Source: Salon |
Dirk Gently's Holistic Detective Agency might have gotten
unfavorable "the book was better" comparisons, it might have gotten
lost in the shuffle, or critics pain didn't like it, but this was one of my
favorite shows last year. It was wonderfully bizarre, the characters were
outlandish and well-cast (they strike me as inhabiting a universe where
everyone’s just a little out of tune, like the types who pop up in TerryGilliam films) and the serialized plot built towards something. But this series
is more anthology-like, so it’s really a more a question of whether lightning
can strike twice than a continued interest.
Slogging into a serial drama like this can be a reminder that (at least for me), the early episodes can be like homework. You need to absorb the
information of seeing and characters before you can properly enjoy those elements intermingling. With this show, we're not at the proverbial drop point
in the roller coaster, but it’s getting close.
Dirk Gently desperately
needs some forward progress. Like Dwight of The Office successfully
demonstrated and Dina on Superstore is failing to do, there’s nothing
particularly pleasant about watching an annoying character continue their
irritating ways without gradually becoming aware of how annoying they are. We
see Todd bending towards Dirk, but that doesn’t fully break the illusion that
Dirk is getting any less useless. At the same time, Douglas Adams’ work is
rooted in exposing the ridiculousness in our world (or, rather, a slightly
off-center fantasical version of it) and Dirk solving crimes while doing
godawful detective work is one of those oxymorons this kind of material thrives
on.
Elijah Wood’s screen persona is that of a blank slate a la Tobey MaGuire: His
go-to acting move is reacting with wide-eyed wonder with a little more frustration laced in. Elijah Wood has two things characters in his situation ordinarily aren't saddled with: A hint of a stable relationship (with Farrah) and a definitive goal (searching for his sister). Both of these are positive developments.
There's also Dustin Mulligan (Schitt's Creek) who was an airhead last season is now apparently running some top-secret prison torture operation to extract information out of Dirk Gentley. The other leftover is the holistic assassin Bart (Fiona Dourif) who sounds a lot like Jerry Lewis. There was a certain novelty to her in the first season but it's going to wear thin soon.
So far, it’s hard to tell what’s going on but this is a series that takes relishes in taking a while to connect the dots. I can barely remember anything plot-wise except the character work. The two stand-out characters that keep things interesting so far are an oddball police officer who somehow see things on the same bizarre spectrum of causality as Dirk; and Suzy, who is a submissive housewife and secretary to a white trash husband and corrupt boss that is suddenly on the grips of getting some superpowers.
There's also Dustin Mulligan (Schitt's Creek) who was an airhead last season is now apparently running some top-secret prison torture operation to extract information out of Dirk Gentley. The other leftover is the holistic assassin Bart (Fiona Dourif) who sounds a lot like Jerry Lewis. There was a certain novelty to her in the first season but it's going to wear thin soon.
So far, it’s hard to tell what’s going on but this is a series that takes relishes in taking a while to connect the dots. I can barely remember anything plot-wise except the character work. The two stand-out characters that keep things interesting so far are an oddball police officer who somehow see things on the same bizarre spectrum of causality as Dirk; and Suzy, who is a submissive housewife and secretary to a white trash husband and corrupt boss that is suddenly on the grips of getting some superpowers.
1 comment:
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