Movie Review (1995): Mallrats

I found it odd that Kevin Smith himself has denounced this film as a failure. I think he saw his project as a failed teen comedy homage to John Hughes, whereas I didn't see it that way. I saw something original here.

I wrote this review a few years ago and it was my first or 2nd Kevin Smith (possibly behind Chasing Amy)

3 Stars:

With the valuable lesson that the little nuances found by hanging out at a shopping mall are the best parts of life, Mallrats is a piece of entertainment that's humor is crude yet insightful.

Jeremy London and Jason Lee as two guys who have just ended relationships, but have markedly different attitudes about it and they have a really great odd couple chemistry as a result. London plays T.S. Quint, the hopeless romantic type, not over the loss of a girl and determined to get her back that we see often in movies and in ourselves in real life sometimes. Lee's character, Brodie, is more what the movie is about. He cheers himself and his friend up by taking a trip to the mall, and indulging in the cookie stand, the comic book shop, and conspiring with two shady characters (Jay and Silent Bob) to screw over his unpleasant neighbor, who also happens to be a major reason that his friend got dumped.

Whether the film portrays Brodie's lifestyle is healthy or not is debatable, he lives with his mother and lacks ambition. However, I think Lee's character is the one we admire more of the two, because he is much happier and less worrisome over the course of the film as his counterpart T.S. and still gets the girl at the end.

The movie takes place over a short period of real time, pretty much, a single afternoon at the mall. Along with the two protagonists, a series of pleasantly quirky recurring characters are all found hanging out, including Joey Lauren Adams (as T.S.'s promiscuous ex-girlfriend) and Ben Affleck (as a perverted department store owner) in different roles than they'll have in Smith's future project Chasing Amy.

With great dialogue as a tool, these mundane interactions between these seemingly ordinary people come to life and as a result, it becomes so engaging to watch their paths intertwine all the way to the climactic live dating show scene at the film's finale.

My Name is Earl picks it up in second season

I think as My Name is Earl hit the homestretch of its second season, it lifted itself from being a decent quirky hit that compliments shows like 30 Rock, Scrubs, and The Office to being a great show itself (note: I wouldn't count 2 of the three shows above as great shows yet although 30 Rock has shown flashes).

"My Name is Earl" works as a quirky no-laugh track show that used to get by on the star power of Jason Lee and the comic gifts of Jamie Pressley. It's storylines have a little humor and that humor is usually balanced by the feel-good aspects of the show. In other words, it's like "Touched by an Angel," only funnier. As of late, however, I think the show has not only been funnier than Touched by an Angel, but it's become funny period and as for the "Touched by an Angel" factor, I think the show has been moving into deeper territory to the point where we're actually caring about the characters' evolution from one episode to the next. It's starting to become dynamic and characters are starting to grow past the requirements of what would make the laughs meaningful within a half-hour episode. Earl is trying to grow up by getting an education and a job and he's taking his brother with him. Jamie is trying to become a mom and like The Office last season, the season finale ended with such a bang of a cliffhanger, it cemented the show as Must-See next year.

Thursday night must-see blog

So I'm watching Thursday's TV night and as I'm watching rather than writing about the youtube thing I was going to write about, I start to want to write a little bit about what I'm watching on TV. I start making notes about the programs that I'm watching and before I know it, I have a whole page or two of incomplete notes, and I figure i'll finish those notes and write about them a little more in detail, so I end up with about 6 pages of notes on NBC's TV programs that appeared from 8-10 p.m. last night.
My Name is Earl last night:
My Name is Earl reminds me that one method of comedy is just to make feel-good stories. There’s a highly oversimplified saying that drama is about the failure of man and comedy is about man’s greatness, so logic suggests that comedy can be successful by capitalizing on its realm of human greatness. Not that all comedy is like that. A great deal of comedy revolves around stupid people, and one of the three elements of comedy according to Plato (no, I’m not making that up) was inferiority. Comedy, however, often capitalizes on a feel-good element that I think is underemphasized in reviews of comedy movies. The two best feel-good movies of all time, arguably, are Frank Capra’s “Mr Smith Goes to Washington” and “It’s a Wonderful Life” and Capra is primarily known as the inventor of screwball comedy. Adam Sandler, for that matter is also a filmmaker who specializes in feel-good stories. (you kno what, maybe I got the saying all wrong about comedy being about human triumph and drama being about tragedy, but who knows.)

-On My Name is Earl, I can’t help but notice that Catalina, the illegal alien who cleans a hotel,” is quite intelligent and well-spoken. This is a very positive portrayal of a Latin American woman in TV. She’s not just the illegal sassy Latin-American sidekick. In tonight’s episode, Joy is confiding to Catalina about a relationship she had with a store manager of Target or something like that because of the discount she get on audio cassettes. When Catalina asks, “You slept with a guy just because of tape decks?” Joy replies, “Well, it was before CDs were invented.” Then Catalina says, “Wait! Didn’t CDs come out in 198-,” before Joy cuts her off in embarrassment. OK, let’s take a moment to consider this: Catallina knew offhand the exact year in which CDs came out and cross-referenced it to Joy’s age to conclude that she was having sex at a really young age. That’s actually pretty hard.

It’s a really small moment, but it is a great one for the positive portrayal of Hispanic people on screen, made all the more remarkable by the fact that My Name is Earl, like most comedies, is a show all about stupid people: Sublimely dumb people who think Karma was created by Carson Daly, and while Catalina has some of that charming stupidity in her (in one episode she said she thought God was a homeless man with an iguana or something), she’s also intelligent and resourceful and has turned out to amount to more than the sum of her initial character traits.

Right now, Ugly Betty is being celebrated for its positive portrayal of Latin American Immigrants amid the Immigration Debate. America Ferrarra’s character and its symbolic ramifications has been written about everywhere from Time Magazine to Newsweek and she was even honored in the congressional records when a member of the House proposed or created a resolution (I don’t know which) honoring her. But it’s often the small things that make a difference in racial perceptions.

Do you think I’m making too big a deal of a small moment? Well, I’m reminded of the textbook I read for my first film class: “Reel to Reel: Sex, Race, and Class at the Movies.” She writes about a very small moment in a film and how that helped destroy a stereotype: “I imagine all the myriad ways in which conventional representations of black people could be disrupted by experimentation. I am equally moved by that moment in Jim Jarmusch’s Mystery Train when the young Japanese couple arrive in the train station in Memphis only to encounter what appears to be a homeless black man, a drifter, but who turns to them and speaks in Japanese. The interaction takes only a moment, but it deconstructs and expresses so much. It reminds us that appearances are deceiving. It made me think about black men as travelers, about black men who fight in armies around the world. This filmic moment challenges our perceptions of blackness by engaging in a process of defamiliarization (the taking of a familiar image and depicting it in such a way that we look at it differently).”

She even goes on to make a strong parallel to my Ugly Betty-My Name is Earl connection by comparing Jim Jarmusch to Quentin Tarantino, the latter of who got more attention for his supposedly “progressive” work.

OK, for a point-by-point blog, I probably should not have dwelled long on that one point but I felt I needed to right all that to make a complete coherent well-thought-out point.

-Sometimes a watch or clock can ruin a TV show. Avoid looking at a watch at all costs while you’re watching TV. In tonight’s episode Randy confesses her love for Catalina and Catalina appears to reciprocate. They hug and everybody claps. The only problem? It’s 8:15 so I know the show’s not going to end, and 5 seconds later it was confirmed that I was indeed correct.

-I really kind of like the Randy-Catalina relationship and where it’s going. I felt that before this episode they could have had a Jim-and-Pam or Niles-and-Daphne thing, where the tension get stretched out forever even though they’re legally married. I felt the ending of the episode took a back turn, because the first two relationships I previously mentioned went years where the characters weren’t together. These two are already married and had sex, so that reduces the tension significantly. What is there left? The two having good sex? Especially considering the show’s lovable innocentness, this is an unusually wrong move by the show to have two characters jump into bed together as a way to move a plot. Remember when the show played with the audience’s perceptions of what we might’ve thought Randy and Joy did when her kids were gone in season 1, through some cleverly concealed shots?

The Office:

The Office is such a great show because it’s so very, very relatable to the point where I want to live vicariously through the characters. Like an Alexander Payne movie, I’m not thinking

It’s kind of the cornerstone of the Must-See Thursday Night TV experience, and it deserves whatever accolades it’s getting. I’m sure because The Office is at the top of the heap, plenty of people are eager to attack it, because people like to attack whatever’s at the top.

The thing I feel like noting this time is there are usually just a couple brilliant moments on The Office each week, that are just pure comic gold. It’s the kind of comic setup and payoff, that you just have to gaze at the TV screen in awe of the comic minds behind it. Here are this week’s top 5 moments:

-That Dwight asked him about the preference between a brunette and a redhead in front of Pam and Jim. Way to up the sexual tension!

-Her “you’ve gotta have 8 hours of sleep” painfully akward attempt at small-talk with Jim. It was a painfully awkward moment where the usually composed Pam reverted to Michael-like behavior and in this show, lately as Michael is becoming more romantically competent this season as he’s having relationships with that real-estate agent and Jan, it’s good that the show is keeping the usual level of akwardness through other factors.

-She’s supposed to answer phones with her clothes on because they have to use up the whole three hours. The presence of the stripper is hilarious as she was just looming everywhere. Wait, why couldn’t anyone in the room use the stripper? Stanley’s married. Kevin’s engaged but I don’t think that would stop him. Ryan has a girlfriend upstairs who gets jealous of everything. Same with Dwight. Roy and Jim wouldn’t want word getting around that they’re doing stuff with strippers when they want to look like a gentleman with Pam. Oscar’s gay. Hmmmm….what about the warehouse manager, Daryl?

-“That is not the real Ben Franklin, I am 99% sure.” Hillarious. Thank god Jim is back to resorting to playing pranks on Dwight.

-The fact that Michael felt the need to confess to Jan about a lap dance he had not foreseeing that he might actually get in trouble as the office manager for throwing a bachelor party in the warehouse.

OK, let’s talk about what makes The Office really good, what gives it that something extra: The Office is the best portrayal of modern romance I’ve ever seen on TV or the movies. Jim is incredibly cool and cool under pressure as well: look at how he handled that near-disastrous situation Dwight put him in by replying, Blonde. When Roy asked him what kinds of girls he likes in an episode a couple seasons back, he answered single moms. And cool guys like Jim are expected to act cool all the time, but when he’s around Pam, you can visually see his knees turning into butter, and while it was really at a high point last season, it’s gotten more complex with the competition for Pam resulting from Karen, and the fact that Roy is losing weight and starting transforming himself into the fiancé he never had the chance to be. Jim and Pam are a classic love story but there’s now a beautiful sense of ambiguity to their relationship. In each episode, as Jim and Pam are trapped in that ambiguity, and these obstacles get in their way, Jim and Pam and Karen revert more and more like clueless middle schoolers panicking at the prospect of losing their relationship.

Scrubs:

I’ve rediscovered Scrubs lately. I casually watched episodes in its first two years, but recently I’ve been looking for something new to watch in syndication, since I’ve seen pretty much every episode of Sienfeld and Friends in syndication, and Scrubs is on all the time on Comedy Central and the Superstation (which I think is TBS). I think because it’s between two great shows, that helps, obviously, and the musical episode which was really great, clinched Scrubs place as a regular on my list of programs to watch.

-They actually have some legitimate anti-war stances and pro-war stances. The arguments of people in this show for and against Iraq could actually be borrowed by politicians in a debate verbatim. Humor is usually about stupid people, but humor is also about something entirely out of the ordinary, and it’s out of the ordinary for characters to be much smarter than we expect them to be. Examples include that bit on Conan O’Brien where Max and Conan exhibit an almost encyclopedic knowledge on topics such as reality tv, Grease the musical and the Winter Olympics in clearly scripted conversations that end in a stare-off or how on Newsradio, it’s revealed somewhere along the way that Andy’s Dick’s character is secretly a licensed dentist who had passions of becoming a really bad reporter. Another example is how in the film Wayne’s World, all of a sudden everyone in this room of rock stars and roadies knows everything in detail about the history of Milwaulkee, Wisconsin and can have an intelligent discussion about it.

-With that monologue that J.D. gives at the end, this show is like My Name is Earl in comedy-by-feeling-good

30 Rock:

I think 30 Rock is doing some things that the other backstage-SNL show on NBC, “Studio 60” is not doing: it does not put us to sleep with characters who are all exactly the same and it’s just more sharply written. At the same time, I kind of do like how “Studio 60” explores the fascinating topic of what goes on backstage, and I wish “30 Rock” would do the same to at least some degree. I feel like focusing on each of the characters a little so that’s where most of my posts will center.

-It’s been a while since I’ve taken European history, but I think this inbreeding thing is actually historically true. How many people know that.

-Who’s the bald guy, exactly? Don’t like him, although he looks moderately appropriate for his environment: The 30 Rock look.

-Judah Friedlander really has the 30 Rock look.

-The 30 Rock look (what I assume they were looking for when they cast this film) is self-deprecation. People who are brilliant humorously but don’t look very good. That’s Tina Fey’s whole comic shtick: make fun of her own lack of good looks. Honestly, though, she’s pretty good-looking and I feel like her whole comedic method is based around some unresolved therapy and self-image issues. She looks great, seriously.

-Alec Baldwin is hilarious as if that didn’t need to be said.

-Despite taking a part that was initially meant for someone else, Jane Krakowski, is really doing reat stuff with her role as Jenna. She’s delightfully quirky and has great comic timing, and she gets a lot of mileage out of her main comic quirk, thinking her sexuality can solve everything. And that also makes her more sexy, too.

-This episode is so solid narratively that it could work as a romantic comedy movie if you stretched it to two hours. Come to think of it, you can make two movies based on this: I could see someone pitching either the Jack-Liz subplot or the Jenna-inbred Prince as a film to a studio and having a decent possibility of getting greenlit.

-Carrying on that last thread, I think that the dynamic between Liz Lemmon and Jack Donaughy (I’m doing this on a non-wireless laptop so I don’t have some easy reference like imdb.com to look up the correct spelling of the last name so to those annoying people who like to correct spelling errors: deal with it) reminds me of a screwball comedy, which is actually quite impressive. Screwball comedies were a popular form of comedy during the Great Depression. The formula involved pairing people of two different social classes together in an unlikely relationship and the happy ending where the two get together romantically in the end supposedly gave hope to depression audiences that because love could conquer class differences in the film, perhaps their might be hope for their own poverty problems to be worked out through the compassion of the government or the people who had money or whatever else. Screwball comedies went out of style because of the socio-economic conditions that made audiences relate to them, so it’s kind of odd that in the year 2007, they kind of are starting to make that work with Jack and Liz. They are two people seperated by inconquerable class differences.

-Kenneth the Page really wouldn't be interacting with the president of NBC or the members of the show so much, in real life, would he?

Deal of No Deal (there was a commercial for this show):

This show is THE EXACT SAME THING OVER AND OVER. Some guy possibly winning a million dollars WITHOUT ANY SKILLS WHATSOEVER. THEY DON’T NEED ARITHMETIC. Why are we bragging about that? I love how they find new ways to promote it each week: this time a father of 8 is playing our repetitive game! This time a guy from Oklahoma is playing our repetitive game! Tonight Celine Dion is going to say a few words to our contestants before they do the same boring thing!

Top 10 comic personalities of 2005

I haven't updated it this year, but last year i was thinking of all the top ten lists that happen in December and I thought of a new one, i could add to the mix. Of course, the new magazine, Cracked Magazine does this too now.

2005:

1. Nick Hornby for his novel “Long Way Down” and success of continuing adaptations on screen

One of the few people who I’d voluntarily read a novel from. His books are witty and refreshing enough that his books go by like a magazine article ordinarily does. His books have been adapted into hit movies like High Fidelity, About a Boy, and Fever Pitch, and when his latest comedic book about four people who randomly meet on the rooftop of a building, all with plans to commit suicide (how’s that for a comedic challenge) came out, the movie rights were gobbled up right away, by someone no less than Jonny Depp.

2. Sara Silverman (Role in the Aristocrats and Jesus Walks)

Over 100 comedians tell the same joke and she was the one who was able to find an original angle and run away with it. Sort of a Jewish version of Andy Kaufman, who’s a lot easier on the eyes, she’s starting to become well-known for her brand of humor.

3. Steve Carrell (for his role in the Office and for his starring vehicle in 40-Yr Old Virgin)

Surprise, surprise, Steve Carrell is not just good as a fake newsman, but can do other things too. He had roles in the new Woody Allen movie, Melinda and Melinda, in Bewitched, and starred in his own creation The 40-Year Old Virgin. Even better, catch him on the American version of The Office on NBC for his take on the office boss who tries too hard to be friends with his employees. His awkward silences will make you cringe.

4. Steve Colbert (for his new talk show)

By now, John Stewart is just a little bit too powerful. He probably thinks he’s an actual news anchor who can match wits with fellow anchors on CNN because he’s better dressed than them. At least, Steve Colbert hasn’t forgotten that he’s a comedian. Colbert brings non-stop comic inventiveness to his part, always finding sharp comedic angles.

5. Chris Rock for adding color to the Oscar Ceremony, his successful new show on the UPN, his continuing touring of the circuit in stand-up and for Madagascar

There are those who think Chris Rock isn’t the best comedian in America because he’s not mainstream, but just an appealing voice to the black crowd. Those critics should’ve seen him handle the stage at the most mainstream event there is: the Oscars. While the press made a big deal of a completely non-existent feud he had with Sean Penn, he worked the crowd with as much class and humor as any other host. He also leant his talents to Madagascar, the top-grossing cartoon of the year and made one of the year’s best new TV shows about his childhood growing up in Brooklyn, with comedic monologues featured in flashbacks, another way to get his stand-up co

6. Ricky Gervaise for continuing contributions to TV with “Extras” and for voicework in Valiant

Most of us were not satisfied with Gervaise for producing only twelve regular season episodes of The Office and that’s why we’re thankful to have him back on our TV in any way, shape or form. He made an HBO series about two extras that was must-see TV on Sunday nights for at least another six weeks, this time with a more likeable protagonist and the village idiots being carried out through stunt casting.

7. Vince Vaughn for breakout role in the Wedding Crashers

Vince Vaughn’s rapid fire monologues was what separated Wedding Crashers from a B-grade raunchy comedy to one of the summer’s biggest hits. Before this year, Vaughn was in a lot of funny movies, but this year we were more sure that he was the cause of and not just a lucky guy in the middle of them.

8. Jason Lee for My Name is Earl

This incredibly far-fetched idea for a sitcom suddenly becomes amusing and watchable in the hands of Jason Lee.

9. Penn and Teller for there magic act and for making The Aristocrats

The Aristocrats got mixed reviews, but it was pretty ingenious way to separate the men from the boys (and the women vs the girls, of course) by giving them all a crack at the same joke, and it was all done out of a love of comedy. They also got more publicity for their magic act, which has its moments, too, although Penn does talk a little too much and can give you a headache (but Teller compensates for it, I suppose).

10. Alec Baldwin for bit roles on TV and in movies-

Baldwin is an incredibly underrated comic actor, probably because people take him seriously, but he never misses a beat and dives into a comic part with 110% intensity. He was recently in a minor film with Matthew Broderick called Open Shot which came out on DVD this year and was also in Fun with Dick and Jane, plus he guest-starred on Will and Grace and hosted Saturday Night Live (try downloading his Scoutmaster molests Canteen Boy sketch from the early 90s, to see how funny he can be).