Showing posts with label Futurama. Show all posts
Showing posts with label Futurama. Show all posts

Sunday, February 09, 2025

Top 25 Characters of 2024

 Another delayed listicle. I have long loved doing this 25 characters list.

You can see a couple of them here and another one here

1 Andrew Yancy (Vince Vaughn), Bad Monkey- Like the hard-boiled detective or the steadfast cowboy, Yancy marches to the beat of his own drummer. Yes, he would love to get it on with a hot detective, get his badge back, or enjoy tormenting his waspy neighbor (he’s more chaotic than lawful good), but not if it means letting a white collar criminal go free. It’s the archetype of the wayward American hero across multiple genres, but not many characters can walk the walk,  and talk the talk with such gusto. And it’s Vince Vaughn playing the part, so we know right off the bat, this guy can at least talk that talk.




2 The Goddess Deliria (Hannah Wadddingham) Krapopolis-Let’s face it. Most Gods have a hint of vanity. It’s sort of a requirement for the job, isn’t it? The difference between Deliria and your run-of-the-mill p is that she exists on pure vanity. And enough motherly instinct to make her recognizable for those of us with tough-love mothers. But not too much or the show wouldn’t be as riotously funny.



3 Tom Ripley (Andrew Scott), If Matt Damon’s snub at the Oscars for the 1999 film was one of the biggest tragedies of that era, it’s pretty remarkable that Scott can come in and fill those shoes with such fearlessness. Scott’s Ripley is somehow both more forcefully vindictive, and more understated than Damon’s creepy leech interpretation.


4 Jerry (Mike Patrick O’Brien), What We do in the Shadows-The key to adding a character late into the mix of a show’s run is they have to be rough around the edges. Jerry is a perfect foil in that he has the nerve to call out his fellow vampires on their sloth. Every character choice that went into to Jerry was a winner from his outfit as a Transylvanian butler, to his Pinky-and-the-Brainesque casualness about the task of taking over the world, to his aloofness to his role in a Nandoor-induced love triangle


5 Rogue, X-Men 97- If I were to rewatch an old episode of X-Men, it would be for the cringey puns based on ridiculous regional stereotypes. In other words, the Cajun Gambit, the Canadian lumberjack Wolverine, the Black Pantheresque Storm, and Southern Belle Rogue are the caricatures worth ironically laughing at, with a little bit of 90s child Jubilee adding some seasoning. In this attempt to mature the season to accommodate the aging of its primary fan base, the show has miraculously managed to keep Rogue cringe while giving her an actual arc.

6 and 7 Morgan (Justine Lupe) and Sasha (Timothy Simons), Nobody Wants This- I’ve been slowly learning that the difference between a romantic drama and a romcom is all in the supporting players. If there’s laser focus on the leads, then it’s the Richard Linklater Before series. Add the leads’ social circles as stand-ins for their romantic values, and add an extension a dose of quirk and it’s a party. That’s what you have here with a will-they-won’t-they-oh-no-they-can’t….can-they?



8 Amanda LaRusso (Courtney Henggeler) Cobra Kai- The bizarreness of a modern-day high school environment (with its emphasis on anti-bullying compared to the ‘80s), in which teenagers have to learn karate just to survive a Mad-Max-like dystopia of constant bullying, has had a strong need for a deadpan skeptic like Amanda. But at the end of the series run? Screw it. Amanda as the karate equivalent of a soccer mom feels like a more apt direction at this point.



9 Tindaro (Dougie McMeekin) The Decameron-My favorite show of the year was an upstairs-downstairs comedy set in a century where both sides of the societal divide were equally at the mercy of plague-carrying rats. And the bumbling hypochondriac Tindaro would probably not get very far in the “who lives longest” betting pool. But this rotund ball of delight proved full of mettle in a relatively dynamic arc.


10 Eddie Horniman (Theo James)The Gentlemen-In an era when nepobaby is a bad word, it’s not easy to root for anyone with such generational privilege. But it certainly helps that Eddie is never more than a couple false moves from having his head, the heads of those he cares about, and those under his employ blown off. As the title suggests, he’s a sly operator but also a class act.


11 Rufus Coatesworth, Death and Other Details-Considering there are so many takes on the eccentric, tunnel-vision. detective — whether modeled after Hercules Poroit, Sherlock Holmes or whatever the hell Daniel Craig is doing in Knives Out — it’s pretty remarkable for Mandy Patinkin to come up with such a unique creation here, as the detective entrusted with solving the murder of his protégé’s mother.


12 Dove Maloney (Siobhan Cullen), Bodkin- Fitting squarely in the category of female firecrackers who won’t let anyone put them in a box, Dove is the best of the trope. Of course, it helps for a hard-core journalist to have a great foil, in the hapless podcaster Bodkin (played with aplomb by the introspective Will Forte): A directionless and obtuse foreigner particularly with what she sees is a naive kindness.



13 Principal Cinnamon Scuttleworth (voiced by Phil Lord), Clone High- It was thrilling to see my favorite one-season wonder return to the airwaves but the sharp edges of these characters had been filed off and the new additions were pure vanilla. Except Scuttleworth. He has the hamminess of a cartoon villain with a couple ounces of pathos for good measure. You might enjoy seeing him blown up like a Looney Tunes villain, but you root for him to piece himself back together for his next crazy scheme.


14 Nadja, What We do in the Shadows-The best thing about the “Guillermo and the vampires become tech bros” arc is how enthusiastically Nadja assimilated. Her treatment of Guillermo and most other humans as pesky miscreants who are mostly useful for menial labor and meals, so she was always a good fit for the world of passive aggressive one-upmanship of Wall Street.

15 Dexter (Leo Woodall), One Day- What’s this, the thug from White Lotus is a sensitive heart throb underneath all those tattoos? Well, even as a straight guy, I thought Woodall was pretty hunky. But watching him sell this gender-flipped beauty and the geek romance. I’m impressed.


16 Dr Kristen Bouchard (Katja Herbers) , Evil-The show gets a lot of mileage out of this extremely charismatic actress who telegraphs so much with her face.
17 The Bleacher Creatures, Clone High-We all know that the cool kids in school are never the most interesting. Giving Christopher "Topher" Columbus villain friends was the best thing the second season ever did.  
18 Det. Helen Chamberlain (Danielle MacDonald), The Tourist-A brilliant detective with a heart of gold. That successfully sets up a labyrinthine plot to get away from an evil captor and can't pull it off. That's an interesting choice.
19 Mr Beast (James Donaldson), Beast Games-The Beast Games were a disappointment, but it was an interesting glance into the mind of history's most successful YouTuber. Despite attempts at cancellation, he's one to root for.
20 Ethan Crum (Greg Larsen), The Tourist-Helen, Elliot, meet your comic relief. Now that that's out of the way...
21 Beatrice Worth (Brooke Lena Johnson), Cruel Intentions-If the show (like the movie) is centered against the two amoral step-siblings, then Beatrice is your sidelined hero. She had casual sex with one sibling (let's applaud her for sex positivity) and tried to pledge three times to the sorority of the other, but adolescents are complex and conflicted. She's still the right person to take down the elitism in my book.
22 Android SM 33 (voiced by Nick Frost), Star Wars: Skeleton Crew- Confession, I just li
23 Frank the Temp (I can't even remember; that's the point), Futurama-At long last! Someone who's less respected among the crew than Zoidberg
24 Colin Robinson (Mark Porsch), What We Do in the Shadows-Colin has always been a wonderfully jagged fit to the rest of the vampires, and I'll miss him tremendously. Who ever thought of a villain who's super powers were based off boringness. 
25 Heather (Edi Patterson), Resident Alien-Heather, the avian alien who visits Earth for a bureacratic check-up, has a resistant courtship and an epic whirlwind romance. It's thanks to Heather, we now know how Harry's gills are cleaned. We are eternally greatful.


Tuesday, February 20, 2024

Taking a look at the Writer's Guild of America List of 101 Best Written TV Shows

https://www.wga.org/writers-room/101-best-lists/101-best-written-tv-series/list

1. “The Sopranos”
2. “Seinfeld”
3. “The Twilight Zone” (1959)
4. “All in the Family”
5. “M*A*S*H”
6. “The Mary Tyler Moore Show”
7. “Mad Men”
8. “Cheers”
9. “The Wire”
10. “The West Wing”
11. “The Simpsons”
12. “I Love Lucy”
13. “Breaking Bad”
14. “The Dick Van Dyke Show”
15. “Hill Street Blues”
16. “Arrested Development”
17. “The Daily Show with Jon Stewart”
18. “Six Feet Under”
19. “Taxi”
20. “The Larry Sanders Show”
21. “30 Rock”
22. “Friday Night Lights”
23. “Frasier”
24. “Friends”
25. “Saturday Night Live”
26. “The X-Files”
27. “Lost”
28. “ER”
29. “The Cosby Show”
30. “Curb Your Enthusiasm”
31. “The Honeymooners”
32. “Deadwood”
33. “Star Trek”
34. “Modern Family”
35. “Twin Peaks”
36. “NYPD Blue”
37. “The Carol Burnett Show”
38. “Battlestar Galactica” (2005)
39. “Sex & The City”
40. “Game of Thrones”
41. (tie) “The Bob Newhart Show;” “Your Show of Shows”
43. (tie) “Downton Abbey;” “Law & Order;” “Thirtysomething”
46. (tie) “Homicide: Life on the Street;” “St. Elsewhere”
48. “Homeland”
49. “Buffy the Vampire Slayer”
50. (tie) “The Colbert Report;” “The Good Wife;” “The Office” (UK)


My thoughts on the list:
1. Unlike film history, TV history is unpleasantly rigid over what's classic and what isn't. I've seen quite a few best of TV lists and Simpsons is always considered a classic but Futurama isn't. Ditto for Bewitched over I Dream of Jeannie or Bob Newhart over Newhart. Likewise the one medical show everyone always includes is ER, the one old-timey Western show is Gunsmoke and the family-themed sitcom from the 80s everyone includes is Family Ties (I preferred Growing Pains, Who's the Boss or Mr Belvedere)
2. Socially significant shows like All in the Family, Cosby Show or MASH always rank high regardless of actual laugh value though I suspect some people find MASH or Cosby Show funny.
3. What's odd is that All in the Family, in particular, is highly dated and it's reputation has remained the same over the years despite the fact that it's pretty much unwatchable today. Coincidentally, I suspect Cosby Show is losing classic status fast. I also feel like Seinfeld is getting dated. It's a show mostly about dating and dating today is nothing like dating in the 90s. Larry Sanders Show seems heavily dated to me. Will and Grace (#94) is extremely dated and by today's standards, those characters are so stereotypical that people would find them offensive. Even Will is more stereotypical than many of the gay characters on TV today.
4. I don't know anything about what shows were highly rated before the 90's, but Fraser, Friends, and ER were the highest rates shows of that era IIRC and coincidentally they're the entries on the list which lends credence to the fact (the Emmys support this notion) that any show that's highly rated is gonna have a place in history. If you ask me the best shows of the 1990s were Newsradio, Spin City, and 3rd Rock from the Sun, but I suppose they didn't get to be the "dominant" show
5. Freaks and Geeks is on the list. OK, great, but on the brilliant-but-cancelled list, where's Commander In Chief, Clone High, Pushing Daisies, etc.
6. There are a number of shows like Beverly Hillbillies and Three's Company that I personally thought were extremely clever and hilarious, but I guess they weren't classy enough?
7. Kind of glad that Happy Days didn't make the list. It does seem kind of bland in retrospect although I thought it was cool growing up. Then again, I thought Saved by the Bell was cool. Aren't I gullible.
8. I would have thought Alias or Prison Break would have made the list. Among newer entries, I'm happy to see Downton Abbey, Boardwalk Empire, and Modern Family there

Wednesday, January 31, 2024

Top 12 Shows of 2023

 

Photo by Freestocks on Unsplash

Here is my annual Top 12 in TV (for past editions, see here and here). My list of honorable mentions is here:

1. Party Down (Starz)

Party Down

When it debuted in 2009, Party Down was one of the early runners of TV’s Golden Age with its strong ensemble, dripping ennui, and envelope-pushing humor. The show centers around six creative has-beens and not-quite-there-yet characters in Hollywood during their downtime at various catering gigs. In the original run, a status-quo-favoring Murphy’s Law kept the characters from getting too successful. To counter this depressing set-up, the characters fully embrace their purgatory with a sense of hedonism that rubs against the subculture of the week in hilarious ways.

To see Party Down return without a single change is worth celebrating, but the show opted for the more challenging route and allowed them to exit and find success. Or at least the possibility of it, however fleeting. The show’s hiatus lasted 14 years and a decade has passed in-universe. To keep the truth and fun in these characters amid such changing conditions is no easy accomplishment.

Stories are made and broken based on how they resolve. At the end of the day, Party Down resolved on the most pitch-perfect note for me.

2. Futurama (FOX)

Futurama (FOX)

Good news, everyone! Like Party DownFuturama came back from the dead. For the third time, no less! The show continued to provide sharp evergreen humor balanced with seasonings of topicality: The show approached anti-vaxers, Amazon warehouse conditions, cancel culture, binge-watching, and a particularly clever cross-genre episode set in the old West amidst a Bitcoin mining rush. The show also continued to navigate the aftermath of the Leela-Fry relationship while keeping things fresh.

3. Killing It (Peacock)

Peacock’s ode to the bizarre scheme, Floridians is so popular that it grows in its sophomore season to cover more challenging moral implications while maintaining the sense of free-for-all fun. As the second season opens, the two protagonists (Claudia O’Doherty and Craig Robinson) are enjoying a brief respite of success as proprietors of a palmetto berry farm before getting entangled with a truant inspector (Beck Bennett); a white trash family (led by Dot Marie Jones) who are not above coercing our heroes for free health care); a mob boss (Tim Heidecker) and his adorably vicious daughter (Anna Mae Quinn); and the FBI because that’s where all these stories tend to end. The now well-established chemistry between Robinson and O’Doherty grows into the rare opposite-sex platonic relationship on TV that grounds the show with warmth. This is a season that establishes itself as next-level TV, however, by adding another layer to show their subtle moral differences and how unadulterated kindness can only take you so far in the business world.

4. Pain Killer (Netflix)

Limited series docudramas have made quite the dent in the TV landscape as of late with Inventing AnnaDrop Out, and the like. None have had the bite and emotional truth of Pain Killer. The show presents a tapestry of people involved in the opioid crisis. Matthew Broderick epitomizes the modern-day corporate oligarch who’s completely detached from the deathly consequences of his profit motive. He’s so slimy and aloof in this role, that he washes away any goodwill that used to come with his boyish features since the days of Ferris Bueller. Facing off against him and his corporation is a federal prosecutor in rural Virginia on the side of the righteous (Uzo Adoba). While the series is set with the proper gravity of the opioid crisis (AKA it can be a downer), there are glimmers of hope and pathos. It’s a thoughtful series, but also a kinetic one like a police procedural.

5. American Auto (NBC)

American Auto https://www.nbc.com/nbc-insider/american-auto-season-2-on-nbc-what-to-know

Justin Spitzer’s follow-up to NBC hit Superstore aims for a target in the upper-income bracket. Starring SNL alum Ana Gasteyer, the show takes place in the executive suites of a Detroit motor corporation. Our audience surrogates are put-upon communications officer Sadie (Harriet Dyer) and the blue-collar worker Jack (Tye White), who got promoted upwards through sheer dumb luck. As the series progresses, however, Jack and Sadie show signs of being more comfortable in their first-class digs than they do being among the common people. Rather than poke fun at rich and powerful people for simply being rich and powerful (the method of present-day satire like The Menu or Glass Onion), American Auto presents rich people as both being victims of their detachment but also a product of an ecosystem of enhanced scrutiny and increasing demands on the shareholders. Most of the time, however, it’s just a damn funny workplace sitcom.

6. Rough Diamonds (Netflix)

Rough Diamonds on Netflix.com

The issues of insularity, abuse, and lack of free will in ultra-Orthodox Jewish communities, have made a rife breeding ground for great drama in film and television. Rough Diamonds adds a European flavor to the mix as it is set in the shady world of the diamond trade in Antwerp, Belgium. The story centers around family pariah Noah who went straight from an insular, religious life into the criminal underworld of London. A dozen years later, he returns when one of his three siblings commits suicide. He soon learns that despite their holier-than-thou attitude (quite literally), his family isn’t much better at keeping their professional aims above criminal activity. The parallel compromises in morality that Noah and his brother must make, are a theme here. It is a tense pressure cooker of the show that provides a relatively even-keeled look at the issues surrounding the community.

7. The Class of 07 (Amazon)

The Class of 07

The 10-year reunion at an all-girls Australian school turns into a semi-apocalypse whereby all the participants’ old grudges resurface. If Crayola’s top engineers ever arrived at a color blacker than black, that would be the best description for this show’s brand of comedy. Few shows so tonally bleak have ever been played out for comedy like this — at various points, the characters resort to eating shoes, hold a town hall over which survivor they’ll be eating, and make their peace with intended murder. Yet, it’s all juxtaposed against the kinds of delights of long-lost friends reconnecting and working out their struggles. To the degree that the Bechdel Test still is a thing, this show deserves credit for adding so much weight to each of its female friendships and treating them as a means to their end.

8. The Marvelous Mrs. Maisel (Amazon)

The Marvelous Mrs. Maisel

In its fifth and final season, the show boldly incorporates several time jumps to show that there’s light at the end of the tunnel for our struggling Borscht Belt comedian and her cantankerous agent. Managing parental expectations, commercial success and lasting love will never be easy for someone who ventures so far outside of the bounds of her era’s norms, but that’s what makes Midge a character to root for. That, and she can work a room with such charm. In its final season, Marvelous Mrs. Maisel was as sharp, funny, and warm as ever. In other words, it left us wanting more and that’s what any good performer would hope for.

Check out my interview with Caroline Aaron ahead of the final season

9. Schmicago AKA Shmigadoon Season 2 (Apple)

Schmicago AKA Shmigadoon Season 2 (Apple)

What do Sweeney ToddHairPippenAnnieGodspellChicago, and Cabaret have in common? If you’re thinking “Virtually nothing”, you’re not wrong. This is why Schmicago (AKA Schmigadoon) deserves much credit for integrating such a tonally wide range of musicals and weaving them into a coherent story in just episodes. As with the best parodies, the production values and quality of the songs veer razor-thin to the source material while making notable departures when there’s an opportunity for a good joke. Cecily Strong and Keegan Michael Key play the audience surrogate and Strong in particular has to be given credit for her deadpan reactions. Several heavy hitters on Broadway (Aaron Tevit, Dove Cameron, Kristin Chenoweth, Jane Krakowski, etc.) set the bar even higher, and now how to add a winking dose of humor to an authentic show-stopping number.

10. Tiny Tunes Looniversity (HBO Now)

Tiny Tunes Looniversity (HBO Now)

Another reboot that hit some chords with me. The show re-imagines some of the beloved figures of our childhood (I’m assuming that everyone is a child of the 90s. If not, I apologize for your imperfections) as existing within a more coherent universe. In contrast to the original which struggled to maintain any geographical continuity in sketches that took place outside of the shared high school that the characters shared, this show takes place entirely within the confines of a university for toons, allowing for a lot more world-building. The five main characters (Babs, Buster, Daffy, Hampton, and an ascended extra in Sweetie Bird) all are dorm mates coping with the rigors of college. The strength of the show is how well they tweak the characters where needed: Characters like Bugs and Babs are the same, but Sweetie (who was only featured in one episode in the original) is maniacally bipolar; Shirley the Loon is more modern-day hipster than a clairvoyant Shirley MacLaine expy; and Dizzy Devil is a needy manchild with a kind heart.

11. Ghosts (CBS)

Ghosts (CBS)

Eight ghosts from different eras (the 60s hippie movement, the Guided Age, Wall Street excess, the Revolutionary War, etc) inhabit an upstate New York mansion with the ability to talk to just one of the home’s two owners. But as anyone can tell you, it’s the delivery that makes the difference. The eight actors (largely unknowns outside of Rebecca Wiscocky) create comically rich characters with rife potential for great comic dynamics (imagine a Victorian-Age snoot interacting with a free-wheeling Prohibition-Era jazz singer: You get the idea), and the dialogue never fails to exploit these possibilities. The eight ghosts provide the laughs while the couple at the center (Rose McIver and Utkarsh Ambudkar) provide the TGIF-ish heart.

12. Jury Duty (Amazon)

Jury Duty (Amazon)

This one’s gonna take some explanation, so bear with me. This show is a reality/comedy hybrid in which everyone in a Los Angeles court trial is an actor except one unsuspecting sweetheart named Ron. The goal of the actors is to A) Convince Ron that they are real at whatever they’re supposed to be (judges, lawyers, fellow jury members, etc.), B) Create comedy by adding bizarreness through the proceedings, and C) Give opportunities to show Ron as a good guy. Also, mid-level actor James Marsden is here and he plays himself. Only a little more conceited. Again, it’s one of those things It’s nowhere near the first reality show in the medium’s history to give its contestants or contestants a skewed version of the truth, but few have engineered the story arc in such a heart-warming, funny, and clever way. Credit where credit is due: Showrunners Gene Stupinsky and Lee Eisenberg were big forces behind The Office, and their next project looks to be equally promising.

For video reviews, check out my YouTube channel.

Honorable Mentions (covered in a separate article):

The Afterparty (Apple), Captain Fall (Netflix), Florida Man (Netflix), Hello Tomorrow (Apple), History of the World Part II (Hulu), Krapopolis (Fox), Mulligan (Netflix), Night Watchman (Netflix), Poker Face (Netflix)

Everything I watched:

After Party (Apple), Agent Elvis  (Netflix), Alaska Daily (ABC), Alex Borstein: Corsets and Clown Suits (Amazon), American Auto (NBC), Animal Control (Fox), Animaniacs (Hulu), Based on a True Story (Peacock), Big Door Prize (Apple Plus), Black Mirror (Netflix), Captain Fall (Netflix), Carol at the End of the World (Netflix), Class of 07 (Amazon), Cleopatra (Netflix), Cunk on Earth (Netflix), Cruel Summer (Freeform), Disenchantment (Netflix), Diplomat (Netflix), Florida Man (Netflix), Futurama (Hulu), Ghosts (CBS), Good Omens (Amazon), The Great (Hulu), Hello Tomorrow (Apple), History of the World Part I (Hulu), House Broken (Fox), It’s Always Sunny (FX), Jury Duty (Amazon), Killing It (Peacock), Krapopolis (Fox), Mrs Davis (Peacock), Mayfair Witches (AMC), Miracle Workers (HBO), Mubar (Netflix), Mulligan (Netflix), Marvelous Mrs. Maisel (Amazon),Not Dead Yet (ABC), Night Watchman (Netflix), Night Court (NBC), One Piece (Netflix), Pain Killer (Netflix), Party Down (Starz), Praise Petey (Freeform), Righteous Gemstones (HBO), Rough Diamonds (Netflix), Poker Face (Peacock), Saturday Night Live (NBC), Scott Pilgrim vs the World (Netflix) (very little), Schmigadoon (Apple Plus), Shrinking (Apple), Studio C (BYU TV), That’s My Jam (NBC), Tiny Toons Looniversity (Toon Network/HBO Now), Transatlantic (Netflix), Unstable (Netflix), Welcome to Flatch (Fox), Working Moms (Netflix), What We Do in the Shadows (FX),Yellowjackets (Showtime)