Other People’s Money (1991): Capitalism At Its Most Depraved

THIS FILM IS FREE ON YOUTUBE!

Directed by Norman Jewison, Other People’s Money centers around a corporate battle for ownership of a family-owned factory that’s said to be supporting a small town’s employment needs.

Gregory Peck (what a treat that a 1940s screen icon gets such a meaty role in 1991!) plays supposed blue-collar champion Andrew Jorgensen.

His opponent, Larry the Liquidator, is Danny DeVito gleefully playing the same notes of depravity that you see as Frank in It’s Always Sunny in Philadelphia. Only he doesn’t live in filth and squalor but in a shamefully extravagant hotel suite with a staff that includes 17 lawyers. While the film is an attempt to live up to the corporate-damning messaging of the 1987 film Wall Street, this film is as much about the singular oddity of Larry that Devito establishes with such a grandiose sense of hedonism. He’s a ruthless ball of lust and greed with no filter.

I’d like to pause to talk about how I first came across this film:

In elementary school, my parents were restrictive about my TV and I used to sneak into my nanny/housekeeper’s bedroom when she went away on the weekends. But she had a broken TV and I only got one or two channels that came in clear. One was a syndicated Paramount channel that had either become or was in the process of becoming rebranded as UPN.

My ideal watching would have been TGIF-type fare or cartoons but by the time I got there, after Sunday School, my only option Paramount at the Movies. I vaguely remember Raising the Titanic, Love Potion Number 9, Arthur, Fitzwilly, The Ref, and Cyrano (the Steve Martin version). Because it was the 90s and I had no streaming options, it was all uninteresting, but I just enjoyed because being in front of the screen for an extra couple hours.

But Other People’s Money got my attention. In an early scene, Danny Devito’s character Larry the Liquidator, invites the opposing side’s corporate attorney (Andrew Jorgensen’s step-daughter, Kate, played by Penelope Ann Miller) for a business dinner and is simultaneously excited about burying her as he is about romancing her. As she gives up and leaves, the following dialogue takes place:

Lawrence: Wait, wait, wait! I got a proposition for you. You come up. We have a nice dinner. We make passionate love the rest of the night loses. The first one who comes first loses.

Kate: Loses what?

Lawrence: The deal.

Kate: [Disgusted] I think you’re serious… How do you propose we write this up?

Lawrence: Delicately. Under the heading of, “Easy Come, Easy Go.”…come on, Shat have you got to lose your virginity. I could lose millions?

Kate: So what happens if we come together?

Lawrence: (pauses) I never thought about that.

Kate: Well, think about it honey.

Lawrence: Don’t go! I haven’t played my violin yet.

I first heard this dialogue when I was around 10 years old and I had little to no idea what sex was. I found these words highly confusing, and a little disturbing.

I wasn’t in full-fledged puberty yet, but I was in the process of realizing that girls weren’t icky and the beautiful Penelope Anne Miller was certainly helping me get there at the time. But it was something to the stylized dialogue that hooked me.

Watching it through adult eyes the other day, I can attest that the film’s uniquely charged dialogue between the two is like nothing I’ve ever seen before.

When Larry offers to play the violin for her in the last exchange, for example, he means it. He wakes her up the middle of the night (inapprops!) and serenades her with his (extremely) amateur violin playing.

This is a man who spends the first 20 seconds of the meeting having locker room talk with himself, about how hot the woman in his presence is. At the same time, there’s a romantic side that exists side-by-side with his baseline female objectification. He buys her flowers and makes gestures to the point that it’s believable that underneath all the dirtiness, his heart isn’t set on a one-night stand but on a longer partner.

The only reason that his treatment of Kate isn’t appalling, is that she finds his advances amusing. Although a woman in this era shouldn’t have to endure all this sexism, there’s a very clear indication that she knows how to set boundaries for herself and hit back. In one of the strangest moments of the movie, she reacts to one of his catcalls by ordering him to look down at his penis and lecture it on being respectful to women. Yes, this is a thing that actually happens, and yes I had no idea what it meant as a 10-year-old.

(1) Other People’s Money — “Presence of a Lady” — Penelope Ann Miller x Danny DeVito — YouTube

Although the play from which this film was adapted charted a romance between the two, the casting of Danny DeVito — a balding man at least fifteen years Miller’s senior — had the creators wisely leaving the two somewhere between platonic and up-in-the-air.

Still, this is very much in the mold of a screwball comedy, and there’s definitely flirtatious energy in the air. In their constant battle of one-upmanship, Kate gets downright salacious when she’s got the edge. When she’s calling to deliver the news to him after she’s successfully filed an injunction against him, she looks like she’s on a phone sex line.

And then there’s the battle over the steel mill.

Norman Jewison has a history of socially conscious films like The Hurricane and In the Heat of the Night. He is clearly trying to say something important.

Larry’s characterization borrows from the film’s spiritual cousins Wall Street and Glengarry Glen Ross which all require a great corporate villain to slap us out of our entrenched love affair with capitalism.

The problem here is that Andrew Jorgensen is a dinosaur of an executive whose sense of integrity has little basis in the economic reality of the situation. His narrative arc is one of tragedy, and the eventual survival of his company has nothing to do with him.

In other words, he’s up against an amoral monster, but he’s not the hero of this story either. There’s definitely some thematic muddling going on here if it’s framed as a David v Goliath story considering David is such an idiot. Then again, one might call Kate the David but what’s the point of trying to lionize Jorgensen or even include him?

Perhaps, it’s the big speech at the end, which is one of the few things the film is remembered for.

50 Greatest Film Quotes of All Time | Orrin Konheim on Patreon

Check this out:

LARRY THE LIQUIDATOR I VIDEO — YouTube

The text:
Lawrence Garfield: Amen. And amen. And amen. You have to forgive me. I’m not familiar with the local custom. Where I come from, you always say “Amen” after you hear a prayer. Because that’s what you just heard — a prayer. Where I come from, that particular prayer is called “The Prayer for the Dead.” You just heard The Prayer for the Dead, my fellow stockholders, and you didn’t say, “Amen.” This company is dead. I didn’t kill it. Don’t blame me. It was dead when I got here. It’s too late for prayers. For even if the prayers were answered, and a miracle occurred, and the yen did this, and the dollar did that, and the infrastructure did the other thing, we would still be dead. You know why? Fiber optics. New technologies. Obsolescence. We’re dead alright. We’re just not broke. And you know the surest way to go broke? Keep getting an increasing share of a shrinking market. Down the tubes. Slow but sure. You know, at one time there must’ve been dozens of companies making buggy whips. And I’ll bet the last company around was the one that made the best goddamn buggy whip you ever saw. Now how would you have liked to have been a stockholder in that company? You invested in a business and this business is dead. Let’s have the intelligence, let’s have the decency to sign the death certificate, collect the insurance, and invest in something with a future. “Ah, but we can’t,” goes the prayer. “We can’t because we have responsibility, a responsibility to our employees, to our community. What will happen to them?” I got two words for that: Who cares? Care about them? Why? They didn’t care about you. They sucked you dry. You have no responsibility to them. For the last ten years this company bled your money. Did this community ever say, “We know times are tough. We’ll lower taxes, reduce water and sewer.” Check it out: You’re paying twice what you did ten years ago. And our devoted employees, who have taken no increases for the past three years, are still making twice what they made ten years ago; and our stock — one-sixth what it was ten years ago. Who cares? I’ll tell you. Me. I’m not your best friend. I’m your only friend. I don’t make anything? I’m making you money. And lest we forget, that’s the only reason any of you became stockholders in the first place. You want to make money! You don’t care if they manufacture wire and cable, fried chicken, or grow tangerines! You want to make money! I’m the only friend you’ve got. I’m making you money. Take the money. Invest it somewhere else. Maybe, maybe you’ll get lucky and it’ll be used productively. And if it is, you’ll create new jobs and provide a service for the economy and, God forbid, even make a few bucks for yourselves. And if anybody asks, tell ’em ya gave at the plant. And by the way, it pleases me that I am called “Larry the Liquidator.” You know why, fellow stockholders? Because at my funeral, you’ll leave with a smile on your face and a few bucks in your pocket. Now that’s a funeral worth having!

Links to all my work at Hidden Remote

Since May, I have been writing for Hidden Remote as a TV reviewer.

I have not been able to blog here as much but I will use this space to highlight the work I've been doing there.

First off, here is my author page.

I started out with an essay on breakout stars from the Spring of 2015 that follows off my annual Top 25 Characters posts. I included probable Emmy nominee Ben Mendelsohn from Bloodline, breakout scenery chewers Constance Wu and Taraji P Henson of Fresh off the Boat and Empire respectively, Anna Faris of Mom, Carol Kane of Unbreakable Kimmy Schmidt, Charlie Cox of Daredevil, Emily Hampshire of Schitt's Creek and Charlie Day of It's Always Sunny in Philadelphia, Will Forte for Last Man on Earth and recurring star Adam Devine for Modern Family.

I then did a critical reassessment of the 2003 Daredevil in light of the successful Netflix series.

From there I reviewed 2 Broke Girls in the last two episodes of the season and had a lot of fun reviewing a show I feel has some redeeming qualities but is ultimately very crude and sloppy. In the second review, I had a lot of fun dissecting some of the bad jokes line-for-line.

After that, I looked at some of the Guest Stars You Didn't Know Were On It's Always Sunny in Philadelphia.

I also did a Season 1 review of Sense8 which I found a highly ambitious and unconventional superhero show that had a very impressive commitment to being a global show.

Currently, I am reviewing the first season of The Brink on HBO and the second season of Halt and Catch Fire on AMC. The Brink is a show that I have fallen in love with after five episodes but it's been particularly jarring to see other critics in disagreement with me. One of the most exciting things about reviewing TV is that you form opinions in a vacuum and I had no idea that other critics wouldn't respond the same way as I did when I reviewed the show. Halt and Catch Fire is a show I pretty much gave up on first season but because of the convenience of the premiere date (and a connection to one of the show's executive producers), I decided to give it a second try and while the show isn't among my favorites this year, it has markedly improved.

Year-End Round-Up: Top 25 TV Characters of 2014

My Annual Top 25 TV Characters of the Year list (last year's list can be found here):

1. Andy Daly as Forrest MacNeil in "Review"-In his tragically misguided (and quite hilarious) quest to push the boundaries of human understanding, Forrest turned himself into the ultimate human punching bag: He suffered the heartbreak of divorce, developed an addiction to cocaine, awkwardly made his way through an orgy, and came to the realization that he might have  pedestrian racist tendencies. On the flipside, he saw space (with the corpse of his late father-in law in tow), enjoyed a brief marriage to Maria Thayer, and rediscovered how important his family was to him. 

"Review" was one of the year's most enjoyable roller coaster rides and Forrest's discombobulation was shocking, disturbing, and extremely fun. Andy Daly, who has carved an admirable career for himself in straight man and supporting roles, has found his niche here.

Source: HollywoodReporter

2. Richard Jenkins as Henry Kitteridge in "Olive Kitteridge"-Olive's downbeat personality would give the show's tone Ingmar Bergman-like levels of depression if not for Richard Jenkins’s kind-hearted Henry acting as a counter balance. Jenkins’s presence here was enormous. The kind and gentle nature of Henry Kitteridge shines so powerfully, that his absence was acutely felt whenever he was not in the room.

3. Stephen Colbert as Stephen Colbert (with a silent t) in "The Colbert Report"-Colbert's epic cameo-saturated swan song capped off a nine-year run in which he was second to none at the intersection of comedy and politics. Brash and ambiguously oppositional, Colbert used his whip-smart improv ability when conversing with with chief political and academic figures of the era to produce some of the most memorable, hilarious and insightful interviews of the past decade. Because he was on every night, it was easy to take "The Colbert Report" for granted, but we can be thankful that Colbert and his prolific team have produced a Fort Knox's worth of comedy gold on reserve.

4. Nick Sandow as Joe Caputo in "Orange is the New Black"-Although he might have morally erred in the series finale with Fig, Caputo stepped up at Litchfield to become a hypothetical source of hope among the administration that Piper (and the audience) thought would never appear. It remains to be seen whether he will be trampled by the system like his predecessor, but for now Caputo is riding high and in a show like "Orange is the New Black," which tugs at the viewer's emotions, Caputo's ascension and (mostly) noble intentions were strangely cathartic.

5. Vera Farmiga as Norma Bates in "Bates Motel"-This mercurial woman's son will grow up to become the iconic knife-wielding serial killer. Although we know that Norma will eventually become her son's toy skeleton, the relationship dynamic was fascinating because it only hinted at dysfunction while leaving the primary impression that this is a passably healthy mother-son relationship with an extra-doting mother.  The unexpected surprise of "Bates Motel" is that "Psycho" was never a character piece and this show is a slow simmer. In another wayward season in which Norman doesn't overtly become a knife-wielding maniac, Norma pulled a "House of Cards" on us and slowly crept up the social scene of White Pine Bay. 


6. Clive Owen as Dr. Thackery, The Knick- Owen's brilliant portrayal was not particularly far removed from Hugh Laurie's curmudgeonly doctor on "House" except Thackery's backstory and emotional complications didn't get any analysis. What fascinates me about Dr. Thackery is that he's not so much a hero or an anti-hero as he is just a crusty opium addict who happens to be in charge.
 7. Chris Parnell voicing Cyril Figgis in "Archer"-Cyril finally developed some backbone. He stood up to Archer and ran a Central American country with more efficiency than the dictator who came before him (and quite probably whoever will be running that country after him). Attorney, accountant, field agent, military strategist, is there anything this guy can't do?

8. Karen Gilliam as Eliza Dooley in "Selfie"-This cancelled-too-soon show had a great pairing at its center in Eliza Dooley and Henry Higgs. Together, the two personified the changing landscape of etiquette in the media age occupying extreme ends on the spectrum between too much or too little reliance on your cell phone. Naturally, the social media-obsessive was the more fun character and Karen Gilliam goes to town with the role. I'll brushing aside the questionable plot hole of how Eliza managed to amass such a strong Twitter following so quickly and focus on how  Gilliam hit perfect notes as an aloof Millennial with an inflated ego and all the requisite vulnerabilities of a TV romcom lead.

9. Katja Herbers as Helen in "Manhattan"-I've always read "Manhattan" as a show about brainy outsiders at heart and Helen is no different. She's a woman in a man's club and is (secretly) Dutch, but she mixes that peripheral perspective with a swagger that makes her stick out in a good way. Her no-nonsense demeanor allowed her to cut through the BS (a trait that's useful for a drama set in the repressed '50s). She was not just refreshingly unapologetic about her sex life, but always could be counted on to stir up the pot. 

10. Robin Lord Taylor as Oswald Cobblepot in "Gotham"-In its first half-season, "Gotham" has had its share of flaws for such an ambitious comic book adaptation, but the show deserves a lot of credit for bringing back a potentially campy character and fleshing him out. Ultimately, you could see Robin Lord Taylor's Penguin fitting in with one of Batman's better adaptations. Hid performance was rich with nuances from the physical to the tics that slyly hint at a sociopathic mindset.

Source: Mashable.com

11. Yael Stone as Morello in "Orange is the New Black"-We came in to the season thinking of Morello as the sweet but impressionable romantic and soon learned that she was Litchfield’s own version of Kathy Bates in Misery. And yet, even though we knew the other side of the story, it was hard to stop seeing her as a sweet well-intentioned character. The show challenges us to look closely at society's miscreants and reassess whether they really are bad apples. Morello’s storyline fell into the middle of all that with heartbreaking poignancy.

Source: ABC/Bob D'Amico

12. John Cho as Henry Higgs in "Selfie"-John Cho is rapidly climbing up the list of most underrated TV actors and "Selfie" was another home run for him. As Eliza's other (platonic) half and counterpoint in the culture wars, Cho's Henry Higgs (like Eliza Dooley, he's modeled after a "Pygmalion" character) isn't just a straw man for stodgy old luddites who are unable to get with the times. Higgs is a thoughtful man with a critical eye towards the latest app and an old-school sense of etiquette and style. He might even be classified as suave. Cho deserves a lot of praise for breaking the mold of Asian-American stereotypes as well.

13. Jim Jefferies as himself in "Legit"-Jefferies and his sitcom fall under the category of "Goshdarnit, I like this guy!"Jefferies doesn't do much of anything except hang out and fuel his two roommates' moral depravity but he has an amicable style that wins me over because the show is so tonally congruent with his style of comedy. The show's second season saw Jefferies grapple with death, friendship and love a little more than the first, while still hinting at a slow evolution.


14. Ramon Franco as Fausto Galvan in "The Bridge"-With his casual sloppy attire and his penchant for buying boats, Fausto Galvan does not conform to the typical image of a mob boss, but he's a brilliant tactician and knows how to intimidate an enemy. As a childhood friend of Detective Ruiz, Galvan is also an ever-present reminder of another direction Ruiz's life might have taken in the show's morally ambiguous world. I, for one, enjoyed the show's more Fausto-centric view of Juarez.

15. Mark Feuerstein as Dr. Hank Lawson in "Royal Pains"-Even if "Royal Pains" isn't one of the most respected shows on TV, Hank Lawson deserves praise for being such an uplifting and relevant character. He's just a desperado concierge doctor equipped with a scalpel, lightning-quick diagnostic skills and the mysterious ability to constantly be around some of the rarest medical emergencies ever recorded. He was my #2 character last year (and yes, I pretty much copied and pasted his entry from last year as well).

Source: Edna.cz

16. Ashley Zukerman as Charlie Isaacs in "Manhattan"-It was partially due to a strong ensemble of characters that "Manhattan" made its way onto my viewing schedule this year. Charlie Isaacs is the hot-shot alpha male of the bunch with his dashing good looks, a smoking hot wife, and (considering this is Los Alamos) his brains. Because my basis of comparison for this show is the 1989 film "Fat Man and Little Boy" and there are inevitable similarities between Charlie and the John Cusack's character who was heavily colored by 80's conventions, I see Charlie as a rebellious bad boy of sorts. Charlie was also an interesting character because he seemed destined for adultery until the plotline was sidestepped (his marriage fell apart and his wife cheated first) making him, in essence, an individual of "good" character.

17. Annaleigh Ashford as Betty DeMilo in "Masters of Sex"-The practical-minded ex-hooker was a curious foil to Michael Sheen's Dr. Masters last season as he only paid her begruding respect despite his supposed sexual tolerance. Nonetheless, DeMilo dealt with Masters with swift resolve and dangled the use of her brothel as a bargaining chip. In an expanded supporting role this season, DeMilo provided some of the heart-rending ups and downs. Her marraige fell apart while she succumbed to the temptations of Sarah Silverman's Helen (to be fair, Silverman in a 1950's accent certainly would be hard to resist). Nevertheless, she showed a touching solidarity with Dr. Masters simply by showing up for work when everyone else abandoned him.  
 
18. Olivia Cooke as Emma Decody in "Bates Motel"-The first season left me wanting to see more from Emma Decody's POV. She is quietly drawn to the tumultuous Bates family but it's clear that she exists on the periphery of their trials and tribulations. The show's second season gave us a better glimpse inside Emma's world. It showed us a character who's relatively comfortable in her own skin as a disabled teenager but who's also self-aware of her desire to belong. Her relationship was also one of the sweetest examples of teenage romance on television.

19. Kat Dennings and Beth Behr as Max and Caroline in "2 Broke Girls"-Part of what keeps "2 Broke Girls" among the most comfortable shows on television is the chemistry between Max Black and Caroline Channing. They're rat-a-tat dilaogue is a stylistic throwback to the days of vaudeville. Caroline lobs the set-up and the acerbic Max hits it out of the ballpark. The humor isn't necessarily the most sophisticated on TV but the chemistry between the two best friends of circumstance is immense.


20. Kristen Schaal voicing Mabel Pines in "Gravity Falls"-Between "Bob's Burgers", "BoJack Horseman" and this (not to mention the countless gigs she's involved with that I'm not watching), Schaal deserves all the praise she's getting and more as a voice-over actor. She has a unique voice that creates a recognizable comic personality (in this case, the overexcited child) and has shown enough versatility with it to create three memorable and distinct comic characters. Mabel Pines' never-ending positivity is just infectious on and, on a visual level, her sweater designs and stickers are the show's Easter eggs.

21. Emily Rios as Adriana Mendez in "The Bridge"-Daniel Frye, Adriana's partner-in-crime, occupied a high spot on last year's list and while that entry was a way of honoring the touching Frye/Adriana relationship, I didn't anticipate that Adriana would become so much more fleshed out this year. While the Frye and Adriana are still one of the underrated crime-fighting duos on television, Adriana became a fully realized character in her own right. Her response when Galvan's goons victimized her was one of the dramatic high points of the season and a poignant reminder that no one is really a passive spectator to this conflict. It also helps that I have a soft spot for reporter characters.


22. Megan Stevenson as AJ Gibbs in "Review"-Stevenson does so much with every facial reaction and stilted smile as Forrest's sidekick AJ Gibbs. The result is a mercurial character that makes a very strong impression with very little screen time. With "Review" renewed, the increased presence of AJ Gibbs as sole host of the show is on the top of my anticipation list for this coming year in television. 

23. Aaron Paul voicing Todd in "BoJack Horseman"-Satirizing the empty lives of the Hollywood rich and famous, "BoJack Horseman" is largely about characters going nowhere and repeating the same patterns, and no one is staying still faster or as consistently hilariously as Todd. His severe ADD ensures that nothing will ever get done as long as he's around. Todd bounces off others with supreme comic ease as evidenced by his teaming up with Quentin Tarantulino to produce a movie that morphed into a bimonthly snack subscription followed by a business partnership with Mr. Peanutbutter that produced some of the most absurd ideas to ever hit animated TV. It is also Todd's childlike need for approval from BoJack that keeps the tone of the show positive.

Source: Yahoo Screen

24. Cecily Strong as The Girl You Wish You Hadn't Started a Conversation with at a Party in "SNL"-As someone who is generally sober in situations where other people are drunk, I know the experience all too well of talking someone who thinks they're the most interesting person and is on a different planet regarding their definition of interesting conversation. So yes, this character certainly resonates with me on a personal level. A shout-out here to my other Weekend Update favorite: Kate McKinnon's economically depressed Russian version of a Borsch Belt comedian.

Source: NY Post

25. Eliza Coupe as Nina Whitley in "Benched"-Coupe is the rare stunningly beautiful actress who can dive into the part of a flawed woman so thoroughly that you actually believe she would have trouble getting a date. Coupe charms her way through the series in a way that makes you forget this has been done before in many screwball comedies before and after her. Through Nina Whitley's slow learning curve at adapting to the upside-down world of public defending, I have learned more about the nuts and bolts of the legal system (and its shortcomings) than from many a pedestrian legal drama.

Runners-Up:
Aimee Carrero as Lucia, The Americans; Alison Pill as Maggie Jordan, The Newsroom; Andre Holland as Dr. Algernon Edwards, The Knick; Barbara Rosenblat as Rosa Cisneros, OitNB; Demian Bichir as Marco Ruiz, The Bridge; David Harewood as Saperstein, Selfie;  Franka Potente as Eleanor Nacht, The Bridge; Frances McDormand as Oliver Kitteridge, Oliver Kitteridge; Fred Armisen and Carrie Brownstein as Toni and Candice, Portlandia; Kate McKinnon as Olga Povlatsky, SNL; Keegan Michael Key as Mark, Playing House; Kimiko Glenn as Brook Soso, OitNB; Leslie Bibb as Dakota, About a Boy;  Minnie Driver as Fiona, About a Boy; Natasha Lyonne as Nicky Lyons, OitNB; Olivia Munn as Sloan Sabbath, The Newsroom; Parvesh Cheena and Hong Chau, Dinesh and Lora, A to Z; Sarah Silverman as Helen, Masters of Sex; Zoe Kazan as Betty, Olive Kitteridge









Here's a list of all shows I watched this year, for reference (that aren't in my Top Ten):
About a Boy (NBC) , Americans (FX), American Dad (TBS), American Horror Story (FX), America's Got Talent (Fox), Awesomes (Hulu), Bad Teacher (CBS), Bad Judge (NBC), Black Box (ABC), Blacklist (NBC), Broad City (Comedy Central), Brooklyn Nine Nine (FOX), Benched (USA), Crazy Ones (CBS), Chicago PD (NBC), Comedy Bang Bang (IFC), Conan (TBS), Colbert Report (Comedy Central), Daily Show (Comedy Central), Deadbeat (Hulu), Family Guy (Fox), Finding Your Roots (PBS), Flash (CW), Fugget About It (Hulu), Gotham (Fox), Glee (Fox), Gravity Falls (Disney), Ground Floor (TV Land), Hannibal (NBC), Houdini (History), Halt and Catch Fire (AMC), House of Cards (Netflix), Inside Amy Schumer (Comedy Central), Key and Peele (Comedy Central), Late Night with Jimmy Kimmel (NBC), Late Night with Seth Meyers (ABC), Larry King (Hulu), Librarians (TNT), Louie (FX), Marry Me (NBC), Mulaney (Fox), Madam Secretary (CBS), Mindy Project (Fox), Modern Family (ABC), Mother Up! (Hulu), Mysteries at the Museum (History Channel), NCIS: LA (CBS), Newsroom (HBO), New Girl (Fox), Nathan For You (Comedy Central), Playing House (USA), Portlandia (IFC), Red Band Society (Fox), The Strain (FX), Saturday Night Live, Tonight Show (NBC), Turn (AMC), Under the Dome (CBS), Video Game High School (YouTube), Veep (HBO), Vikings (History Channel), The Voice (NBC), Web Therapy (Showtime), The Wil Wheaton Project (SyFy), Welcome to Sweden (NBC)

Additionally, my top 12 TV shows can be found at Examiner.com this year.
They are:
1. Archer, FX
2. The Bridge, FX
3. Orange is the New Black, FX
4. Review, Comedy Central
5. The Knick, Cinemax
6. Manhattan, WGN
7. Olive Kitteridge, HBO
8. Selfie, ABC
9. Late Night with John Oliver, HBO
10. Quick Draw, Hulu
11. Masters of Sex, HBO
12. Silicon Valley, HBO
Runner-Ups: 2 Broke Girls (CBS), A-Z (NBC), Bates Motel (A&E), Bojack Horseman (Netflix), Crossbones (NBC), Finding Your Roots (PBS),  Legit (FX), Portlandia (IFC), Royal Pains (USA), Suburgatory (ABC)





Additionally, I had the honor of participating in Cory Barker's end-of-the-year round table at TV Surveillance, where I contributed thoughts on the best performances in 2014 on TV, the best new TV show, the worst TV show and the best performances.

I also have just been hired at TV Fanatic and contributed to all their year-end slideshows including best plot twist, most underutilized character, best breakout character, and several more.

In short, I've now analyzed 2014 in TV to death at this point, but being included on Cory Barker's year-end roundtables and TV Fanatic's year-end polls have been a goal of mine for four years so I'm quite pleased. Some people want to build mountains or create great paintings and I just want to watch a lot of TV and discern obscure categories within that medium.

2014 Review Sans Fall Season

A moderately exhaustive catch-up of pretty much everything I've seen this year before the Fall Season rolls around and I cover those shows. Some reviews will be very brief or I'll link you elsewhere. The shows are broken into categories:

Top tier: Shows that are firing on all cylinders

1. Archer, FX-Even by today’s standards, Archer did something pretty bold by flipping the entire premise of its show. The ragtag spy agency previously known as ISIS (they allegedly sold the naming rights to a real-life band of Jihadists in Iraq or something like that) got disbanded and the characters became criminals for a full season. Comic possibilities quadrupled. (longer review)
2. The Bridge, FX-The Bridge-Last season, "The Bridge" was a suspenseful ride, but the two aimless episodes between the conclusion of the first season and the actual season finale had me wondering where the show would go once the bad guy was put away. What I didn’t anticipate was that the show’s rich characters and sense of place were more than enough to carry the show regardless of the villain. What’s more, the second season nicely wove the aftermath of the David Tate plot along with the disparate side plots into a larger picture. The show continues to have a lot going for it: A well-paced plot, a touch on topical issues, and some of the most underrated characters on TV (Daniel Frye is who I now want to model myself after as a journalist. I even plan on going to the nearest bar and developing my own drinking problem after I finish writing this)
3. Orange is the New Black, Netflix-As Piper became more comfortable with her environment and even began to take command of her surroundings, the show took on a more self-assured tone that could even be called optimistic. In the first season, pretty much everyone Piper bumped into at Litchfield was some version of your worst nightmare. The second season got interesting in the way it kept redirecting audience hatred towards a number of temporary villains (Mendez, Fig, Healy, Alex, Crazy Eyes all did despicable things at some point or another) before making themselves sympathetic once more and eventually redirecting us to one big bad. This show has also written and rewritten the textbook on ensemble pieces, both from the narrative (balancing focus on several characters) and the acting sides. (longer review)
4.  Review, Comedy Central- Starring straight-man extraordinaire Andy Daly, the premise posits the show as a distant cousin of the "Truman Show" in the way that presenting a man's life choices being driven entirely by the demands of a media audience leads to some very deep satire. In this case, Daly is TV show host Forrest MacNeil who will review any life experience anyone tells him to without question. The cleverest thing about "Review" is how it drops clues towards the genesis to the show-within-a-show and the larger storyline about a somewhat overeager broadcaster being manipulated by a ruthless producer. Viewers are challenged to decipher these clues and it's not until the end of the season that some of the blanks are filled in a season finale, which makes for **SPOILER** a cathartic ending.  (longer review)
5. The Knick, HBO-Every medical procedural (from Grey's Anatomy to E.R.) should just be set back 100 years in time where medicine was more like alchemy than an exact science. "Patient is not responding! I want some leaches and epoxy salts under his nose stat!" That Clive Owen only got nominated for one Oscar astounds me.
6. Quick Draw, Hulu-It’s understandable that this TV show would be underappreciated considering: 1) It is on a network that really hasn’t had any visible hits, and 2) the creator’s last show was on TBS during an era when they proved just how little they know about comedy with those annoying “very funny” commercials. It’s worth believing in second chances because while John Lehr’s previous show “10 Items or Less” was a mixture of slightly inventive and bland, “Quick Draw” is in that sublime zone of comedy where the comic climate is so well-established that as long as the characters stay reasonably in character, every attempt at humor is a joke that hits and every joke that hits is a home run.

Second Tier: Shows that are getting it done in style:

1. House of Cards Season 1, Netflix-Lots of interesting tension and great characters. I soured on this show on Season 2 so I'll cover that more there (longer review)
2. John Oliver-When he took over as host of the Daily Show last summer, it was a breath of fresh air that led me to believe he should take over the show. The second best thing happened: Oliver's carved out a niche for his comedy on HBO. Due to the novelty factor, John Oliver is my favorite late night comedian to watch at the moment.
3. Manhattan, WGN-The show isn’t groundbreaking but is certainly watchable. It’s an intelligent historical drama that has a firm grasp of what makes its designated period of history interesting and utilizes that for some good juicy drama. The show manages to touch on social issues from a bygone era from an ironic distance without coming across as overly preachy. The show’s ensemble has mostly unknowns outside of Rushmore/Dollhouse’s Olivia Williams but there are a lot of interesting characters and the ensemble has enough tension so that there’s enough inter-group conflict for a tense World War II pic without a single Nazi. 
4. Legit, FX-The aimless life of an Australian comedian with too much free time on his hands could rival Seinfeld in terms of low-impact storylines (or as Seinfeld called it “nothing”). with  The second season has Jim becoming no worse or better than before, but relatively succeeding at growing up by virtue of the fact that his two roommates have become far more depraved by comparison.
5. Bojack Horseman, Netflix-"BoJack Horseman" isn't particularly easy to get into, but a few episodes in, the show's pathos and interesting character dynamics shines through. Like Will Arnett's previous work, "Arrested Development," the show features characters who aim to be dynamic and get out of their ruts in life. Unlike "Arrested Development" however, the show dares to give them, and us, hope at actual improvement. Either way, there's a definite investment to the characters by season's end that gives the show life. The satire also starts getting sharper once the hidden jokes and the parallels to ABC's TGIF line-up of the 1990's start to reveal themselves. People might not notice on first viewing how spot-on "Horsing Around" gets (longer review)
6.   Royal Pains, USA-I have always maintained that even if “Royal Pains” isn’t the most ambitious show on television, Hank Lawson is one of TV’s most relevant heroes considering the healthcare crisis that’s only intensified since this show premiered in 2009. As medical procedurals go, few are more uplifting than this one. There are no McSteamys and McDreamys here: Just a desperado concierge doctor, a scalpel, lightning-quick diagnosing abilities and the mysterious ability to constantly be around some of the rarest medical emergencies ever recorded (OK, maybe it’s a little more than a scalpel he has). This season’s main thru-lines—The discovery of the Lawson clan’s long-lost sister, the navigation of newlyweds Evan and Paige through a rocky first year, the desire for Jeremiah to step out of his comfort zone—all gibe well and pleasantly focuses on underrepresented dynamics (i.e. siblings, adult-father-and-son) in television. It should also be noted that the series is total scenery/lifestyle porn: People might be falling into comas and strokes in Hank’s presence but they’re having near-death experiences in style. 

Third Teir: Pretty Alright

1. Key and Peele, Comedy Central

2. Crossbones, NBC-Thoroughly enjoyed this pirate saga that has many of the elements of “Pirates of the Caribbean”: beautiful shots of exotic Caribbean locales, swordplay, and the kind of plot twists that come from a pair of mischievous Jack Sparrowish characters who both possess a near-endless capacity for on the fly.

In one ring, we have Blackbeard (John Malkovich), who in this alternate take on history, faked his death and is now living large as a semi-peaceful ruler of an off-the-grid pirate kingdom of his own making. His main foil is combination doctor/spy/ tactician/lover Tom Lowe (Richard Coyle) who is originally sent to expose/kill Blackbeard but ends up in an uneasy alliance with the semi-erratic despot.  There’s also a love triangle between Lowe, free-spirited quartermaster Kate Balfour (I could easily write another paragraph about how enchanting Claire Foy is here) and her handicapped husband (Peter Stebbings).

As for the “Pirates of the Caribbean” comparison (a compare/contrast angle is inevitable considering that is the only other pirate film I have seen), this isn’t the movies but an NBC show that’s relegated to the summer schedule (AKA low-key filler) so adjust your expectations accordingly. It is worth pointing out, however, that while Johnny Depp anchored the Pirates series with a meticulously crafted iconic comic character in Jack Sparrow Jon Malkovich’s humor is unintentional: His interpretation of Blackbeard’s accent is suspiciously Malkovich-like (worth mentioning other than the accent, Malkovich is fine here). But hey, written history can only tell us so much about the accents of 18^th Century pirates. Maybe Blackbeard did sound like John Malkovich?

3. Portlandia, IFC-A solid sketch show about the art and science of looking cool. Fred Armisen and Carrie Brownstein still find ways to reinvent themselves and refine their concept four seasons in. The show is also a great haven for guest stars whether Steve Buscemi, Bobby Moynihan, Kumail Nanjiani, Kyle MacLachlan, and the Portland Trailblazers. (longer review)

4. Colbert Report, Comedy Central-The announcement that he was going to take over for David Letterman alerted me to the fact that he's been on the air nearly ten years. That's a long time to stay in one character and I have full confidence that he could do another 10 if he wanted. 

Also the Third Tier: Shows That Took Me By Surprise (in a good way)

1. Suburgatory, ABC-After sporadically watching in Season Two, I caught onto the back end of the third season and found a more satisfying and complex entity than I had previously seen. When the show premiered, it had bite to it in its satirizations of suburbia in the form of city folk George and daughter Tessa, who had moved from Manhattan to the uber-suburban town of Chatswain. As sitcom characters are prone to do, Tessa and George found love interests, friends and frenemies which resulted in a dampening of the edge as George and Tessa were no longer outsiders and overly connected to the town they were supposed to be making fun of. I was highly pleased to find a happy medium between these two poles in Season 3 and all the more heartbroken that the show was cancelled.

2. About a Boy, NBC-The pilot episode and the difficulties of adapting a TV show gave me plenty of doubt, but the show was successfully stretched to a longer-term format. These characters are worth investing for in the long run and from an episode-to-episode perspective, it's  nice charming low-key comedy that offers the same thing the book and movie did: unique character dynamics. (Longer Review)

3. Playing House, TBS-The female-centered comedy initially seemed like chick flick territory, but the two leads are charming and have enough chemistry together to sell the show. (Longer Review)

4. Gravity Falls, Disney-It's difficult to put my finger on what makes the show work considering it defies categorization in this animated TV landscape. It's not really a show for kids (thematically too dark) which is especially bizarre considering its on the Disney Channel which is the new Nickelodeon. At the same time, "Gravity Falls" isn't a direct satire of kid's shows and is unironically steeped in the style of a classic kid's show itself. It will take me some thinking to figure out exactly why this show is working for me, but in the meantime, let me report: This show has hooked me and it's seeming to hook quite a few of my peers. Also, let me report: The spunky protagonist Mabel (Kristen Schaal AGAIN) Pines is one of my favorite characters on TV.

5. Glee, Fox-Its been a while since Glee's heyday when it was water cooler talk. That's understandable as the show cycles through characters, romances and plots at high velocities. In that sense, the show is more about style than substance and inevitably the novelty factor wears off without substance. This past season, some of the substance came back into the show as the character development decelerated. Sam, Tina, Artie and Blaine's senior year was split in two giving the cast a bigger chance to gel. (Longer Review)

To be covered in more detail:
I'll Watch It if It's On:
Bad Teacher, CBS; New Girl, Fox; Modern Family, ABC; The Awesomes, Hulu; Fugget About It, Hulu; Parks and Recreation, NBC; American Dad/Family Guy, Fox; Broad City, Comedy Central

What Was I Thinking??: Shows I've Soured On
Under the Dome, Fox; House of Cards (Season 2), Netflix; Deadbeat, Hulu; Halt and Catch Fire, AMC; Mindy Project, Fox

Shows I just never got into:
Hannibal, NBC; The Strain, FX; Turn, AMC; The Middle, ABC