilled that Alan Arkin won: I wrote about that in Oscar Blog I.

-I notice that some of the acting clips aren't that long, particularly for the supporting nominees. Abigail Breslin's acting clip just shows her screaming. It's really very unflattering and to anyone who didn't see Little Miss Sunshine, she did more than scream.


-Forest Whitaker won an oscar and he was so nervous up there even though he's had a chance to practice the art of giving a speech at least 3 other times this award season. After Helen Mirren thanked the Queen, I was moderately worried that he might thank Idi Amin or something

-The academy sent a message loud and clear tonight: They don't like Mexicans! When it comes to immigration, they're as conservative as Rush Limbaugh. Of the 7 most critically acclaimed movies of the year, one was made by a Brit, 3 by Americans and 3 by Mexicans, and those Americans who were afraid of having their jobs outsourced made it perfectly clear where they stood by voting down Pan's Labrynth, Children of Men and Babel. I say we start a movement of internet backlash! When will the academy stop being so conservative and accept Mexicans and Gays?!
(by the way, this is a humorous post in response to the partial rediculousness of the backlash of people who felt the academy was anti-Gay for not giving the Oscar to Brokeback Mountain. They did after all nominate the film, give it a best screenplay oscar and the best actor winner was for a gay character, not to mention playing a gay character or a transsexual gives you an automatic edge for an oscar nod)

-Best songs: Thank god, Randy Newman didn't sing. For that alone, I would've given Our Town an award. I actually think, in retrospect, though, Our Town would have been a good choice. People are just not thinking along the lines of what song would make a great radio hit when it comes to this category, which is an excellent opportunity for the Oscars to cross over into the territory of people who like the Grammys. Exceptions to this are generally the rap songs, as with "It's Hard Out Here for a Pimp" and "Lose Yourself." Beyond that, I don't think Melissa Ethridge's Inconvinient Truth song would be as popular of a hit as "Our Town" which I could see killing on country music stations. I think Counting Crows "Accidentally in Love" might have had a longer shelf life than the Motorcycle Diaries song, and the same to one of the Cold Mountain songs over "Into the West" from Lord of the Rings. I did a whole rant on this under my post "10 biggest Mistakes of the Decade"

-When William Moynahan got up on stage, I said "wow, William Moynahan is ugly" to which Allison pointed out "that's why he's a screenwriter." I don't know, I think there are plenty of handsome screenwriters out there, but then again Cameron Crowe isn't exactly easy on the eyes.

-"It's too bad Peter O'Toole didn't win" said Ellen, but doesn't the honorary oscar count? Kirk Douglas got to join the 75th Anniversary Oscar Commemoration in 2002 when, in reality, he only won an honorary oscar.

-The academy awards had some softer gentler music this year to let the people know when there speeches were done, did anyone notice that?

-Syd Gannis in under a minute: I absolutely loved that.

-When Martin Scorsesee won, there was a great moment of elation within myself and with everyone in the theater. It felt like when the Boston Red Sox won the World Series: Like we were witnessing something previously thought of as impossible. The truth though, is that it was entirely quite possible for Martin Scorsesee to win an Oscar, and it's not like the Academy was refusing to vote for him out of some dislike for him. You might say that Ordinary People beating Raging Bull was a travesty, but other than that, I think the winners were perfectly reasonable. There was no way in hell that Scorsesee was going to win an oscar for Last Temptation of Christ, and Roman Polanski in 2002 and Clint Eastwood for a second oscar in 2004 were both reasonably good choices. Kevin Costner made the brilliant Dances with Wolves in 1990 that beat Scorsesee's Goodfellas, but quickly dispelled the notion that he had any other brilliant movie ideas by making Waterworld. As for Goodfellas, which is ranked by the AFI's top 100 list as his 3rd best film (behind Taxi Driver and Raging Bull), its loss to Kevin Costner has helped turn it into a cult classic.
But, it was good of the Academy to wait until Scorsesee was really the best in his field this year.

-One of the few things that I officially got right was "Departed" for best editing. I thought it was obvious that Thelma Schoolmaker (hopefully i spelled her name right) would win best editor, on the basis of the fact that she's the most recognizable name of any editor in Hollywood, for her collaborations with Martin Scorsesee, and editing was one of The Departed's strong suits.

*Those videos they made for the pictures were really good. Why don't they use THOSE as trailers. Also, those videos would look good on youtube and would help promote the picture more.

Oscar Blog I: Best supporting actor

OK, I sadly did not get to writing around my predictions last night before the actual ceremony, but I was frantically trying to research and write (and it did require research to back up those opinions) my edgy article below that I was trying to submit to oscarwatch to no avail. I have seen the light of blog publicity and it's name is Oscarwatch, so it's very advantageous to my to appear on that site.

I did actually make a carefully well-thought out set of predictions that I sent to Oscarwatch Central for their critical compilation, but I didn't actually write those predictions down. Oscarwatch Central Predictions are currently trying to retrieve the file that I sent them because #1 I can't remember myself, exactly what I predicted and #2 They were some kick-ass predictions and who knows, I might have won. I predicted William Moynahan*, Departed for editing, and I predicted Alan Arkin for Supporting Actor. The reason that I am writing this oscar blog now (and I do consider this a blog because I'm filtering and recopying my notes from last night) was that I spent last night at a local movie theater (Arlington Cinema and Drafthouse) which had a fun program put up by two film critics. It was a good time and I won a ton of free DVDs for knowing a couple trivia questions**

Even though I picked him myself, I thought Arkin had no chance in Hell of winning and I was thrilled that he did so. Out of boredom at the lock status and the repitition of awards for the same director and actors, it was just an effort to mix it up a little. I personally just wanted to vote for anyone other than Eddie Murphy and felt that Arkin had the best chance. Personally, I thought that Djimon Hotsou and Mark Wahlberg* were the strongest (even though Wahlberg had little screentime) and I confess to not having seen Dreamgirls so I couldn't even tell you if Alan Arkin was REALLY better than Eddie Murphy. The truth was that Alan Arkin was very good but in all honesty, he didn't stick out in Little Miss Sunshine, but that's really a tribute to the strength of the SAG-winning ensemble, and I'm not sure if being the best member in your cast is neccessarily a requirement to being the only actor from your movie to win the oscar.

What really was motivating me was I was just hoping it would be anyone but Eddie Murphy because he really is not fit to be an oscar-winner. The prestigeous label of Oscar-winner gets tarnished if that oscar winner goes on to make bad movies. Everytime, you see "Oscar-winner F. Murray Abraham" on the back of a film like "Muppets in Space" at the video store or Oscar-winner Louise Fletcher in "High School High" or Oscar-winner Cuba Gooding Jr. in "Rat Race" and "Snow Dogs," it brings the reputation of the academy down that much more. I'm not saying it's not tarnished already, but Eddie Murphy didn't even have the decency to wait before he actually won his oscar to tarnish it by becoming the next Cuba Gooding Jr., wich Norbit. And you know what? Maybe it wasn't a coincidence that Cuba Gooding Jr. was actually in the movie itself. Maybe Murphy was making a bold statement defending the right of oscar winners like Cuba to go on making bad movies. Well, no thanks said the academy, and I fully second that notion. It works just like that in anything else. The NBA probably regretted voting Ron Artest as an all-Star after he went into the stands and started beating up players. Baseball wouldn't let Pete Rose into the hall of fame because he has a disease. And Eddie Murphy has a disease too: he can't stop making bad movies, and he needs to go into a therapy group with Adam Sandler, Pauly Shore and Martin Lawrence. A vote for Alan Arkin was a vote for consistency, who has consistently made good movies. It was a resounding statement that just because you did some great things in your day like singlehandedly resurrect Saturday Night Live, does not mean we will crown you with a title bestowing you as a "great actor" when your latest movie work ranges from mediocre to abysmal.


Now, I have a couple grad school classes to attend, but rest assured, i will continue oscar blogging while people are still google searching for oscar blogs so I can rack up some hits.

*This is the most nitpicky thing you'll ever hear in your life, but why does Scrosesee call him Bill, I'm pretty sure most everyone else calls him William or Will. I know Bill is short for William Moynahan, but if Will Moynahan wanted to go by Bill, he might have submitted his name as such. I am curious to know how many people other than Scorsesee call him Bill. Scorsesee also refers to Robert De Niro as Bobby and I don't think anyone else does that either. Who does Scorsesee think he is?

** Question I didn't know the answer was the last child actor or actress to win. Thanks to the lucky coincidence of having read eddieonfilm.blogspot.com's oscar predictions, I won a DVD of the Prestige, screening passes to 300 and a CD for the soundtrack of Flushed Away for knowing "What was the Artistic Oscar given alongside Wings?" I vaguely remembered the answer was a film called Sunrise.
I also won a DVD of the Guardian for knowing that Bob Fossee beat Ford Copolla for best director the first time he was up for a Godfather film, and not wanting to hog all the gifts I helped someone else in the audience name on of the three actors who Martin Scorsesee has lost to (my initial answer was Clint Eastwood, Robert Redford and Roman Polanski who had a history as a child actor, but they didn't take that as an answer. They were looking for Kevin Costner)

Some other notes on the best supporting actor race:
-I'm not sure whether Mark Wahlberg had a good or bad night. For one thing, he lost and Ellen bothered him right after losing en route to handing Martin Scorsesee her script. I think Ellen was just being friendly but maybe she could've picked a better time. Also Scorsesee was like "I want to thank Jack who's such an honor to work with and gives so much" and "Leo, let's work another 12 or 15 years" and then he was like "and Mark" and that was it. Mark Wahlberg stole the show from Jack Nicholson, Leo, Matt Damon and everyone else, in every scene he was in. Without Wahlberg, the movie's tension wouldn't have been leveled with comic relief, and he handled the dialogue so well. Wahlberg's clip was also pretty short which pissed me off as well. On the bright side, when Jack Black and Will Ferrell beat up the oscar nominees after the movie, they said they'd spare him, so that's good news

-Djimon Hotsou and Eddie Murphy both looked really anxious waiting for the name to be announced. Hotsou looked like he was about to get a flu shot and was waiting for the needle to go in his arm.