Inventory of Non-Original Films From the Last Decade

My goal in selecting films (especially at the movie theater) is to generally support original films. This is a necessity in a moviegoing landscape in which there’s barely air to breath for non-I.P. films.

However, I don’t bat .1000 and there is certainly a certain amount of films that are worth seeing anyway. Chris Nolan was originally hesitant to direct the Batman series because he didn’t want to be hemmed in. He eventually decided that he could make Gotham anything he wanted it to be and didn’t have to be beholden Tim Burton’s vision. It’s under that attitude that a lot of auteurs take these projects, and there is the plus of bigger budgets and paychecks . Or at least say that in hopes of stomaching the bigger paychecks.

However, there are limits in terms of the absurdity of these concepts. Perhaps to my detriment, I would not see Lego Movie no matter how good people said it was. A franchise based on toys that openly admits in the title that it’s a cash grab for merchandise sales? No thanks.

I looked through every non-original film I've seen in each of the years since I started keeping track of my movie viewing habits around 2002.

It should also be noted that some very acclaimed films like The Joker, Anatomy of a Fall, All Quiet on The Western Front, Mad Max Fury Road, Star Wars the Force Awakenings, Departed and Chicago were all unoriginal, so it's not necessarily an indicator of bad quality and there are levels to which these are original or unoriginal.

2024:

Borderlands-Video game Adaptation

Gladiator 2-Sequel

Wicked-Broadway adaptation

Madame Webb-Comic book adaptation

Inside Out 2-Sequel

Ghostbusters Frozen Empire: Sequel

Dune 2: Sequel

Best: Wicked certainly capitalized on the technical capacities of cinema. The color palette, richness of sound, and technical effects are more than enough to justify this cinematic adaptation. Not to mention, the Kubrick-like task of hand planting every rose for the multi-colored theme in the opening scene.

2023:

Indiana Jones and the Dial of Destiny-Sequel

Asterisk and Obelisk-Comic book adaptation

Super Mario Brothers-Video game/TV adaptation

Haunting in Venice-Sequel (Remake)

Mission Impossible 7-Sequel

Book Club 2-Sequel

Anatomy of a Fall-Remake (Anatomy of a Murder)

Best: I applaud Haunting in Venice for going in new directions with the same character and theme. But the winner is Indiana Jones and the Dial of Destiny for doing so many things that one would think impossible for an action film with an 80-year-old lead. The film works with Harrison Ford’s age and continues to deliver realistic action scenes; it blends historical intrigue into its plot masterfully; it matches the tone of the original; it exhibits excellent chemistry between the leads; and it continues the motif of moving the film forward a decade and playing around in the entrapping of the 60s.

2022:

Enola Holmes 2-Sequel (Spin-Off)

Death on the Nile-Sequel (Remake/Literary)

Rosalie-spin-Off (Romeo and Juliet)

Dr Strange and the Multiverse-Sequel/Crossover

Valet-Remake

Top Gun Maverick-Sequel

Knives Out: Glass Onion-Sequel

Hotel Transylvania 4-Sequel

Batman-Reboot

Winner: Obviously, Top Gun. The film doesn’t aim for depth but feel-good summer fun with a dose of “USA Rules!” sentimentality, and it works. Tom Cruise never has to do much acting to simply be Tom Cruise, but the cast is a murderer’s row of younger stars and watching them have the time of their lives is where the party is.

2021:

Tick Tick Boom-Broadway Adaptation

Cruella-Live action remake

Space Jam 2-Sequel/Reboot

Legend of Shang-Tsi-Comic Book Adaptation

West Side Story-remake

Winner: Space Jam 2. The good-natured LeBron James can only carry the movie so far, but it’s really about these archetypic cartoons and the visual humor of the animators keeping up with them in the story. I

Edit: I forgot West Side Story, so yes, that. Remaking a classic is no easy task, and Spielberg and crew do an amazing job of reinventing each dance number with greater context and (I’m not going to say better; how can you top Jerome Robbins?) unique panache. The film is prescient and rich without feeling too bluntly political.

 

2020:
Bill and Ted Face the Music-Sequel

Rebecca-Remake

New Mutants-Spin-Off

Birds of Prey-Spin-Off

Prom-Musical Adaptation

Borat 2-Sequel (TV adaptation)

Enola Holmes-Spin-Off (Public Domain)

Downhill Remake (Force Majuere)

Sonic the Hedgehog-Video Game adaptation

Winner: Bill and Ted Face the Music is a sequel with a 29-year lag, so this was extra special watching it in a movie theater. It has a very unique sense of humor that harkens to the airheads of the 1980s with the twist that they are heroes on a cosmic scale: The fate of humanity somehow rests on them.

However, the American remake of Force Majuere is just the right combination of cringe humor and pathos to hit me in the right places.

2019:

Aladdin-Live Action Remake

Zombieland 2-Sequel

Men In Black International—Spin Off

Terminator Dark Fate-Sequel/Spin-Off

X-Men Dark Phoenix-Sequel (Reboot)

Jumanji Next Level-Sequel (Game Adaptation/Remake)

What Men Want-Remake

Joker-Spin-Off

Dumbo-Live Action Remake

Frozen 2-Sequel

If I went off my top ten list, it would be Joker, but is that really an intellectual property work. It’s mostly just a grand manifesto on the origins of violence marginally disguised as a superhero flick. I applaud it’s marketing and the fact that it could use the DC Comics banner to dupe a lot of low-literacy movie goers into seeing a more sophisticated film.

But in terms of a film that is riding the tails off a franchise, Zombieland 2 was a lot of fun. The chemistry of the gang, the comic relief provided by the Zoey Deutsch character, and in all honesty, I’ve never seen the zombie set-up done so well for a light comic relief angle.

2018:

Wreck It Ralph 2-Sequel

Tomb Raider-Reboot

Teen Titans Go to the Movies-TV Adaptation

Ocean’s 8-Reboot/Spin-Off

Ant Man and the Wasp-Sequel (Comic Book Adaptation)

Hotel Transylvania 3-Sequel
Solo-Prequel

Aquaman-Comic Book Adaptation

Overboard-Remake

A lot of serviceable entries here but no stand-outs. Solo has the epic feel of a Star Wars production and it’s not particularly bad. Alicia Vickaner, one of my favorite actresses, brings a certain credibility to Tomb Raider. Wreck It Ralph and Hotel Transylvania are among my favorite cartoon franchises. But the award goes to Aquaman. It’s so ridiculous (particularly from a science perspective), it goes back to being good again. This isn’t to suggest that Jason Momoa is as charming as he thinks he is, but he’s serviceable and doesn’t get in the way of the plot.

2017:
Cars 3- Sequel

Wonder Woman-Comic book adaptation

Kong: Skull Island-Prequel

Murder on the Orient Express-Remake
Pirates of the Caribbean: At World’s End - Sequel

Murder on the Orient Express is a thinking man’s tent pole. The original was directed by the great Sidney Lumet and the cast had no less than six Oscar winners along with the incomparable Tony Perkins and Jacqueline Bisset. This one also has an all-star cast with  challenging roles to sink their teeth into. It’s easy in an ensemble piece like this for the plot to become an afterthought, but I found myself more into the plot than before. Was the CGI a little overdone? Admittedly, yes. Was Kenneth Branagh a little hammy? Sure, but it’s his damn movie, so I’ll let it slide.

2016:

Inferno-Sequel (Book adaptation)

Star Trek Beyond-Sequel

Now You See Me 2-Sequel

Suicide Squad-Spinoff/Comic Book Adaptation

Magnificent Seven-Remake

Batman vs Superman-Crossover

X-Men Apocalypse-Sequel (Reboot)

Finding Dory-Sequel

Ben Hur-Remake

Dr. Strange-Comic Book Adaptation

Alice Through the Looking Glass-Sequel

Ghostbusters-Remake

I’m calling a  four-way tie.

1)      Now You See Me is my guilty pleasure. I’m sure every aspiring musician has dreams of not just wowing the audience but using his abracadabra to play robin hood, engage in ninja fighting, and be among the world’s most popular celebrities. It’s wish fulfillment at its most blatant, but I’m here for it.

2)      Magnificent Seven gives us the pleasure of allowing some acting giants (Denzel Washington, Ethan Hawke, Chris Platt) to play on the same time for once. There’s something incredible about a Western with authentic special effects. I’m sure Sam Mendes and Christopher Nolan would be complimentary of the explosives work that went into these battle scenes

3)      X-Men Apocalypse is a battle royale that juggles multiple storylines and character arcs in a way akin to a great ensemble film. Seeing Storm’s roots in Kenya or the Callabas’s equivalent of the dark web for mutant acquisitions. Quite a lot to play with.

4)      Finding Dory-There was a definite worry in the first half that Dory was just a drag on Nemo and Marlin. She was just grating, unappreciative, and not worth the trouble. But, man, the film hit me somewhere along the way. I was cheering and crying for the eventual reunion and in the same way that Ellen DeGeneres stole the show in Finding Nemo, Ed O’Neill surprised me in a big way here. Not to mention, you never go wrong with underseas visuals.

2015:

Jurassic World-Sequel/Reboot

Man from Uncle-TV Adaptation

Star Wars: The Force Awakens-Sequel/Reboot

Terminator Genysis-Reboot

Hunger Games: Mockingjay Part 2-Sequel

Hotel Transylvania 2-Sequel

Hot Tub Time Machine 2-Sequel

Pitch Perfect 2-Sequel

Ant Man-Comic book adaptation

Mad Max Fury Road-Reboot/Spin-Off

Not loving the aesthetic of Mad Max Fury Road, I’m tempted to go with Man from Uncle which oozed style and sophistication. However, Star Wars: The Force Awakens was another testament to the power of JJ Abrams as a storyteller. It seemed like the Star Wars story had come to a perfect conclusion, but JJ Abrams found a new angle on it.

2014:

Penguins of Madagascar-Spin Off

X-Men Days of Future Past-Sequel/Prequel

Into the Woods-Broadway Adaptation

Jack Ryan: CIA-Reboot

Captain America: Winter Soldier-Sequel

Into the Woods is definitely an unusually dark and playful musical even if there’s almost too much tragedy to take. Considering I feel like X-Men Apocalypse makes better use of its ensemble. Penguins of Madagascar is a weak entry in the field.

Seven Notes on the Surreal Third Season of the White Lotus

 

Credit: Global Watch Times

Notes on The White Lotus:
1. Patrick Schwarzenegger setting himself up for cancellation

If cancel culture and sites like Jezebel and Salon held more sway in today’s culture, Schwarzenegger would have been more hesitant to take the part of single-minded douche, considering the associations of the charges against his father. For those who don’t remember, the elder Schwarzenegger faced charges of sexual harassment when he was running for governor and he’s often been associated with a debatable brand of machoism. However, it warms my heart that Arnold Schwarzenegger has grown and is often seen as a voice of reason and compassionate masculinity in the press.

2. The naming of Saxon Ratcliffe is no coincidence

Patrick Schwarzenegger’s Saxon is a character you love to hate. He reflects the state of rich republicans and it’s certainly a fitting moment that even Duke University was quick to disown the Radcliffes publicly. It seems to have a broader context? Isn’t UNC always the more populist pick in the storied March Madness rivalry whereas Duke is the most hated college in the country for non-alumni? It’s also fitting that Saxon is his name, considering the Saxons are the tribe that conquered Great Britain, so this is the purest version of European whiteness one can get. Sidenote: By far, the richest and snootiest school district in Northern Virginia where I grew up is Langley High School which is home of the Saxons.

White Lotus is advertised with a tabloid/reality-TV veneer of “Come and get an inside look at the lusty lives of the mega-wealthy.” In the case of Saxon, his single-minded sex drive is connected to his power and desire to win at life. In molding his younger brother, that’s pretty much the only value he is instills in him.

Credit: Southern Living

3. Victoria: The show’s flattest character?

As much as I can’t stand Saxon as a character, he at least serves a purpose, which makes him watchable. In fact, I count three: 1) He’s a foil to Lochte, 2) He’s amusingly awful 3) We need someone to root for to get their comeuppance.

His mom, Victoria, (coincidentally a name intrinsically linked to British history), is just too caricatured to be realistic. To not know what country she’s in, or to not realize the benefits of her daughter having an alternate path to success (having “studied as a monk in Thailand” on your resume could look really good), makes her the worst character here. Parker Posey has received tremendous praise as an underground comedy darling, but this performance is miles below that reputation she’s cultivated. There’s no nuance here: She’s just a one-dimensional snoot.

4. Sam Rockwell: Unnecessary Cameo?

Alternatively, couldn’t Sam Rockwell’s character have been cut out entirely? The bizarre exploration of his kinks appeared overly tangential to the main plot, and it must have been quite the budgetary expenditure to get an Oscar winner on board. His only functional use was to keep Jim’s wife occupied while Rick had a moment alone with him. This could certainly have been bypassed in any number of ways considering Rick did 80% of the leg work.

Credit: Screenrant

5. The season seemed to have a rather casual view of suicide.

It’s rare to see suicide treated as a viable plot point in fiction, rather than an abnormal act of desperation. I’ve had suicidal thoughts (and no, I hardly care about the social stigma of admitting it) and I’m largely socialized to see those moments as my brain not working. However, there might also be value in acknowledging that it’s a practical solution, even if we still shouldn’t do it.

It might be interesting to analyze this suicide plot thread through the various religions that are explored in the show. The Ratliffe family becomes entangled in Buddhism through this journey, so it’s worth pointing out that suicide doesn’t fall in line with Buddhist teachings if you believe in karma. If the purpose of suicide is to escape your bad fortune (the exact reason for Timothy), then suicide doesn’t end the cycle of karma.

If we jump over to the origins of the church weighing in on suicide, my cursory research shows it was originally related to the seven deadly sins. The aesthetically focused church of the Middle Ages was about refraining from over-indulgence, and suicide came from despair which was the sin. This is ironic because Victoria instills her daughter Piper in a mild sense of hedonism: It’s a sin to go even a year of your life forgoing life’s modern amenities.

6. Belinda Turns into Tanya

I’ve always felt uncomfortable blaming Tanya for anything for oh so many reasons: 1) Belinda shouldn’t be praying on guests to help them out with her big investment; 2) Tanya gave her a fat envelope of money, that should be something; 3) If you’re trying to sell investors, you have to accept that if no contract is in place, they could back out at anytime; 4) If Tanya was an investor, she woItuld have had a say in the business, so Belinda dodged a bullet anyways.

On top of that, the Belinda-Tanya relationship was unfolding alongside the overriding narrative of Black Lives Matter. This was a movement I personally viewed as warping reason and putting Black people on too high of a pedestal. Under these optics, the criticism of the day was that Tanya HAD to be in the wrong because she was a White person not going out of her way to do right by a Black person.

It was refreshing in this season to have Belinda, the ghost of Tanya, and Pornchai simply be people and not stand-ins for the color of their skin.

7. The Ratcliffes Face the Most Open-Ended Fate in White Lotus History
With such high stakes and intertwining fates, a few people are bound to come on top in each season. I can appreciate the show’s feel good moments, but the Ratcliffe plot ended with a “What am I supposed to feel?” moment.

Timothy, Victoria, and Saxon are about to have their world blown to bits. Then again, it’s been pointed out that white collar criminals usually get off easy in this country, so maybe not. Whether Saxon learned anything from his incest scare is up for debate, though Patrick Schwarzenegger has said he tried to imbue things with a dramatic character arc. Lochte will probably be grateful to be alive. Therefore, Piper appears to be the biggest question mark.

Top 12 Shows of the First Half of 2025

1. Resident Alien (Syfy) – Long one of my favorite series on the airwaves, the increased entanglement of characters in the alien storyline has the potential to improve the sprawling ensemble piece into a tighter catharsis. It's only four episodes, but the infrastructure is really coming together.

2. The White Lotus (HBO) – The first three episodes were too slow of a burn for an eight-episode season. There were minor character tics that didn't quite land: The power lady trio never got hooky enough, the Scott Glenn character's actions made no sense, Sam Rockwell's relationship to his sexual and drug wagon were too tangential, and a White Lotus Parker Posey was more over-the-top than even a Christopher Guest Parker Posey. Still, this is by far, the best thing on TV and has so much ambition and craftsmanship at every step.

3. The Four Seasons (Netflix) – Unfairly compared to the original film by the critical sphere. Steve Carell, restless from his marriage (to Kerri Kinney), experiences a mid-life crisis and subsequent May-December romance that threatens to throw off the long-standing equilibrium of the friendship between three couples. The show's format of rotating over four vacations is clever. The show is largely populated with comedic actors, but it's oh so sweet, and the automatic reaction by the gang to the May-December romance is surprisingly salient.

4. Deli Boys (Hulu) – The show operates at that dark comedy level around Good Girls or the TV version of Fargo, but I'm not sure if I've seen a dark comedy that's so funny despite the WIDE proliferation of this genre. Poorna Jagannathan as the aunt steals every scene, and it's a blast seeing Brian George take on something new (speaking of something new, the Pakistani member of Queer Eye debuts as an Indian mobster). Aasif Ali and Saagar Shaikh handle every turn with this unique comic energy as if they've just boarded a roller coaster that they didn't know was going to be so intense.

5. Poker Face (Peacock)-Leans on the same three tropes every episode -- accidental murderer, detective in the right place at the right time, and deus-ex-machina to get the hero kicked out of her home every -- BUT Riann Johnson imbues every episode with movie-level quality. That's a pretty high level of consistency for a show that switches settings every episode

6. Ghosts (CBS) – My iTunes bill can confirm that I can't get enough of this show even when I think I've quit it. It's a rare sitcom that harkens back to the whimsical comedy of the mid-2000s as laugh tracks were getting left behind. It keeps expanding its world without losing charm: The show is the most evenly balanced and strongest ensemble.

7. Grosse Pointe Garden Society (NBC) – Even with a flat murder twist, the show delivers a compelling take on adulthood adrift and the intersecting plots are doubly rich. Two actors that have been begging for meatier work --Melissa Fumero and Josh Radnor -- turn in career-high work here.

8. America’s #1 Family (Amazon Prime Video) – Ramy Youssef pivots fully into comedy, shedding introspection for a breezier, punchier sitcom approach. It's an animated family sitcom and it fully uses the capacity of animation to make characters visually funny.

9. Black Mirror (Netflix) – Three episodes this season—Hotel Reverie, Bête Noire, and USS Callister: Into Infinity—were fully realized, while one episode (Eulogy) came close but ended up more of a downer than a provocative episode. Still, going four for six at this level of ambition this late into an anthology show's run is highly impressive.

10. Running Point (Netflix) – A sports-family sitcom powered by inspired casting—Kate Hudson, Drew Tarver, Justin Theroux, and Scott MacArthur—as siblings who inherit a basketball team. It moves fast, cleverly segments certain episodes to tangential stand-alone shots, and features a great array of guest stars.

11. Going Dutch (Fox) – Military culture gets a sharp satire here. The humor is a little broad at the dialogue level, but the basic premise-- a military support base that's exclusively designed for bowling, laundry, and cheese-making -- is pretty hilarious. The chemistry is so great between Taylor Misiak and Dennis Leary as a headstrong father and daughter working out their baggage years after childhood has ended, I'm here for it. Catherine Tate is miles better as a foil than she was on The Office.

12. Krapopolis (Fox) – Animated show set in a city adjacent to the glory of Athens. The show gets endless mileage out of reality-bending plots and mythology gags. There's plenty of amusing in-fighting within this clan, but it's more along the lines of a family sitcom, making it a kinder and gentler cousin to the nihilistic-leaning Rick and Morty and Solar Opposites.