Saturday, December 01, 2007

Browsing through Ebert's Answerman Columns

I was browsing through Roger Ebert's answerman columns, in which he answers through questions posed by people going onto his website. They are one of the most entertaining things you can read in the subject of film criticism as he is insanely knowledgable on everything film, has great insights and sometimes has a sense of humor.

I saw Roger Ebert on ET the other night and he is in terrible shape right now and can't exactly talk. He has to talk through a computer like Stephen Hawking, so that's quite tragic. When it comes to seeing his printed word, he's still as sharp as ever.

Anyway, since I don't think I should copy and paste some of the questions I found interesting, i could try to post some links:
This question is about whether actors simulate sex in films.
This question is about the writer's strike and whether Ebert and Reoper receive residuals
Whether Ebert has a preference toward foreign films
Whether people should wait for the end credits to finish rolling or not before leaving. The question was from an annoyed viewer that people got up and left while Michael Clayton was still on the screen on the .
My opinion is that #1) nothing further in the story happens after the end credits kept rolling #2) it's usually up to people if they want to reap the rewards of the end credits or not #3) as a former movie theater usher, we're generally supposed to wait until the end credits finish rolling before we go in and clean but if it's a busy schedule we usually can't resist the temptation to start a little early
The controversy over people saying Al Gore won an Oscar when he didn't. I personally think that even if he didn't win the statue he was a major force behind the film and should receive acknowledgement as the man behind the Oscar-winning film because a) the director didn't really do much but just point the camera at him as he babbled b) you know that someone as media-savvy as Gore knew how to market and promote the film and get behind it and c) there would clearly be no film behind Gore. The analogy that saying Gore is the Oscar winner for Inconvenient Truth being as ludicrous as saying Muhammad Ali won an Oscar for When We Were Kings, is clearly incorrect, because Gore was an active participant in the film.
Damn, the 6th Sense has just been ruined, I think I'll write a seperate post on this. But that was highly insensitive. I think I'll write Roger Ebert a question about this.
Controvoursey over whether Francis Ford Coppolla being quoted in a magazine as saying Nicholson, De Niro and Pacino have been cinematically lazy over the last decade. Nicholson made About Schmidt, As Good as it Gets (which I think was a little overrated), and Departed; Pacino made Insomnia, Angels and America, Merchant of Venice, Two for the Money, and Devil's Advocate and De Niro's most notable effort would debatably be Sleepers. I haven't seen Stardust so I won't judge. I've heard a couple good things. Other than that we have films like Gigli, Mars Attacks, Anger Management, Showtime, Godsend, City by the Sea, The Score, Stardust, Shark Tale, The Adventures of Rocky and Bullwinkle, Meet the Parents, Meet the Fockers (shameless money-grabbing sequel), Simeone, The Recruit, Two for the Money, and Something's Gotta Give, so perhaps Francis Ford Copolla shouldn't feel a need to apologize after all.
When was the first use of a flying saucer in a film. This post also indicates that Ebert is willing to help you with homework projects
Whether that opening clip at Darjeerling Limited had any merit. I admire Anderson for leaving it out of the film and making it a separate movie, but nothing much really happened in the opening clip and I have no idea what the cause for the hatred was between the two people.
This post discusses how films in the Victorian Era greatly fantasize the period. Elizabeth, in real life, would have had no teeth by the age of 30, because evidently British people back in those days had no dental hygiene (a tradition which proudly still stands). I saw Elizabeth and the Golden Age and I think that they went out of their way to make Elizabeth not look glamorous but realistic and even ugly at times. Certainly, the viewer wasn't drawn into Elizabeth's glamour.
If Queen Elizabeth II would watch on her TV at home, when Cate Blanchett wins the Oscar this year for playing QEI (which by the way, most people agree is a long shot for a win though a probable nomination at this point).
His response: "If Blanchett were to win for "Elizabeth: The Golden Age," that would mean she'd receive the award from Forest Whitaker. He won for "The Last King of Scotland." I hope he doesn't hold the beheading of Mary, Queen of Scots against her."