10. Book Club Chapter 2-It’s another edition of “hey, Old people are exciting too!” I wonder if someone like Jane Fonda who has 2 Oscars and 5 additional nominations looks down on co-stars like Lily Tomlin or Don Johnson who have zero. Anywho, there’s not much to cover here: A bunch of old people having fun and negotiation late-stage romance and friendship. And a decent amount of scenery porn. Also, Mary Steenburgen playing the accordion (again).
9. White Men Can’t Jump-Jack Harlow didn’t convince me that he could jump. I’m not sure if he was slacking off with the training for the role, or I don’t know my basketball, but I wasn’t particularly convinced with the action here. Or maybe white men can’t jump. I was kind of expecting a more racially woke take on the original, but planned on watching anyway for nostalgic purposes. I was pleasantly surprised that the film doesn’t avoid edgy dialogue and doesn’t subdue one story in service to lionization of the Black character. Still, it wasn’t as exciting as it appeared to have been on paper.
8. Super Mario Brothers- This animated movie isn’t just a filmic homage to the Super Mario Brothers game you grew up with as a kid; it’s hodgepodge of every video game with the Super Mario label. Kind of like Ready Player One except there’s thematic consistency. And that nostalgia factor lights a bulb in your brain. And talk about that score! It’s almost worth the price of admission to see the most memorable tunes of the early 90s outside of the Billboard top 40, to be put to orchestration. As for the story, it’s pretty typical but not lazy enough (from an adult perspective) to have made a negative viewing experience for me.
7. Missing-A moderately clever thriller for the zoom age. Wish I had more to say.
6. No Hard Feelings-Basically, Lauren Benanti and Matthew Broderick hire a cash-strapped Jennifer Lawrence as a prostitute for their son, but Jennifer Lawrence doesn't consider herself a whore so it's not so bad. The kid is supposedly really awkward and insular (it turns out he has trauama), but then again he has at least two friends and he's going to Princeton where being a socially awkward genius is probably seen as a plus. Jennifer tries to sex him up as fast as possible so she can cash in, but hilarious misunderstandings (like an old friend wanting to have sex with him, which would solve his parents' problem) get in the way. Along the way, they become friends (aww, how cute) even though she's charging at him like a bull in heat. Then he finds out she was paid off, and has sex with her anyway (clumsily, is that supposed to be funny) while also destroying her car (taking away any semblance of him as a noble character), but then they heal each other's wounds (I think?).
Almost nothing in the plot holds up, but you get the idea that it's not supposed to: It's about the R-rated raunch but all that means is that Jennifer Lawrence is naked a little (I guess Seth MacFarlane can claim victory in the 2012 Oscars) but it doesn't leave that level of no-holds-barred usurping of appropriateness like Bridesmaids or The Hangover. If you're not going to do that, try building a better plot next time.
5. Elemental-Three main thoughts: 1) The level of world-building and visual imagination deserves great credit. 2) The love story is really sappy and overwrought 3) Is Pixar under so much pressure to be diverse that they’re afraid to cast a white person in what is clearly a metaphor for interracial romance?
4. True Spirit-It’s an inspiring adventure/sports story of someone who did something that people said she couldn’t. And it’s a teenager. And it stares an Oscar winner in Anna Paquin. But extremely snooze-worthy.
3. Beau is Afraid-The film’s marketing describes the movie as about a lonely man’s odyssey home, and the director described it as a “nightmare comedy” on press tours. I would classify it as the kind of ride that amusement park’s convert into a haunt-fest for Halloween. Only it lasts three hours, and it was seemingly co-written by Carl Jung and Franz Kafka for maximum symbolism. Joaquin Phoenix plays a lonely man who’s ill-at-ease with the world. It’s kind of justified, however, because, he seems to live among the worst possible humans alive. It’s disturbing but not tremendously far away from working.
2. Ghosted-It might have been less this film, than where I was this genre in general—action hero casually murders tons of people while being immune from even a single bullet—that colored my opinion. It’s a good turn for Ana de Armas.
1. Asterisk and Obelisk-Sure, there are works that are kid-oriented but there should be some appeal to an adult audience in terms of presenting a good story. I can appreciate that it was adapted from a comic book, but the film had a weird and off-putting ascetic. The fight scenes were just plain lazy.
