These were the films I picked and what I riffed off of:
Any Which Way You Can-Clint Eastwood gets into random fist fights, loses Sondra Locke, gains a monkey. It’s better than it looks
Cannonball Run-Is there anything about this film that isn’t fun to talk about? Based on a series of no-holds-barred cross-country races in the 1970s in which cars drove some 150 miles per hour. Roger Moore plays a man who got practical surgery to look like Roger Moore; Jamie Farr plays a shiekh who falls in love with a car hop in 30 seconds minutes; Tony Danza gets paired with a monkey; Terry Bradshaw is in the film; Farrah Fawcett givesboring lectures about how much she loves trees and the men still want her because she’s Farrah Fawcett; and there’s a frankenstein-like doctor who’s sole qualification is that he has a syringe with a mystery substance in it.
A View to a Kill-This James Bond film certainly has some humorously jarring elements: Christopher Walken plays a villain with Christopher Walkenish speech affectations; James Bond escapes death by disrobing into bed with Grace Jones and expecting her to sleep with him; there’s a cheesy California Girls sequence, etc. However, I wouldn’t call this the worst James Bond film because it’s not boring. It’s zany, but boring is the cardinal sin (looking at you “For Your Eyes Only”).
Cocktail-This film is among the most Tom Cruisiest of Cruise films. It will also make you hate bartenders
Bronco Billy-This movie is on my top films of all time as it embodies the found family trope among a group of misfits who pose as cowboys in a send-off to Buffalo Bill Cody’s Wild West Show. It’s Clint Eastwood at his hammiest
Cocoon-One of a number of 1980s with aliens who are just there (The Abyss is another example). They’re not particularly violent, they’re arrival is greeted with total indifference, and they’re net effect is curing erectile dysfunction in old people. I also talked about how Wilford Brimley is best known for inappropriate commercials, and Don Ameche earned a paper-thin makeup Oscar here.
Passage to India-There wasn’t as much to riff off here, except the abstract concept of discovering the real India. It’s a long film with a capital “L” as it was directed by David Lean of epics such as Lawrence of Arabia and Dr. Zhivago. It’s an excellent period piece with an Oscar-winning performance from Peggy Ashcroft. I reviewed it here: Passage to India
Short Circuit-The inspiration to Wake, Rattle, and Roll. Both Passage to India and Short Circuit have some amusing (though others might consider offensive) brownface
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