Friday, June 26, 2020

The best performers of SNL alumni on film by year


One of those mega-lists I made because I had too much free time yet again (thanks, quarantine!), this is a cross-referenced list of any appearance I saw by an SNL alumni or cast member in a film. To keep me making more meaningless lists, donate on Patreon 


2019:
The contenders:
Eddie Murphy, Dolemite is My Name; Adam Sandler Murder Mystery; Chris Rock, Dolemite is        My Name; Ana Gasteyer, Wine Country; Tracy Morgan, What Men Want; Chris Parnell,                   Laundromat; Rachel Dratch, Wine Country; Amy Poehler, Wine Country; Maya Rudolph, Wine        Country; Tina Fey, Wine Country; Jason Sudeikis, Booksmart; Kristen Wiig, Where’d You Go Bernadette;  Michaela Watkins, Brittany Runs a Marathon; Nassim Pedrad, Aladdin; Pete Davidson, What Men Want; Mikey Day, Brittany Runs a Marathon

Notes:
This year was highlighted by two tour-de-force performances as Adam Sandler and Eddie Murphy both were in Oscar contention for Uncut Gems and Dolemite is My Name respectively. Murphy even hosted for the first time since his stint in the 1980s in promotion of the film.


2019 also featured a convenient vehicle for the ladies of SNL circa the Tina Fey era to just be themselves on screen. What’s exciting about Wine Country is that there’s the entire Dratch-Fey-Poehler-Rudolph crew together but the film makes room Ana Gasteyer too (who technically overlapped with that crew a little) and two of the writers behind the scenes  in Emily Spivey and Paula Pell. Spivey and Pell has been emerging in voice over work and more.  A nice merging of generations.

Elsewhere, Pete Davidson plays half-against type as a fratty closeted gay guy in What Men Want, Michaela Watkins continues her run in meaty supporting roles, Nassim Pedrad shines pretty heavily in a role that matches her ethnicity, and the current cast’s best newcomer Mikey Day has a one-scene role in his first movie debut since SNL (as a writer, he made his way into a Taran Killam vehicle Brother Nature a couple weeks before his on-screen SNL debut).



MVP: Eddie Murphy, Dolemite is my Name-Believe all the Oscar hype. It has always been apparent in whatever you’re watching Eddie Murphy that he’s a man who’s elated when he’s performing and that makes him a perfect fit for this historical character.


Runner-Up: Michaela Watkins, Brittany Runs a Marathon- A very complex and evolving relationship with the film’s protagonist.

2018:
Nora Dunn, Tag
Mike Meyers, Bohemian Rhapsody
Adam Sandler, Hotel Transylvania 3
David Spade, Hotel Transylvania 3
Sara Silverman, Wreck It Ralph 2
Tracy Morgan, The Clapper
Rob Riggle, Night School
Andy Samberg, Hotel Transylvania 3
Michaela Watkins, Ibiza
Jenny Slate, Hotel Artemis
Taran Killam, Night School
Vanessa Bayer, Ibiza
Pete Davidson, Set it Up
Jon Rudnitsky, Set it Up
Melissa Villasenor, Wreck It Ralph 2



Notes: 
We’re getting to the point where cast members of the 2010s are starting to get cast like it ain’t no thang. Jon Rudnitsky, Vanessa Bayer, Pete Davidson, and Taran Killam are all getting decent screen time in their movies. Tracy Morgan, who was recovering from a life-threatening car crash at the time, has a nice juicy role here in a supporting aspect to Ed Helms. Melissa Villasenor (who I’m not crazy about) is in a voice-over role but I wonder if she’ll ever start to get cast in films as a live-action actor.

Mike Meyers hasn’t had as much of a career post-Love Guru landed himself in Bohemian Rhapsody but it wasn’t well-received (as was the rest of the film) because it was historically inaccurate, reeked of nepotism (Mike Meyers popularized Queen’s magnum opus in Wayne’s World, they were likely returning a favor), and was largely superfluous.

MVP:  Tracy Morgan, Clapper-Simply because it’s nice to see him again and this is a meaty supporting role that still retains Tracy’s Tracyisms.

Runner-Up: Taran Killam, Night School-Killam plays a principal who was bullied by Kevin Hart and Ben Schwartz and the role serves as a reminder that Killam didn’t necessarily feel the need to cultivate a sense of cool (Adam Sandler, Jimmy Fallon, and Andy Samberg couldn’t drop that veneer when needed) .


2017:
Jim Belushi, Wonder Wheel
Sara Silverman, Battle of the Sexes
Molly Shannon, The Little Hours
Will Ferrell, The House
Amy Poehler, The House
Fred Armisen, The Little Hours
Rob Riggle, How to be a Latin Lover
Jason Sudeikis, Colossal/Downsizing
Andy Samberg, Brigsby Bear
Kristen Wiig, Downsizing
Michaela Watkins, The House/Brigsby Bear
Noel Wells, Mr. Roosevelt 
Kyle Mooney, Brigsby Bear
Beck Bennett, Brigsbty Bear
Sasheer Zamata, Lainie and Diedre Rob a Train
Aidy Bryant, The Big Sick

Notes: Well, sometimes the casting powers that be have bizarre ideas. Woody Allen hadn’t yet been re-cancelled so he still had his pick of any actor in Hollywood and he chose Jim Belushi?
Source: BaltimoreBlack.com

Good news: Sasheer and Aidy are cast in films I saw this year. Bad news: I’m not sure Sasheer established enough of a niche that she’ll be long remembered after SNL. Aidy might be typecast by her physical limitations though The Big Sick was a very body-positive portrayal of her.

MVP: Jason Sudeikis, Colossal-He grows from passive-aggressive friend to bad news to full-on villain over the course of the film. It’s frightening.

Runner-Up:  Sasheer Zamata, Deidra and Lainey Rob a Train-She gives the story a necessary punch by portraying well her character’s anxiousness that someone, anyone get accepted to college



2016:
Dan Aykroyd, Ghostbusters*
Bill Murray, Ghostbusters*
Christopher Guest, Mascots
Kevin Nealon, Popstar: Never Stop Popping
Ben Stiller, Don’t Think Twice
Tim Meadows, Popstar:  Never Stop Popping
Sara Silverman, Popstar: Never Stop Popping
Maya Rudolph, Popstar: Never Stop Popping
Tina Fey, Whiskey Tango Foxtrot
Jason Sudeikis, Race
Andy Sandberg, Popstar: Never Stop Popping
Bill Hader. Finding Dory*/Popstar: Never Stop Popping
Kristen Wiig, Ghostbusters
Jenny Slate, Zooptopia
Kate McKinnon, Ghostbusters/Finding Dory*
Cecily Strong, Ghostbusters/The Bronze
Kyle Mooney, Hello My Name is Doris
Leslie Jones, Ghostbusters
Chris Redd, Popstar: Never Stop Popping




Notes:
Two comic forces with singular brands--Christopher Guest and Andy Samberg (or more accurately, Samburg and his two Lonely Island mates)—both made films true to their style that I would count among the funniest of the decades. For Guest, it was his sixth such mockumentary and for Samberg, Akiva Schaffer, and Jorma Taccone, it was their first written collaboration on the big screen.  Next up, I’m hoping Kyle and Beck do a movie drenched with 90s irony.

There was also the reboot of Ghostbusters which provided some cameos and chances for Kate McKinnon, Leslie Jones and Kristen Wiig to shine which was controversial for non-existent reasons.

By my estimation the film was a solid popcorn movie though not something I remember heavily four years later.

Dan Aykroyd and Bill Murray are cameos and Ben Stiller just plays himself so I’m not sure how much they should count.

Source: Graffiti with Punctuation


MVP: Chris Redd, Popstar: Never Stop Popping-In the category of best role before landing an SNL spot (minus the 1984 or 1985 casts where they intentionally cast stars), this should be up there. Redd was initially considered for 2016’s SNL cast and then got bumped to a 2017 debut where he still killed it anyway.


Runner-Up: Andy Samberg, Popstar: Never Stop Popping-I’m not suggesting Samberg’s a great actor but when he’s going off his (and the Lonely Island’s) own material, he’s a lot funnier. Samberg often relies too heavily on goofy expressions and lazy drawling (like the Blizzard Man) but it works to perfection here. Write to your strengths, guys.

2015:
Garrett Morris, Ant Man*
Chevy Chase, Hot Tub Time Machine 2
Dan Aykroyd, Pixels
Adam Sandler, Pixels/Hotel Transylvania 2
David Spade, Hotel Transylvania 2
Chris Parnell, Hotel Transylvania 2
Fred Armisen, Staten Island Summer
Amy Poehler, Inside Out
Bill Hader, Inside Out
Andy Samberg, Hotel Transylvania 2
Kristen Wiig, The Martian
Bobby Moynihan, Staten Island Summer
Kate McKinnon, Staten Island Summer
Cecily Strong, Staten Island Summer
Mike O’Brien, Staten Island Summer
Colin Jost, Staten Island Summer*

Source: StudioScoop


Notes:

It isn’t some old-timers comeback that Garrett Morris, Chevy Chase, and Dan Aykroyd are on here. All of their roles are tiny. Colin Jost, of all people, premiered Netflix’s very first streaming films with Staten Island Summer and got several of his buddies in on the action. It’s actually not that bad of a role for Mike O’Brien (who has since turned into writing). Kristen Wiig appears in everything and is in a prestige movie again in a part that’s quasi-humorous but mostly straight.

MVP: Amy Poehler, Inside Out- Watching Joy learn the film’s moral is like if Leslie Knope got whacked in the head and given a stern talking to stop being so cheerful all the time.

Runner-Up: Adam Sandler, Hotel Transylvania-Generally, I rank live acting over voice-over acting (the degree of difficulty is considerably more, I’ll die on that hill) but there are a couple stand-outs here. I didn’t know that Adam Sandler had that kind of voice range when I saw this film. For a guy who plays multiple variations of his man-child shtick every year, it’s hard to remember that Sandler has talent.


2014:

      Bill Murray, Grand Budapest Hotel* 
      Joan Cusack, Welcome to Me
      Robert Downey Jr, The Judge/Chef
      Chris Rock, Top Five
      Sarah Silverman, A Million Ways to Die in the West
      Dean Edwards, Top Five*
      Jason Sudeikis, Horrible Bosses 2
      Kristen Wiig, Welcome to Me 
      Casey Wilson, Gone Girl 
      Jay Pharoah, Top Five
      John Milhiser, Camp Takota
      Leslie Jones, Top Five
Notes: Not much of a year: Bill Murray and Joan Cusack were both cameos and a lot of the supporting roles in Top Five are very thin. It’s kind of nice to see one-season wonder John Milhiser in a film after a brutal season in which six new cat members were debuted at once and torn apart by the press for being too white. On the other hand, Camp Takota (an experimental project by three YouTubers) turned out horribly and Milhiser didn’t make the case in this film that SNL should have be sorry for sacking him. Kristen Wiig (after Girl Most Likely and Skeleton Twins) was starting to really pigeonhole herself here as the go-to for dour women in indie movies. Robert Downey Jr., who is not a comic actor anyway, was so depressing in The Judge it felt like if Tony Stark had served hard time.


On the bright side, Sarah Silverman plays well off the anachronistic musings of Seth MacFarlane’s underrated Western send-up, Casey Wilson gets to do something, and Chris Rock makes his most personal movie to date. It’s also an upside that Jay Pharoah and Dean Edwards get to be in movies at all.

MVP: Sarah Silverman, A Million Ways to Die in the West-Silverman plays as a prostitute who’s saving herself for marriage. It’s a nice absurdist set-up made better that’s enhanced through Silverman committing to the bit.

Runner-Up: Casey Wilson, Gone Girl-It’s not a comic role but it’s a nice, plump supporting role. I’d put Chris here but that’s more a triumph of directing and writing than acting. When you write your own script, you often can play yourself.

2013:

Christine Ebersole, Wolf of Wall Street
Billy Crystal, Monsters University
Ben Stiller, Secret Life of Walter Mitty
Julia Sweeney, Monsters University
Will Ferrell, Anchorman 2/The Internship
David Koechner, Anchorman 2
Chris Parnell, Anchorman 2
Tina Fey, Admission/Anchorman 2*
Maya Rudolph, Turbo
Amy Poehler, Anchorman 2*
Will Forte, Nebraska
Rob Riggle, The Internship
Jason Sudeikis, We’re the Millers
Bill Hader, Turbo
Kristen Wiig, Girl Most Likely/Secret Life of Walter Mitty/Anchorman 2
Michaela Watkins, In a World
Taran Killam, 12 Years a Slave
With three movies in one year, Kristen Wiig was one busy bee. It’s hard to imagine that someone who came in on the tail end of the Fey/Dratch/Rudolph/Poehler era would carve such a strong niche afterwards amidst those strong personalities overshadowing her. A lot of that is that she has favored status with Lorne Michaels. Jason Sudeikis was coming into his own as a standard leading man on the level of Paul Rudd and Steve Carell and We’re the Millers is an able vehicle for his path-of-least-resistance dude persona.

Where do people stand on The Secret Life of Walter Mitty? It's a breezy family comedy that really feels at home in the 90s and seems to be on-brand for Ben Stiller-directed work since Night at the Museum.

Over half the cast members on this list come from Anchorman which includes a Fey/Poehler cameo that I’m not sure is even worth counting here.

The most noteworthy inclusion is Will Forte in Nebraska who must have had the audition of his life because he somehow got cast as the lead in an Alexander Payne film. Way to go Will. Still, there were two or three performances that moved me more:

MVP: Kristen Wiig, Anchorman 2-By starring in three movies in one year, Wiig increases her chances so it’s a little bit of a cheat, but she shows different sides of herself in all three films. Will Ferrell might be the MVP but he’s recreating a character he did before, so let’s acknowledge the fact that creating a woman as believably dumb as Brick Tambland is no easy task.



Runner-Up: Michaela Watkins, In a World-One of Lorne Michael’s biggest mistakes proves herself adept at sly character work yet again. She steals several scenes that straddle the line between comedy and drama as she deals with a marriage on the rocks (her slow seduction towards a charming hotel guest is nicely played), a needy sister and a difficult dad.




2012:

Dan Aykroyd, The Campaign
Bill Murray, Hyde Park on Hudson/Moonrise Kingdom
Martin Short, Madagascar 3
Joan Cusack, Perks of Being a Wallflower
Ben Stiller, Madagascar 3
Chris Rock, Madagascar 3
Sara Silverman, Wreck It Ralph
Will Ferrell, The Campaign/Casa de Mi Padre
Cheri Oteri, Bad Parents
Chris Parnell, The Dictator
Horatio Sanz, Wreck It Ralph
Fred Armisen, The Dictator
Bill Hader, Men in Black III
Nassim Pedrad, The Dictator



Notes: There’s an overwhelming amount of contenders here whose presence I didn’t remember until I looked through the IMDB cast lists: Aykroyd, Short, Cusack and Sanz are all eliminated. Will Ferrell taught himself Spanish just so he could sell the idea of a telenovela and it works beautifully. Sure helps ease the disappointment of his other major release this year in The Campaign. Elsewhere on the spectrum of wrong turns was Billy Murray in Hyde Park on Hudson or as Vanessa Bayer put it, “The film where the guy gives his cousin the hand job.”



MVP: Will Ferell, Casa de mi Padre-Talk about committing to the premise. Ferrell not only sounds believable as a Spanish speaker but he sounds believable as a Hispanic soap opera character. One of the most underrated comedies of the decade.

Runner-Up: Sara Silverman, Wreck-It Ralph-I was almost considering putting Fred Armisen in here (kind of a short list) for a memorable scene in The Dictator out of a need to recognize live performance over voice over. At the same time, can you imagine Wreck-It Ralph working as well without Princess Venelope’s spunk and sweetness?

Tuesday, June 16, 2020

My Video Series on Top Ten Westerns


Jean Renoir said, "the marvelous thing about Westerns is that they're all the same movie. This gives a director unlimited freedom" which helps explain what's great about Westerns and genre movies in general: Watching the same basic template over and over and seeing different directors or film studios have their own take on it. It's also refreshing to see an action film that you can easily believe has zero CGI enhancement to it. The 1957 film "3:10 to Yuma" and its 2007 remake are shot almost the same way.

For a writing assignment (10 greatest Western gunfights of all time), I had to watch old Westerns and ended up remembering what was so great about the genre. I was bummed out when the article proved too time-intensive to be worth it (watching five movies back-to-back will do that for you) and ended up not panning out, but I really enjoyed many of these old films and thought I'd make a pair of YouTube videos about it (the quarantine boredom cure).   

I still have no technical abilities to make a video but I've figured out how to broadcast trailer clips and I started employing a tripod in the second video. Fund me through patreon to get me making better quality videos.

My picks are: 
 10 Unforgiven (1992), dir. Clint Eastwood, starring Clint Eastwood, Gene Hackman, Richard Harris, Morgan Freeman, Saul Rubineck, Frances Fisher 
9 3:10 to Yuma (2007), dir. James Mangold, starring Russell Crowe, Christian Bale, Ben Foster, Gretchen Mol, Logan Lerman, Peter Fonda 
8 My Darling Clementine (1946) dir. John Ford, starring Henry Fonda, Victor Mature, Linda Darnell, Walter Brennan, Tim Holt, John Ireland, Ward Bond, Cathy Downs 
7 McCabe & Mrs Miller (1971) dir. Robert Altman, starring Warren Beatty, Julie Christie, Rene Aubejonois, Shelley Duvall, Burt Remsen, Keith Carradine, William DeVane 
6 Cat Ballou (1965) dir. Elliot Silverstein starring Jane Fonda, Lee Marvin, Dwayne Hickman, Michael Cabin, Tom Nardini 



The next video:
5 The Magnificent Seven (1970) dir. John Sturges starring Yul Brynner, Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, Eli Wallach 
4 Wild Bunch (1969) dir. Sam Peckinpah starring William Holden, Warren Oates, Ernest Borgnine, Ben Johnson, Edmund O'Brien, Robert Ryan, Jaime Sanchez 
3 Stagecoach (1939) dir. John Ford, starring John Wayne, Claire Trevor, Andy Devine, John Carradine, Thomas Mitchell, Tim Holt, Donald Meek 
2 The Searchers (1956) dir. John Ford, starring John Wayne, Jeffrey Hunter, Natalie Wood, Ward Bond, Vera Miles 
1 High Noon (1952) dir. Fred Zinnemann, starring Gary Cooper, Grace Kelly, Lloyd Bridges, Katy Jurado, Thomas Mitchell, Otto Kruger, Ian MacDonald



I'm also considering doing another video where I talk about some runners-up which include:
Rio Bravo (1959)-Don't remember it well and it's been advertised as a hang out movie but that describes many a Western so I don't buy it as a defining reason why this film is great.
The Shootist (1976)-A wonderful film that pushes the genre forward by asking the question: What would happen if a gunslinger surprised himself by living long enough to die of old age? The platonic relationship with a Christian woman (Lauren Bacall) and her son (Ron Howard) is a nice counterbalance to a genre that. I had a morality problem with J.B. Books's reasoning for setting up the final gunfight: He claimed to never have killed anyone who never deserved it, but he knew Cobb for thirty seconds and never even met Pulford so how did he know that they were worth luring to their deaths in an entirely unnecessary shoot-out. But, still, it was quite a shoot-out!
Gunfight at the OK Coral (1976)-My Darling Clementine deserves more credit because John Ford carved out a story out of disparate historical events whereas John Sturges made something in the mold established by Ford. Among the notable changes, there are some positives such as the fleshing out of the Earps, the grater historical accuracy, the more dynamic development of Doc Holiday, Dennis Hopper as Billy Clanton, and a gunfight that lasted longer.
Butch Cassidy and the Sundance Kid (1969)-A Western in the outlaw tradition that has won its fair share of accolades. The chemistry between Redford and Newman was heavily praised when the film came out and the film's whimsical celebration of the two outlaws came at a time when cinema was in need of counter-cultural heroes. I love that the film features two guys who are similarly dense that neither of them think very far ahead. The film's also notable in that it takes place across multiple continents. One question is how successful would the film have been if it didn't have its stars?
Ballad of Buster Scruggs (2018)-The Coen brothers latest (though not only) Western is a comic-tragic look at multiple chapters of the evolution of the genre. It might have been truly cinematic if it tied all its disparate chapters into one story.

Monday, June 01, 2020

Updated Two Favorite Films for Every Year List


Updated my list of two favorite films per year. There are certain years where I don't think I have a strong enough pool to draw from and I researched some films from those years that might be worth checking out. This will guide my viewing next time I have a classic film to pick:

2019 Two Popes (Fernando Meirelles)/Knives Out (Riann Johnson)
2018 Green Book (Peter Farrelly)/First Reformed (Paul Schrader)
2017 Florida Project (Sean Baker)/Three Billboards Outside Ebbing, MO (Martin McDonagh)
2016 Eye in the Sky (Gavin Hood)/La La Land (Damien Chazelle)
2015 Martian (Ridley Scott)/Spotlight (Thomas McCarthy)
2014 Gone Girl (David Fincher)/Grand Budapest Hotel (Wes Anderson)
2013 Gravity (Alfonso Cuaron)/American Hustle (David O Russell)
2012 Dark Knight Rises (Chris Nolan)/Flight (Rob Zemeckis)
2011 Artist (Michel Hazanavicius)/Tree of Life (Terrence Malick)
2010 Inception (Chris Nolan)/Scott Pilgrim vs the World (Edgar Wright)
2009 Up in the Air (Jason Reitman)/Inglourious Basterds (Quentin Tarantino)
2008 Gran Torino (Clint Eastwood)/FrostNixon (Ron Howard)
2007 3:10 to Yuma (James Mangold)/Lars and the Real Girl (Craig Gillespie)
2006 Little Miss Sunshine (Jonothan Dayton and Valerie Harris)/Departed (Marty Scorsese)
2005 The New World (Terrence Malick)/Junebug (Phil Morrison)
2004 The Aviator (Martin Scorsese)/Life Aquatic (Wes Anderson)
2003 Cold Mountain (Anthony Minghella)/Last Samurai (Edward Zwick)
2002 City of God (Fernando Meirelles)/Chicago (Rob Marshall)
2001 Royal Tenenbaums (Wes Anderson)/Ghost World (Terry Zwigoff)
2000 Gladiator (Ridley Scott)/Wonderboys (Curtis Hanson)
1999 Three Kings (David O Russell)/Sweet and Lowdown (Woody Allen)
1998 Truman Show (Peter Weir)/Enemy of the State (Tony Scott)
1997 Titanic (James Cameron)/Good Will Hunting (Gus Van Sant)*.................................. Lolita, Full Monty, Devil’s Advocate
1996 Independence Day (Roland Emmerich)/Evita (Alan Parker)
1995 Apollo 13 (Ron Howard)/Batman Forever (Joel Schumacher)
1994 Ed Wood (Tim Burton)/Quiz Show (Robert Redford)
1993 Fugitive (Andrew Davis)/Pelican Brief (Alan Pakula)*….True Romance, Short Cuts
1992 The Player (Robert Altman)/A League of their Own (Penny Marshall)
1991 Terminator 2 (James Cameron)/Fisher King (Terry Gilliam)
1990 Goodfellas (Martin Scorsese)/Misery (Rob Reiner)
1989 Dead Poets Society (Peter Weir)/Indiana Jones and the Last Crusade (Stephen Spielberg)
1988 Who Framed Roger Rabbit (Rob Zemeckis)/School Daze (Spike Lee)
1987 Good Morning Vietnam (Peter Weir)/Princess Bride (Rob Reiner)
1986 Children of a Lesser God (Randa Haines)/Star Trek IV (Leonard Nimoy) *…Highlander, Labyrinth, Stand By Me, Space Camp
1985 Back to the Future (Rob Zemeckis)/Witness (Peer Weir)
1984 Amadeus (Milos Forman)/Indiana Jones and the Temple of Doom (Stephen Spielberg)
1983 Year of Living Dangerously (Peter Weir)/Return of the Jedi (George Lucas)* …Outsiders, Local Hero, Silkwood Meaning of Life, Blue Thunder
1982 Verdict (Sidney Lumet) /ET (Stephen Spielberg)*….Tron, Fanny and Alexander, King of Comedy
1981 On Golden Pond (Mark Rydell)/Chariots of Fire (Hugh Hudson)
1980 Gods Must be Crazy (Jamie Uys)/Shining (Stanley Kubrick)*…Urban Cowboy, Xanadu, Flash Gordon
1979 Being There (Hal Ashby)/China Syndrome (Jeff Bridges)
1978 Badlands (Terrence Malick)/Every Which Way But Loose (Hal Ashby)*….Deer Hunter, The Boys from Brazil
1977 Star Wars (George Lucas)/High Anxiety (Mel Brooks) *…Smokey and the Bandit, Turning Point, Close Encounters
1976 Network (Sidney Lumet)/All the President’s Men (Alan J Pakula)
1975 The Man Who Would Be King (John Huston)/Death Race 2000 (Paul Bartel)*…Nashville, Three Days in the Condor
1974 Chinatown (Roman Polanski)/Murder on the Orient Express (Sidney Lumet)
1973 American Graffiti (George Lucas)/Three Musketeers (Richard Lester)
1972 Poseidon Adventure (Roland Neame)/Cabaret (Bob Fossee)*…Slueth, Deliverance, Discreet Cham of the Burgoisee
1971 McCabe & Mrs Miller (Rob Altman)/Live and Let Die (Terrence Young)*….Andromeda Strain, Straw Dogs, Klute
1970 MASH (Rob Altman)/Five Easy Pieces (Bob Rafelson)
1969 Wild Bunch (Sam Peckinpah)/They Shoot Horses Don’t They (Sydney Pollock)
1968 Lion in Winter (Anthony Harvey)/Odd Couple (Gene Saks)
1967 In the Heat of the Night (Norman Jewison)/Wait Until Dark (Terrence Young)
1966 Our Man Flint (Daniel Mann)/Walk Don’t Run (Charles Walters)
1965 Great Race (Blake Edwards)/Cat Ballou (Elliot Silverstein)
1964 Beckett (Peter Glenville)/Goldfinger (Guy Hamilton)
1963 It’s a Mad Mad Mad Mad World (Stanley Kramer)/Great Escape (John Sturges)
1962 Manchurian Candidate (John Frankenheimer)/To Kill a Mockingbird (Robert  Mulligan)
1961 West Side Story (Robert Wise and Jerome Robbins)/Judgment at Nuremberg (Stanley Kramer)
1960 The Apartment (Billy Wilder)/Magnificent Seven (John Sturges)
1959 North by Northwest (Alfred Hitchcock)/Some Like it Hot (Billy Wilder)
1958 Touch of Evil (Orson Welles)/Vertigo (Alfred Hitchcock)
1957 Bridge on the River Kwai (David Lean)/12 Angry Men (Sidney Lumet)
1956 Searchers (John Ford)/Man Who Knew Too Much (Alfred Hitchcock)
1955 East of Eden (Elia Kazan)/Kismet (Vincente Minnelli)*….Blackboard Jungle, Desperate Choirs
1954 Caine Mutiny (Edward Dmytryk)/Salt of the Earth (Herbert Biberman)
1953 From Here to Eternity (Fred Zinnemann)/Roman Holiday (William Wyler)
1952 Singing in the Rain (Stanley Donen and Gene Kelly)/High Noon (Fred Zinnemann)
1951 African Queen (John Huston)/Day the Earth Stood Still (Robert Wise)
1950 All About Eve (Joseph L Mankiewicz)/Harvey (Henry Koster)
1949 The Third Man (Carol Reed)/Pinky (Elia Kazan)
1948 Key Largo (John Huston)/Treasure of the Seirra Madre (John Huston)
1947 Lady from Shanghai (Orson Welles)/Bishop’s Wife (Henry Koster)*…Ghost and Mrs Muir,  Odd Man Out, Secret Life of Walter Mitty
1946 Big Sleep (Howard Hawks)/It’s a Wonderful Life (Frank Capra)
1945 Detour (Edgar Ullmer)/Scarlett Street (Fritz Lang)*…Along Came Jones, Mildred Pierce, Blithe Spirit
1944 Arsenic and Old Lace (Frank Capra)/Meet me in Saint Louis (Vincente Minnelli)
1943 Shadow of a Doubt (Alfred Hitchcock)/Miracle at Morgan’s Creek (Preston Sturges)*…Song of Bernadette, The More the Merrier, Five Graces to Cairo
1942 Sabetour (Alfred Hitchcock)/Major and the Minor (Billy Wilder)*... Ox-Bow Incident, Tortilla Flat, Talk of the Town, Now Voyager
1941 Ball of Fire (Howard Hawks)/Meet John Doe (Frank Capra)
1940 His Girl Friday (Howard Hawks)/Go West (Leo McCarey) *…Great McGinty, Phantom of Chinatown, Great Dictator
1939 Rules of the Game (Jean Renoir)/Mr Smith Goes to Washington (Frank Capra)