Saturday, December 09, 2017

Themes of all 2017 Films I've Seen To Date

All films, even schlock, have thematic messages. In that spirit, I'm challenging myself to see if I can draw out three themes from every film I've watched in 2017. Incidentally, this is also my ranking of these films from best to worst.

1.       Florida Project-Invisibility of the lower class; lower class stretches across color lines; incredible and unexpected capability of children to maintain innocence

2.       Baby Driver-Possibility of redemption; neither criminals nor life in general can be trusted rendering future planning pointless; nature vs nurture (Baby’s influenced by being raised by a deaf man and having no parents, yet has natural ability)

3.       Big Sick-Religious tradition vs. decisions about marriage are never easy; effect of family/parents is inescapable; power of camaraderie/comedy to combat suffering

4.       Dinner with Beatriz-Capitalism as inevitable enemy of good; complicitness vs obedience of social mores; female intuition vs. male capitalist-based thought 

5.       American Made-The universality and thinness of the American Dream (Seal's life is so exciting because everyone can envy what he has), draconian nature of American bureaucracy; opportunity favors the bold (and perhaps a better chance at fortune as the original proverb states)

6.       Beguiled-Sexuality as a legitimate danger to youthful development; underlying violence behind sexuality; emasculation

7.       Lost City of Z-The pursuit of new knowledge can be worth even more than human life; challenging the Euro-centric view of the third world; sacrifice of greatness (in this case, the protagonist is an absent husband and father)

8.       Murder on the Orient Express-Illegal isn’t always wrong; the ripple effect of an evil act (one man’s kidnapping plot has destroyed so many lives); Inevitability of being caught for a crime (more of a fictional trope than something that happens in real life)

9.       Logan Lucky-Creating your own luck in the face of socio-economic expectations;  Karma/morally relative universe; challenging red-state stereotypes (the idea that the family is cursed fits in with our idea of how red staters are disadvantaged)

10.   Mudbound-Prejudice is cyclic and inherited like poverty; war buddies as a metaphor of understanding through shared experience; the scarring effect of racial hostility (in this case, the metaphor is enforced literally)

11.   Wind River-Invisibility of Native Americans; the danger of male sexual aggression when left unchecked; Community can be adopted and that can be good

12.   Dunkirk-War makes human life fragile; war as a time and place that creates heroes for those who step up; honoring the greatness of those who fought and contributed to the war effort (if these themes don’t strike you as very complex, it also should be noted, I didn’t think Dunkirk had much to say outside of special effects)

13.   Circle-Beware of utopia; the costs to emotional connection in living your life online; the addictive nature of sharing yourself and the dangerous consequences 

14.   Wonder Wheel-Love and morality are two different spheres (taken to its logical conclusion, Allen argues in favor of wronging someone if you’re following your heart); the promise of a better future as a driving force to get one through the day (it worked positively for Humpty and Carolina and led to Carolina’s downfall); love and jealousy being intertwined

15.   Cars III-How a heroic figure deals with aging; self-determination vs corporate interests; power of self-belief in victory

16.   Wonder Woman-Women as keepers of security; fruitlessness of war; maturation through the classic odyssey (as in leaving your homeland and going into the unknown a la Homer’s epic)

17.   Deidra and Laney Rob a Train-The increase in pressure to succeed when you’re in poverty; the cyclical nature of poverty vs the power of family (in this film, sticking together as a family and being supportive helps them fight poverty); legally wrong vs morally wrong

18.   The House-Legally wrong vs morally wrong; the stifling financial burden placed on the American middle class; the thrill of illegality

19.   Colossal-He who brings peace to himself brings peace to all the universe (this comes from a Hebrew prayer); cross-culture cultural consumption as an alien force; redemption

20.   Little Hours-Destructive libido can appear in women as well as men; questioning whether human sexual suppression has matured throughout history; be careful what you wish for  

21.   Get Out-The limits of white allies to the black rights movement; the reduction of blacks in the genre; the American black experience being fundamentally different than the white experience through perception of others

22.   Kong Skull Island-The dangers of the militaristic mindset; the essential goodness of nature (even though, in this case, it’s presented through laughable means); human inclination to fear nature when it’s large and foreboding

23.   Atomic Blonde-The capability of the female as action hero; betrayal as part of human nature; war begets cynicism

24.   How to be a Latin Lover-Valuing love for your family (of birth) over romantic goals; value of sincerity in courting; don’t be defined by age

25.   The Great Wall-Challenging history from a Euro-centric view; contributions of both genders in war; positive power of cultural assimilation (the Matt Damon hero is empowered in war through learning Chinese ways of warfare)

26.   The Discovery-Dark side of scientific progress; possibility of love in dark times; genius is blind (the man who invented the afterlife couldn’t foresee the effects)

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