Showing posts with label Monk. Show all posts
Showing posts with label Monk. Show all posts

Saturday, July 09, 2022

Six Observations About the USA Show Monk (2002-2009)

Credit: IMDB



Running on USA Network for seven seasons, Monk was a TV show with a slight whiff of serialization about a San Francisco police detective (Tony Shalhoub) with massive OCD who had a mental breakdown upon the death of his wife, and got kicked off the force. Throughout the duration of the series, Adrian Monk is exiled from the force so he’s got that chip on his shoulder. On the other hand, he gets to solve pretty much every murder in Bay Area as a “consultant” so the show really has its cake and eats it too.

The show won eight Emmys (three for Tony Shalhoub) but was generally considered more niche viewing than prestige TV. It was the de facto flagship for the USA network which replicated the outsider savant formula with Psyche, Burn Notice and Necessary Roughness.

I watched several episodes over the past week and here are some notes:

1.. Monk’s detective abilities are similar to the way that Batman puts the Gotham police department out of business. It’s also worth pointing out that with all the murders going around town, it almost feels like San Francisco is up there as one of the murderiest cities in the US, even if it’s exponentially larger than Cabot Cove. And not only that but Monk is often personally connected to the murder like whether it’s his childhood crush’s ex-husband, his dentist, the newscaster assigned to report on his story, or his captain’s girlfriend. And that’s not counting all the murder scenes he happens to wander into. It’s like Batman’s penchant for wandering onto muggings in Gotham city.

However, instead of mindless thugs, the criminals Monk encounters are white collar dudes with highly Rube-Goldberg-like ways of killing their immediate family members or collecting insurance payouts. One episode even had an man attempt to escape alimony by robbing a house and defacing a painting so that his ex-wife would have a meet cute with her art appraiser former high school boyfriend. Wouldn’t it have been easier to just call him up and tip him off that his former girlfriend is single and ready to mingle?

2. Monk is defined by his rigidity but my pet theory is that he’s likeable because many episodes shows that he’s capable of changing his habits on a dime. Static characters are rarely protagonists because who wants to build a show around a comic character (typically defined by their deficiencies) who doesn’t change at all. Who wants to be around such a person in real life? But Monk does actually do a fill 180 on his intrinsic nature quite often. In one episode, he goes to a bachelor party in Las Vegas and you expect that we’re going to see someone who’s no fun, but he develops a brief gambling addiction. In another episode, Monk abandons his lifelong pursuit of justice to try being a full-time butler. Monk’s a loner who won’t stop brooding about his long-dead wife, but in one episode he comes close to asking out his childhood crush on a date and believes that he could find romantic happiness. In another episode, Monk agonizes about getting a best friend (Andy Richter). In the famous Sara Silverman episode, Monk not only lets down his defenses for a woman who actively stalks him, he briefly hires her as his assistant. And that’s just in the dozen or so episodes I’ve seen.

3. I hate to say this but Monk’s asexuality and his relationship to Trudy are never really well-defined. His attachment to Trudy strikes me as some crutch for his asexuality and asocial tendencies which initially made me wonder if Trudy was some sort of beard, before I watched flashback scenes that show that Trump and Trudy were really an item.  

In an episode centering around Monk’s class reunion, it’s revealed how much of a sad sack Monk is, when he converses with an old classmate (played by Family Matters’ Reginald van Johnson) about their late wives. The classmate says “well, you move on” and Monk replies “no, you don’t, you never really do” and when the classmate shows subtle expressions of “what a weirdo” we’re meant to empathize with Monk as a man who’s not understood by his peers. However, I think this came off tonally as it wasn’t intended to. I can empathize with Monk and his OCD but his clinging to an image of his dead wife is worth a proverbial weird look or, better yet, a “get it together, man.” I certainly don’t think every person on Earth needs to have a romantic life, but to hide behind your dead wife for years is not being honest with yourself about what you want.

There are also elements of Monk’s sexuality that are generally left dangling with no explanation; folded over into a mangled ambiguous neurosis. In one episode, he’s disappointed with his childhood idol (Elizabeth Berkley) for having an active sex life. He also has an aversion to naked people. Tell me this puritan streak isn’t a lot to unpack

4. My understanding is that Monk is modeled after Sherlock Holmes, but I liken him to a tortured noir detective. The way Monk follows his hunches at the exclusion of all other variables often look like vendettas similar to a character like Philip Marlowe in the Big Sleep or The Long Goodbye. Edward G. Robinson’s character in Double Indemnnity, another famous noir hero, speaks of being able to use his sense of smell to get his man every time. This is awfully similar to Monk’s physical idiosyncracies (i.e. how he uses his hands to frame the scene). Additionally, Monk’s bitterness—downplayed as much as possible so that this show can still be considered a comedy for Emmy purposes—and his close proximity to personal tragedy (not just his wife but his father, brother, and exile from the force) are all interwoven into his character.

5. I haven’t re-watched the episodes with Sharona since the show’s first run, but I love everything about what Natalie Teeger (Taylor Howard) provides for the show. It’s one of those relationships where you never get tired of how these two interact. As previously mentioned, Monk runs the risk of looking like an unhinged man with tunnel vision when he follows his hunch, so it’s quite useful that Natalie is standing beside him. It’s also really sweet that Natalie often locks arms with him. It doesn’t have romantic connotations and it doesn’t look like a nurse helping an old man, but it’s a really nice show of support and comfort between the two. It’s also one of those beauty-and-the-geek things on a meta-level, because let’s face it: Natalie’s cute. Who wouldn’t want to be walking arm-in-arm with Taylor Howard through the streets of San Francisco.

6. The show might be formulaic on first glance, but many of the episodes are kind of must-watch based on the plots alone. A lot of it is based on fish-out-of-water set-ups. For a man is phobic and idiosyncratic as Monk, he’s pretty much a fish always out of the water, so when I see an episode description like “Mr. Monk goes to a nude beach” or “Mr. Monk goes to Vegas”, or “Mr. Monk goes to live on a farm”, I’m pretty sold instantly on how far out of his comfort zone Mr. Monk will be pushed.

And while the show isn’t particularly serialized, there are episodes like Monk’s reconciliation with his brother (John Turturro won an Emmy for this guest turn), father, or childhood crush that are pretty strong on pathos too.









Friday, May 14, 2021

What I'm Watching: Mosquito Coast, Girls5Eva, Mighty Ducks, New Girl, The Monkees, Psych


Mosquito Coast (Apple TV) (through two episodes)-Based on a novel in the 1980s that was adapted into a Peter Weir film starring Harrison Ford, Helen Mirren, and River Phoenix. The protagonist, Allie, was inspired by novelist Paul Thoreaux's self-reliant father (who would often take his kids dumpster diving) along with American cult leaders like Jim Jones and Joseph Smith (father of Mormonism and all-around wild and kooky guy) who wanted to take what they viewed as the American ideal and create that utopia with it somewhere else. 

Fortunately, Allie does not want to kool-aid a thousand people to their deaths or marry dozens of women. He has a family and just wants to live off the grid in Central America where he can test new societal theories or something or other. That's all in the book, which I didn't really read or in the faithful film adaptation (which, coincidentally, I haven't watched yet).

In this series, Allie (played by Paul's nephew Justin coincidentally) isn't so much wanting to leave as he happens to be the most wanted man in America based on how many federal agencies are after him. Why he and his wife are on the run isn't revealed, which is perhaps the smartest adaptational move. We're left guessing how severe their transgression must have been if cops and feds must care about them so much. In the tradition of "Lost", it's always nice leave the audience piecing a puzzle together. The series is well-paced and the family dynamic keeps this story above the level of a standard narrative thriller.  

Girls5Eva (Peacock)-This is more in the "what I'm giving a chance to" thread but will soon quit if I don't see some results. This take on 90s girls groups juxtaposed with current times is well below the level of the Fey/Carlock creations Unbreakable Kimmy Schmidt, 30 Rock, Mr. Mayor. I'm trying but it's not grabbing me even though it's kind of an interesting cast (Paula Pell, pop singer Sara Bareilles, Eliza from Hamilton, Busy Phillips). Perhaps, it's just that shows about entertainers making a comeback are stale.

Also, maybe it's time that Tina Fey stop leaning so heavily on Fey's husband music director Jeff Richmond for his trademark boinkiness. It's ok, Tina, let him down gently. 

I instead recommend the Comedy Central Show "The Other Two." 

Mighty Ducks (Disney Plus) -It's in the tone of the 90s film and it's more of a pre-teen drama than a teen drama which is an interesting dynamic that evoked nostalgia for the 10 year old me who watched this in the movie theater. In other words, it's a capable reboot if you can put yourself in the shoes of the audience. The show mostly works on the dynamic between Lauren Graham and Emilio Estevez. As original coach Gordon Bombay, Estevez begins his narrative arc pretty far down at the bottom of the well. He appears to have PTSD'ed out of the sport. Graham, like Zooey Deschanel or Kristen Bell, is all-purpose sitcom gold. She brings a spunk and energy that has worked in everything she's been in so she's a welcome infusion here.

The End of the F***ing World (Netflix)-A British high-concept show about two teenagers who are both uniquely disturbed. James considers himself a psychopath who feels like he needs to kill someone to come of age. Alyssa's the epitome of a goth girl. What she lacks in outer appearance (eye shadow, black ensemble, ripped stockings, etc.) she makes up for in top-notch bluntness and a vocal timbre that's as varied as a barnyard cow. Alyssa wants to run away and takes James with him and the two form an awkwardly pubescent Bonnie and Clyde with no real idea where they're going or what they're doing.  Highly recommend.

New Girl-(Originally ABC, now Netflix)-I've been re-watching the first season and impressed how the show is so low-concept. Jess Day being "new" or a "girl" isn't really much to build a show around. The concept is basically "let Zooey Deschannel go full Zooey Deschannel" and her outlandish personality is hilarious enough  in an absurdist way to carry the show. The three other leads--Jake Johnson, Max Greenfield, and Lamorne Morris--all got a big boost visibilitty-wise from this show but they are mostly replaceable archetypes of fun-loving single guys. Although the show has a different creator (Elizabeth Merriweather), this show seems to be a commercial successor to "How I Met Your Mother" in that some of the humor comes from the characters inside jokes (or at least that's what the dialogue aims for).

The Monkees (originally NBC, then MTV, now YouTube)-This is an extremely charming 60s series that was made to emulate the success of the Beatles 1964 film "A Hard Day's Night" (a comic film in which the Beatles played themselves getting into exaggerated hijinks at a tour stop) with four goofy guys trying to make a living as a rock band. As someone who has seen "A Hard Day's Night", I can certifiably say this improves on the original. Rater than have the band just be naturally goofy in a cute "they don't take themselves too seriously" winky way, the Monkees are full-throttle anarchy akin to the Marx Brothers. Being defiant of authority and order is intrinsic to who they are, far more than being handsome me who want to seem relatable. Reality-breaking tricks like fast-forwards a la Keystone Cops, over-the-top musical cues and the gang breaking into song (the reason that the group existed) cements the comic climate that this is a world where anything goes. It also helps that A) the band was not famous in-universe or at the start of the series and B) the four have distinct personalities. Davy is the love-struck front man, Peter is most child-like, Mike is aloof, and Mickey is the silly one.

Psych (USA now Peacock)-I remember watching one episode when it came out and thinking it was over the top and ridiculous. It's in the mold of other USA shows at the time about exiled geniuses who worked outside the system (sidenote: it's incredible that the network built an entire slate of shows with the same exact premise). The protagonist is a guy with a militaristic dad  who, for reasons beyond me (possibly OCD), wanted to imbue his son with the gift of being able to notice things really well when he was young. As an adult, Shawn pretends to be psychic so he can be hired as a police consultant and he drags his friend, Gus (Dule Hill) along for the ride.  I've heard people cite the pair as a great example of BFFs but Hill often comes off as a pushover in relation to Shawn and while the character is supposedly anti-authoritarian in a fun way, he often comes across as annoying. This especially the case when he's theatrically pretending he solved the case. If not for the chemistry between Shawn (James Roday Rodriguez) and Juliet (Maggie Lawson), this show is still terribly over-the-top. I could however see the outline of a better show if James Roday Rodriguez was just given some network notes to dial it back 10-20%.

Bless the Harts (Fox)-As good as always. I've reviewed this plenty of times before. The show is on the brink of cancellation so now's a great time to support it and get in on the letter-writing campaigns. 

Saturday, July 21, 2007

Monk gets post-modern

I'm not used to TV episodes showing the self-referential sophistication of movies but I was pleasantly surprised by the season premiere of Monk.

It seemed to me like Sarah Silverman's character was self-aware that Monk was a TV show, citing episode names and alluding to fan fiction. She also wished to press the "pause button" on the murder because she was bored. Her loss of interest in Monk at the end was like that of a wishy-washy TV viewer. The fact that she was in real danger once she stopped caring about the episode, she found herself in real danger is a possible knock at channel surfers who can't sustain their interest through one hour of telivision.

I'm not a humongous Sarah Silverman fan. She's pleasant in small doses like her snippet on the Aristocrats, but I personally don't think her wierd-for-the-sake-of-being-seen-as-cutting-edge humor is as great as some critics give her credit for but she was really great in this character.