The State of my TV watching March part I: New Girl

I'm starting a series where I update you on what I've been watching lately:

The Nick-Jess romance on "New Girl" turned me off the show last season but I was pleasantly surprised when I recently tuned into the show.

The Nick-Jess romance appeared to have derailed the show at first, but Liz Meriwether and her staff have navigated this potentially shark jumping storyline into a comfortable groove. The Nick and Jess pairing is heavily downplayed, it doesn't make the characters any less lovably imperfect, and there's still plenty of unresolved sexual tension to go around.


What's seeming to drive the show these days is the group dynamic. The show morphed from its original premise of a highly quirky girl being grounded by three roommates, to an ensemble comedy in the first season. A couple seasons later, the ensemble has gelled so well (both the characters and the actors), that there's a familiar shorthand to all their interactions.

The danger of this is that in shows like "The Cosby Show", "Everybody Loves Raymond", or "Community" that unique style of dialogue starts to feel insiderish. It's difficult to tune into a fourth season episode of any of those shows cold turkey and laugh at the distinct cadences of the show when you're unfamiliar with the joke.

I don't believe "New Girl" has entered this dangerous territory. In fact, the show reminds me of "It's Always Sunny in Philadelphia" for the way in which the characters seem to exist in a subculture of their own that's slightly off-center of the world. In the case of "New Girl" there are plenty of people outside the realm of this Jess-Cece-Schmitt-Winston-Nick quintet that ground us in reality by reacting to these people and their idiosyncrasies.

And speaking of that quintet, the show has now reintegrated Coach into the cast after the cancellation of "Happy Endings" meant that Damon Wayans Jr. now needed a gig. I'm happy to see the gang expand and I am especially happy to see anyone in the Wayans family get a job, but it's somewhat problematic. Damon Wayans Jr. had the token black guy part in the pilot as Coach. I only say that because he was the least developed character. When he was cast in "Happy Endings", the part was recast with Lamorne Morris as a new character, Winston. The in-universe explanation that Coach moved out somewhere and Winston who is returning from a failed basketball career in Lithuania is taking over his fourth of the rent. From what I've seen so far (about five 3rd season episodes), it seems both characters occupy the same niche so I'm hoping for some more differentiation. 
 
 

Belated Top 25 characters in TV: 2012

1. Carrie Matheson, Homeland (Claire Danes)-Carrie has been through hell and back and you know the show has hooked you when you desperately want her to be redeemed. Carrie is firm in her resolve, intelligent, and has the traits of a great action hero, yet she still remains unequivocally feminine.
2. Nicholas Brody, Homeland (Damien Lewis)-It takes a great performance by Damien Lewis to pull all these contradictions and facades together. My only complaint is now having learned one of the best American characters I’ve seen on TV is British. I did not see that coming. 
3. Leslie Knope, Parks and Recreation (Amy Poehler)-The year that Leslie’s outsize ambitions finally met up with reality. It’s either a testament to the show’s growth that Leslie has come a long way from the godawfully awkward version of the same character we used to have.
4. James van der Beek, Don't Trust the B--- In Apartment 23 (James van der Beek)-Celebrities satirizing themselves are nothing new (Lisa Kudrow, Matt LeBlanc, the guest stars from Extras, etc) but James van der Beek one ups them by diving head-first. What I find most interesting about his character is how as a celebrity he has everything a normal TV character could want (wealth, power, fame, romance) so he seeks to reinvent himself each week in increasingly superfluous ways.
5. Olivia Pope, Scandal (Kerry Washington) - Although she's based on Washington PR's Judy Smith (with a heightened sex life for dramatic purposes), Olivia Pope is her own creation. It would be hard to portray someone so appealing and self-assured that every power player in Washington wants to hire her and and the US President is uncontrollably in love with her, but Kerry Washington (a consummate working actor for the past decade) sells it.
6. Sister Mary Eunice, American Horror Story (Jessica Lange)-She's partially being awarded a high spot because Lange is riding the residuals of her Emmy-winning performance as the playfully flirtatious antebellum-mannered neighbor Constance in Season 1. The plot of AHS's second season is a mess but there are plenty of great characters. Like the first season, Lange steals the spotlight as disciplinarian nun Mary Eunice who also turns out to be a dynamic (English literature term for characters that change, not the other definition. That's all the spoilering I'll give) character. Compliments go to whoever directed that trippy dancing sequence and to Lange's dialect coach for that wonderful variation of the traditional Boston accent.
7. Phil Dunphy, Modern Family (Ty Burrell)-Superdad made my list last year, and he's certainly worthy of return. It's no wonder that the new season of Arrested Development referenced Modern Family here and there, as Phil is truly stuck in arrrested development and happy to be there. (Also: See last year's list)
8. Jesse Pinkman, Breaking Bad (Aaron Paul)-My obligatory Breaking Bad inclusion. The TV Critics Association fines me if I don't include it.
9. Agent Van Alden, Boardwalk Empire (Michael Shannon)-Likely the most obscure actor to get an Oscar-nomination in the past 10 years, Shannon is a wonderful foil to Steve Buscemi's Nucky Thompson. He brings such an energy to the role that I'm convinced Shannon really enjoys that old-timey dialogue. More pragmatic then he is obsessive, Van Alden is very much a shade of gray.
10. Kenneth Parcell, 30 Rock (Jack McBrayer)-It took Kenneth Parcell six seasons to grow on me. Of all the characters on 30 Rock, I might very well miss this uber-morally square one the most. Especially when you consider how unlikely it is that another character on TV will ever come along like him again. Unlike Liz, Jack or Tracy, Kenneth could only exist as a funny  and effective character when sandwiched between business-savvy executive, the overworked CEO, and the two empty-headed divas.
11. Schmitty, New Girl (Max Greenfield)-Greenfield successfully convinces us that Schmitty is both the dorkiest guy in the room and someone alluring enough that Cece (Hannah Simone) would want. Getting a model as a girlfriend tends to disqualify you in the former category.
12. Margaret, Boardwalk Empire (Kelly McDonald)-If you shift the focus to Margaret, Boardwalk Empire could almost be seen as a Prohibition-era version of Breaking Bad. Margaret, being the epitome of morality, makes a deal with the devil in her marriage to Nuckie and slowly starts to accept corruption into her life. One of the stronger stories of the series.
13. Dallas Royce, Suburgatory (Cheryl Hines)-One of the more underlooked pieces of the show, she is part of the out-of-it sanitized suburbia that Tessa fears so much, yet she is so comfortable in her skin (not to mention her low-cut dresses), that it's hard not to be won over by her (inexplicable, considering we're on Long Island) Southern charm. Indeed, she has carved her way into the hearts of both father and daughter Altman.
14. Stefon, Saturday Night Live (Bill Hader)-I admit I’m a little behind the curve in recognizing Stefon despite being an avid Saturday Night Live watcher. Two years ago when Stefon and creator John Mulaney were making the press rounds, I had no idea who he was.  Well, I’m happy to report I’ve caught up on my Stefon watching and I’m equally enamored with this lovably bizarre party insider. Unlike “What’s Up With That” or half of the other SNL characters, there’s a lot of room for diverse jokes with every Stefon outing, and even more room for creativity with the sketch’s ending.
15. Wilfred, Wilfred (Jason Gann)-We still don’t know exactly what Wilfed is and here’s hoping we never will.
16 and 17. Cheryl Tunt and Pam Poovey, Archer (Judy Greer and Amber Nash)-Whoever thought that the secretarial clerk and HR rep at an international spy agency could be the most fun characters to watch? Major points go to Adam Reed and company for giving continuity to the highly tenable character bullet that Cheryl is worth a half billion dollars but still shows up to a crappy job every day that she doesn’t appear to be all that crazy about. Bonus points for giving Pam a more active sex life this year as well.
18. Anne, Go On (Julie White)-Anne immediately struck me as the most multi-layered and unique character within Go On's ensemble cast and she's paid off in dividends. She can't easily be pigeonholed as she’s a little bit of everything: Supportive and loyal yet grouchy and blunt. Both desperate and confident. Open to the world around her but wanting to shut people out. Most importantly, Anne’s a confused soul and a complete three-dimensional character. She strikes the perfect balance between individualistic instincts and the need to belong that is the show’s main theme.
19. Lana Peters, American Horror Story (Sarah Paulson)-The level-headed journalist (who's lesbianism was surprisingly well-handled for a Ryan Murphy show) kept us relatively steady in a world that got increasingly ridiculous. She sold some of the show's best moments.
20. Selina Meyers, Veep (Julia Louis-Dreyfuss)-The program of Veep is particularly original on the whole but I give JLD marks for nailing the character. It's too bad The Thick of It and In the Loop came out first.

21. Tim, Life and Times of Tim (Steve Dildarian)-Take the most tragi-comic episodes of Seinfeld or It's Always Sunny and multiply them by a factor of 10 and you get perhaps the most unluckiest character ever conceived in the history of television. Tim is a 25-year old urbanite constantly in danger of losing his job, his girlfriend, or the respect of his friends and nothing in his external circumstances seems to be helping him any (think a walking Murphy's Law). As Tim goes out of existence this year with the non-renewal of the show (perhaps, the least buzzed-about show in HBO’s history), someone needs to give him a little love and this list might as well be it. Besides, Tim had a relatively good year: He didn’t get urine thrown at his face by a WNBA player (that was Amy), he was promoted to Vice President (likely not for long), and didn’t get caught when he stole the boss’ dog back. Of course, I haven't seen the series finale.
22.Andy Dwyer, Parks and Recreation (Chris Pratt)-See last year's list
23.Kylie Sinclair, Last Resort (Autumn Reeser)-Kylie's first on screen appearance is on the backend of a date with an aide for a senator she's trying to lobby, as she's talking about submarine schematics while making his mouth water as she undresses. Trying to introduce a character as knowledgable AND sexy within a talkative sex scene isn't anything particularly new (see Faye Dunaway in Network), but in Autumn Reeser and Last Resort's hands, Sinclair projects a confidence and duality that works here.
24. Morgan, Mindy Project (Ike Barinholtz)-It's been a few years since Ike Barinholtz was on the sinking ship known as the final seasons of Mad TV, and thank god, he found a good vehicle to return with. Morgan, the ex-con male nurse, is wonderfully unashamed of being a male nurse and pretty much devoid of inhibitions in general which makes him a wonderful foil for the uptight trio of doctors in charge 
25 (tie). Principal Stark, Unsupervised (Sally Kellerman)-Principal Stark-The kind of supporting character whose backstory could fill a novel, Principal Stark is a fine blend of pragmatism, strong-willed determination, and at times, sheer laziness. Her odd approach to running a school leads to some of the show’s funniest moments whether it's pepper spraying a kid who discriminates against a gay student or offering to send the lowest-scoring kids to grade school. And she’s voiced by Sally Kellerman who apparently is still alive. MASH fans rejoice!
25 (tie). Mr. Woolfe, Suburgatory (Rex Lee)-Chatswain High's closeted guidance counselor advisor came out of the closet in hilarious fashion at the start of the year ("Oh and one more announcement, I'm gay. So from will be driving a Miatta. Please let me know if you have any questions"). The way Rex Lee chirpily delivers the dreariest suburban platitudes gives Mr. Wolfe the most laughs per minutes on screen for a TV character with limited screen time.

Safety Not Guaranteed: An ill-fitted romance for the ages

Hollywood  has come a long way in breaking from the molds of the storytelling conventions strictly imposed upon them in the Golden Age.

You would think that with all the diverse possibilities of  stories to tell, just a few less movies out there would be obliged to go the romantic route between its two main characters. As Todd van der Werff pointed out in this article making the case for more friendships and less romances on TV:

"The world isn’t full of potential romantic partners who constantly dance around each other; it’s full of men and women who navigate complicated friendships and find their way to happiness within those friendships."

If films are to be accurate portrayals of the different colors of life, filmdom collectively has to consider different endings to their stories. More to the point, film's lose a sense of being unpredictable if every time a man and woman make googly eyes at each other, we know where it's heading.

Case in point: Safety Not Guaranteed.

The film, about a trio of journalists who track down a store clerk who thinks he can time travel, had the makings of a good story and was without a doubt a unique tale.

It's an independent film so I would have thought that these guys had more leeway to be unconventional which is why I was baffled that they sealed off their story with a conventional romantic ending that I don't really think was organic of the relationship between the two main characters on screen.

Aubrey Plaza's Darius (why do all quirky indie movies have to give their female characters male names?) and Mark Duplass's Kenneth seemed to me to be people with holes too big to just dive into a relationship right away. Moreover, I think the film would have been just as emotionally satisfying if the two arrived at a point where Darius understood Kenneth as that would have been a long journey as is.

Despite that, the film was punctuated with an effectively pleasant aura, the movie was interesting and there's a lot to say about building a story around a "red herring" that undoubtedly works.

Playing GM of television: 2010-2011 Season

I saw this post by Andy Daglas the other day, in which he plays out a hypothetical scenario wherein he can trade TV characters from show to show as if he were a sports GM.
http://www.chicagonow.com/the-vast-wasteland/2011/12/hot-stove-tv/

1.    Sheila Shay (Ana Gasteyer) from Suburgatory to Revenge in exchange for Nolan Ross

Ana Gasteyer will fit right into the Hamptons and imbue the melodrama with a little bit of humor. Nolan Ross will move across the street in Sheila's place and give Tessa a more competent partner-in-crime than the overly affable Malick. Against the monotoned Dahlia and the Dahlia-like girls at her new school, Tessa needs all the help she can get.

2.      Tate (Evan Peters) from American Horror Story gets sent to In Treatment in exchange for Adele (Amy Ryan). Constance (Jessica Lange) gets loaned out.

Tate needs someone effective to help cure his problems. Ben (Dylan McDermott) clearly can’t do the trick and is secretly enabling Tate’s ghost-murdering ways. On Dr. Paul’s (Gabriel Bryne's) turf, Tate will finally get fixed and if you throw Constance in for a few guest spots, it’ll be a fun family session. 

In the meantime, Dr. Ben needs some help himself. The striking Adele will jump in and fix the damage and, yes, the two will probably either bang or have an emotional affair, but that's the best thing that can happen to him. His marriage to his wife is clearly in trouble. His first thought when his wife wanted to move because of possible ghost sightings was to throw her in an institutionalize her. 

 3.      Annie, Senor Chang, and Pierce get sent from Community to Glee in exchange for Sue Sylvester and Quinn Fabray (pre-wheelchair)

Abed and Troy need a more superficial and acerbic girl (possibly one who they might have more sexual tension with) to pal around with. With the temptation of Annie out of the way, Jeff doesn’t get the scarlett letter for bedding a barely legal coed, and Annie, as a peppy student assistant to Mr. Schu, gets better storylines to people closer her age. Plus, most of the guys will have crushes on her and the potential shipping combinations will be mind-boggling.

Meanwhile, Sue is getting tiring with her redundancy in trying to destroy the Glee club. As a pregnant P.E. teacher, she becomes the gang’s new nemesis, while Pierce boasts an attribute even deadlier than what Sue had: Crankiness. He won't even let Mr. Schu get through half a song without telling him to shut up, throwing some old-timey racist insult at one of his students, and boring them with stories. 

Lastly, Sr. Chang will be Michael’s crazy uncle who will have a Holly-Holliday-like 3-episode arc as Mr. Schu’s substitute upon a bad case of food poisoning. Chang gets fired once it’s discovered that he doesn’t have substitute teacher credentials but it will have been a fun ride.

4. 3-Way Trade: Jonothan Ames (Jason Schwartzman) of Bored to Death goes to Community, the rights to  John Goodman go to The Office, and Ryan Howard and Kevin Malone go to Bored to Death

Community needs a nerdy intellectual guy like Ames for a foil. A professor a few years younger then Jeff Winger who thinks he's six times smarter than him will irk Jeff. He'll also majorly crush on Britta and never ever get anywhere close to winning over her affections.

I don't want whatever character John Goodman plays to go over to The Office but just John Goodman and his comedic gifts and allow the Office writing staff the opportunity to mold a good character for him. I've never been in love with Goodman but I think with his bellowing, hefty frame, he could be a tough guy akin to Idris Elba's character and I could trust him to restrain the manic unpredictable energy that the writers have tried to infuse every manager with post-Michael Scott (Will Ferrell is an unusually bad example).

Lastly, maybe the only guy in the Scranton branch of Dunder-Mifflin with a master's degree needs to figure out what to do with himself since he can't be a temp forever and still is too fearful of going to Thailand. So he moves to this hipster enclave of Brooklyn where people get him and works on writing a tell-all novel about his rise and fall from temp to CEO to temp again of the world's zaniest paper company. And the show goes all meta- because he will meet Steve Carell and Greg Daniels and try to persuade them to star in a TV show based on his book. Kevin Malone will also, by some coincidence too crazy for me to even come up with a plausible explanation for (although the Office writer's room will know how to handle this perfectly, transitions of power that make no sense seem to be their specialty lately), end up in Brooklyn too where he will reunite with long-lost brother Zach Galifianakis.

5. Twofer from 30 Rock gets traded to New Girl in exchange for Winston, Frank from 30 Rock gets traded to Don't Trust the B--- in Apartment 23 in exchange for Eli

I'd hate to see Winston leave the gang, but realistically, the chemistry between the other three is strongest, and the fussy Twofer might bring in a little more of a clash with the other roommates. Can you imagine the hidden resentment a law school dropout like Nick would have for a guy with the command of the English language that Twofer has? Winston wouldn't be the complete antithesis of Tracy Jordan that Twofer was designed to be. He wouldn't be the polar opposite of Tracy, but he'd add a lot of life and personality to the 30 Rock writers room

Meanwhile, Frank was born to play the combination  tambourine-playing health-inspecting simultaneously-creepy-and-non-threatening guy next door that Eli currently inhabits and Eli is the perfect compliment to Jenna who needs a stalker on top of his game.

6. Free agent Josh (Lonny Ross) from 30 Rock gets picked up by Up All Night

I've only seen two episodes of Up All Night, but it's a show about a TV show and Josh and his sex addict of an agent need another crack at a television show, so Josh becomes faux-Oprah's sidekick

7. Howard and Raj get traded from Big Bang Theory to 2 Broke Girls in exchange for Oleg and Han Lee. Stuart will be signed to a full-season contract.

Two Broke Girls has two strong leads with two appalling secondary characters while Big Bang Theory has...er, well, basically the same thing, but what if we could take Howard and Raj and exchange them for walking stereotypes Oleg and Han-Lee. As Daglas pointed out when he made an almost idential trade, said, we need a Lenny and Squiggy for this Laverne and Shirley. I don't think Oleg, Han Lee, Howard or Raj combined could equal one Squiggy in terms of mating desirability, but Raj and Howard would be a massive improvement over Oleg and Han Lee. Raj would keep his mouth shut a lot more than Oleg, and Howard would come onto the girls plenty, but at least Max will know how to handle him. She'll probably punch his lights out, which is what Howard would need. The caveat, Howard has to break up with Bernadette (maybe temporarily).

In the meantime, Han Lee will put a face on the restaurant that the guys and Penny order their Chinese food every other night, while Oleg will serve as the pervy landlord super.

Because you'll need to round out the gang, comic book geek Stuart will return to school to get a higher degree and become a lab assistant and fill out the three's lunch table conversations.




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A super-belated top 10 tv shows of 2011

Doing top ten lists in December is overrated. I half-worked on this in December, shelved it while working on a top 25 characters of the year. The lag in time has allowed me to make a better and more accurate list as I have a better idea which shows resonated with me in retrospect. This is true even if the show took a nose dive after the New Year as is the case with Parks and Recreation. Like any blogger who aspires to be a TV critic and doesn't possess superpowers to slow down time so he or she can watch everything, compromises had to be made in terms of what to watch and what not to watch. The pool of shows I selected this from is listed down below.

1. The Onion News Network, IFC, Seasons 1 and 2-Even though this is my #1 slot, I don’t have a whole lot to write here except that this is the program I was most blown away by week in and week out. I know it doesn’t score too many points for originality or risk as it is was basically an extension of their youtube channel, but that doesn’t mean the show’s not on the edge creatively. Both the first and second seasons came out this year and the show added a new level of complexity in the latter as the show became experimental and semi-serialized in the form of Brooke Alvarez’s rivalry with do-gooder news reporter Brady O’Shaw. Examples of episodic arcs included the broadcasting of the apocalypse, the computer becoming a sentient being and falling in love with Brooke, and the revealing that the icy Brooke was once a famous Russian cosmonaut as a baby. I imagine that in the same way hard core fans of The Daily Show and Colbert Report cling to those shows as a bastion of cutting edge satire, I see this as program as both the most funny and twistedly honest program on television. On second thought, maybe I do have a lot to write about it.     
2. Parks and Recreation, NBC, All of seasons 3, 1^st half of Season 4-No longer in the shadow of Office, Parks and Recreation has an incredibly strong cast that didn’t lose a beat with the arrival of Adam Scott as geeky outsider Ben Wyatt and Rob Lowe as hyperactive city manager Chris Traeger. The show hasn’t just created a strong sense of place and time, but it’s created an inviting one. Leslie Knope was originally an irritating opportunity for Amy Poehler to try out a leftover SNL impression. Now, she and her gang of government bureaucrats have become the best definition of a great ensemble: you see them less as actors and more as a group of friends we want to hang out with.

3.      Archer, FX, Season 2, 1^st 3 episodes of Season 3-The show isn't just another spy parody but a first-rate spy parody and a wacky office comedy to boot. The key to the show is that the characters are uniquely idiosyncratic creations rather than the means to and end for traditional parody.

More of my review can be found here

4. Hell on Wheels, AMC, Most of Season 1-The show is beautifully shot but doesn’t do the glamor of the West any favors. The railroad camps and the life of backbreaking labor is so hellish that only marked men would go there. The show interestingly contrasts that with two Irish brothers who think they can get a slice of the American dream with their picture show, a preacher who wants to open up a church, a whore with scars from her time as an Indian princess and a newly widowed fair-haired maiden who was told by another character that, not being a whore or Indian, she doesn’t beloing out there. It’s the traditional Western told through a lot of unique and diverse perspectives.  Note: In retrospect, I've learned that not a lot of other people liked this show because its inferior to Deadwood. I never saw Deadwood and proudly stand by it.

5.      Jimmy Kimmel Show-ABC-With his brilliant ambush of Jay Leno last year during the Late Night wars or his faux romance with Matt Damon among other things, Kimmel’s antics have made for viral sensations on quite a few occasions. Too bad only a few people know him as a consistent entity night in and night out. It’s ironic that he was previously known as the co-host of the unforgivably crude The Man Show, because I could argue that he's the classiest and most genuine host out there. Like Conan, he relies on a stable of cast and crew members as go-to sources of humor, but the difference is there’s a clear sense of affection that drives their interaction. This was most apparent in Kimmel’s teary-eyed TV eulogy to his Uncle Frank which marked a high-water mark of his series, if not Late Night Television. On top of that, he’s a pro at interviewing and a gifted comic. In short, a breath of fresh air in an otherwise stagnant format.

6. Wilfred-FX-Season 1-It took me a couple episodes to get into this, but I loved it once I started seeing it as a drama rather than a gimmicky comedy. It has one of the most depressed characters on television, it doesn't treat his illness with kid gloves and it's a feel good story with no false moments which is a lot to say for a show with a talking dog in it. Read my review here.

7.      The Office-NBC-Back half of Season 7, front half of Season 8-In the post-Michael-Scott Era, The Office has provided easy fodder for Critics to show off their sophistication with analysis of just how and where the show fell from grace. I’ll happily take the opposite position and declare announcements of the show's demise to be premature. True, the show’s suffered at the top with Will Ferrell’s lacking in any identifiable characteristic and James Spader offering little to the mix other than creepy blankness, but come on, this is still The Office and the work of a writing staff that knows what it’s doing. As the Michael Scott storyline came to an end, the staff did an admirable job of steering the show through uncharted territory and twisted the storyline to revolve around Andy rather than Jim. Andy’s no force of nature like Michael Scott, but he’s a fully realized character and the writers haven’t betrayed his arc. The staff has also kept the momentum going with storylines and grown Daryl, Gabe, and Erin.

 8. Portlandia-IFC-Season 1-This sketch show’s backstory is almost as endearing as the show itself. It evolved around a platonic friendship between SNL star Fred Armisen and alt-rocker Carrie Bowenstein wanting to spend more time together and work on a project. Not only does the pair expertly skewer hipster culture, they help us articulate and define what it entails better than we would have ourselves had we never watched the show. A tangible chemistry between the two stars and a sketch show with a unique perspective are two good reasons for this show’s existence, which is two more than nearly every other sketch comedy on TV.

9. Once Upon a Time-ABC-First half of Season 1-Last year, I'm embarrassed to say, I somehow winded up with No Ordinary Family on my year-end list. I was a little bit too stubborn to get off that train and admit the horse I backed in the proverbial Fall Season derby was a dud. This year, I'm going to go with ABC's most ambitious production and again, I have a small fear that the show's reliance on a 10-year old to dictate the rules of its universe might wear a little thin. But at the end of the day, even if the show crashes and burns, it had a great opening run that set up the possibility of a great series. As hour-long entertainment, it's been solid and the show has gradually built up its world enough to arouse curiosity over what its future may bring. A full review can be found here.

10. American Dad-Fox-Front half of Season 7, Back half of Season 8-An under discussed animated entity, American Dad deserves mention for being consistently funny and inventive. Roger, that lovable extraterrestrial duex-es-machina, continues to lead the show in interesting directions signifying just how well the writer’s room has resisted the temptations to overextend his limitless personality. Unlike sister show, Family Guy, American Dad has distinctive characters which exist as more than just an excuse to get from point A to point B in the plot.

Honorable Mentions:

-It's Always Sunny in Philadelphia-FX-A couple duds, but one of the most consistently hillarious shows on television over the last few years, deserves praise

-Mr. Sunshine, ABC-I thought Matt Perry had a fairly impressive hit on his hands and some of the side characters (particularly Nate Torrence, Allison Janney, and whomever played Heather the psycho seceretary) added a lot of color. Deserves more praise than it got. I think the score and some of its other tonal elements gave it a bad taste and I think Matt Perry's downer character wasn't necessarily appealing. I'm a fan of his type of comedy and would not have watched Friends for as long as it did.

-Terra Nova, FOX-I-Unlike Rowan Kaiser over at AV Club or James Ponziewichii P. (however you spell that guy's last name) at Time, I never thought this show took that big of a drop after its initial run. I can't deny it was exciting to see a universe with such wide open rules and I didn't see the cast.

-Sing-Off, NBC-A reality show with three great judges, a lot of great groups and an overall take-home message of synergy and harmony. Who know that you didn't need a British asshole and a dog-eat-dog environment to make a successful reality show? It might have made the top ten is I feel the show strained its format by running a couple episodes too long and I also felt the judging up to the final four was erratic.

-New Girl, Fox-Zooey Deschanel is ridiculous and implausibly weird. Even more surprisingly, I've slowly come to love her. She's so over the top and hammy, it's more of a send-up than a performance to be taken at face value. Schmidt started getting good storylines after the New Year which might have affected my rankings because it's now more of an ensemble comedy. 

-The Looney Tunes Show-Cartoon Network-Every time, I watch Looney Tunes reruns on TV, I've not only seen the skit before but I almost know the lines. In other words, I've been hungry for new Looney Tunes material for a while, so it's really good to see Bugs and Daffy back on the screen again. Then again, I wasn't expecting to see Bugs and Daffy cohabitating together in a household tackling mundane tasks like double dates, holding down a job, earning membership into a country club, being the star of a bowling league. Even worse, Yosemite Sam doesn't see Bugs and Daffy as hunting trophies, but roommates to mooch off of. Still, Kristen Wiig kills it as Lola and it does kind of make me happy to see Bugs and Daffy openly admit to being friends
-Revenge, ABC-A good twist on the high society soap opera: Having an infiltrator out to secretly destory everyone
-Web Therapy, Internet/Showtime-I did not expect to like this show because I'm not a Lisa Kudrow fan at all. This show was highly inventive in premise and execution and I was taken by surprise as its characters grew into an intertangled web with each other. Guest stars like Alan Cumming, Rashida Jones, Michael McDonald, Selma Blair and Molly Shannon all deserve great praise.


Just to let you all know what I saw this year:
2 Broke Girls, CBS, 2 and a Half Men, CBS, 30 Rock, NBC, Big Bang Theory, CBS, Bob's Burgers, Fox. Bored to Death, HBO, Burn Notice, USA, Community, NBC, Conan, TBS, Cougartown, ABC, Daily Show & Colbert Report, Comedy Central, Eastbound & Down, HBO (just one ep. but I hated it), Family Guy, FOX, Free Agents, NBC, Funny or Die Show, HBO, Futurama, NBC, Glee, Fox, Grimm, NBC, H8R, CW, Happy Endings, ABC, Ice Road Truckers, History Channel, In Plain Sight, USA, Last Man Standing, ABC, Late Night with Jimmy Fallon, NBC, Life and Times of Tim, HBO (or that might be 2010, not sure), Mad, Cartoon Network, Misfits, Hulu (Although the 3 episodes I saw were originally produced in 2009), Modern Family, ABC, Off the Map, ABC, Onion Sports Dome, Comedy Central, Outsourced, NBC, Pan Am, ABC, Playboy Club, NBC, Raising Hope, Fox, Retired at 35, TV Land, Ricky Gervais Show, HBO, Royal Pains, USA, Running Wilde, Fox, Saturday Night Live, NBC, S*$# my Dad Says, CBS, Sports Show with Norm McDonald, Comedy Central, Suburgatory, ABC; United States of Tara, Showtime, Waking Dead, AMC, Wipeout, ABC